!MEDIENGRUPPE BITNIK | CV

DOWNLOAD CV (PDF)

CV

!MEDIENGRUPPE BITNIK (CARMEN WEISSKOPF AND DOMAGOJ SMOLJO)

BORN 1976 IN ZURICH, SWITZERLAND AND 1979 IN VIS, CROATIA

LIVE AND WORK IN ZURICH AND LONDON 

This document was updated on 26 August 2021 and is for reference only.

SELECTED SOLO EXHIBITIONS

2019
Swiss Media Art: !Mediengruppe Bitnik, House of Electronic Arts, Basel — CH

2018
Decisions, Decisions, Decisions, Super Dakota, Brussels — BE 
Conexión (in)discreta, Gallery Weekend CDMX, Mexico City — MX 
Alexiety, with Low Jack, Panke Gallery, Berlin — DE 

2017
Are you online now? ANNKA KULTYS GALLERY, London — UK 
Alexa, who is Joybubbles, Société des Arts Genève, Geneva — CH 
Come chat with me, Art Lab EPFL, École Polytechnique Fédérale Lausanne, Lausanne — CH
is anybody home lol, EIGEN + ART Lab, Berlin — DE
Desperate times call for desperate measures, lol, Swissnex, San Francisco — US 

2016
Jusqu’ici tout va bien, Centre culturel suisse, Paris — FR
Welcome to Ecuador (featuring Adam Harvey), Zoo Gallery, Nantes — FR
!Mediengruppe Bitnik, Drugo more, Rijeka — HR
Is anyone home lol, Kunsthaus Langenthal, Langenthal — CH
Random Darknet Shopper, Aksioma, Ljubljana — SI 

2015
Random Darknet Shopper, Horatio Junior Gallery, London — UK
H3333333K, House of Electronic Arts, Basel — CH

2014
The Darknet – From Memes to Onionland. An Exploration., Kunst Halle St. Gallen, St. Gallen — CH 
Delivery for Mr. Assange, Helmhaus, Zurich — CH

2012
Lügen: UBS Lies / Polizei lügt, Kunstkabine, Museum für Kommunikation, Bern — CH

2011
Questions/Noise, Substitut, Berlin — DE

2010
Jusqu‘ici tout va bien, Espace Multimédia Gantner, Belfort — FR
Too Big To Fail / Too Small To Succeed, SPACE, London — UK
Too Big To Fail / Too Small To Succeed, Les Complices, Zurich — CH
Online 1: Opera Calling, Projektraum Enter, Kunstmuseum Thun — CH

2009
Parasite’s Delights, Stiftung Binz39, Zurich — CH

2008
Our Man in India, [plug.in], Basel — CH

2007
Download Finished, Cabaret Voltaire, Zurich — CH
Opera Calling, Cabaret Voltaire, Zurich — CH

SELECTED GROUP EXHIBITIONS 

2021
Proof of Art: A Brief History of NFTs, From the Beginnings of Digital Art to the Metaverse, Francesco Carolinum, Linz — AT 

2019
Playmode, Museum of Art, Architecture and Technology, Lisbon — PT
Luxus Privatsphäre / Mythos Anonymity, Propstei St. Peterzell, St. Peterzell — CH
Futures of Love, Magasins généraux, Paris-Pantin — FR
Tomorrows – urban fictions for possible futures, Le lieu unique, Nantes — FR
Behind The Screen, KINDL Berlin, Berlin — DE
Conspiratorial Aesthetics, Cressman Center for Visual Art, Louisville — US
FREEPORT: Terminal MCR, University of Salford, Manchester — UK

2018
Art Acquisitions 2011-2018, City of Zurich Art Collection, Helmhaus Zurich, Zurich — CH
CHEERS, EIGEN+ART Lab, Berlin – DE
Ubiquité, Bento, Mulhouse — FR
Digitale Narrationen, Forum Schlossplatz, Aarau — CH
Holen und Bringen – Fetch and Deliver, Werkleitz Festival 2018, Halle (Saale) — DE
Gallery.Delivery, Performance exhibition by Sebastian Schmieg, Berlin — DE
Algorithmic Lifestyle, Roehrs & Boetsch, Zurich — CH
Spy DIY, Electromuseum, Moscow — RU
Always Different, Always the Same. An Essay on Art and Systems, Museum of Fine Arts, Chur — CH
#DATAMAZE, DOX Centre for Contemporary Art, Prague — CZ
Data Dating – Sex, Love and Intimacy in the Age of Algorithms, Galerie Charlot, Paris — FR
Hidden / Secret with Sina Ataeian Dena and Francis Alys , Villa Merkel, Esslingen / Stuttgart — DE
I’m sorry, I didn’t quite catch that, arebyte Gallery, London — UK
INTO WORLDS. The Craft of Blurring Boundaries, Berliner Festspiele, M. Gropius-Bau, Berlin — DE
Future Love. Desire and Kinship in Hypernature, House of Electronic Arts, Basel — CH

2017
L’art au centre 25 ans dca, Palais de Tokyo, Paris — FR
Glass Room London, Store Front, London — UK
Digital Arts Fest, National Academy of Art, Sofia — BG
Feedback – Marshall Mcluhan and the Arts, West Den Haag Contemporary Art, The Hague — NL
I’m afraid I can’t do that, Dave, Gluon, Emaillerie Belge, Brussels — BE
Media Mediterranea 19: Digital Romance, Titov Park, Pula — HR
Our Bright Furture : Cybernetics Fantasy, Nam June Paik Art Center, Yongin — KR
Action!, Kunsthaus Zurich, Zurich — CH
Scenographies of Power: the Designed Materialization of Spaces of Exception, Ineditos, La Casa Encendida, Madrid — ES
Infosphere – El arte en la era digital, Centro National de las Artes (CENART), Mexico City — MX
Tomorrows, Urban Fictions for Possible Futures, Onassis Cultural Center, Diplareios School, Athens — GR
(DYS-)Tropism, Super Dakota, Brussels — BE
Dadaclub.online: the Exhibition, Spazio Contemporanea, Brescia — IT
How Much of This is Fiction, House of Electronic Arts, Basel — CH
How Much of This is Fiction, FACT Liverpool — UK
Dada. State of the Reference, Dadaclub.online, Link Art Center, Brescia — IT
Lanceurs d’alerte, La Gaîté Lyrique, Paris — FR

2016       
The Glass Room: NYC, Soho Store Front, New York — US
Dispatches – Live news through art, Southeastern Center for Contemporary Art, Winston-Salem — US
House of Impressions. Wandering with a Troubadour, The Pushkin State Museum, Moscow — RU
Digital Dark, Public Access Gallery, Chicago — US
Lodz Design Festival, Art Centre Lodz — PL
Corporate Parodies, Stadstriënnale Hasselt-Genk — BE
CyberArts 2016 – Prix Ars Electronica, OK Centrum, Linz — AT
CAMÉRA(AUTO)CONTRÔLE, Centre de la photographie, Geneva — CH
Whistleblower & Vigilanten. Figuren des digitalen Widerstands, HMKV, Dortmund — DE
L’image volée, Fondazione Prada, Milan — IT
Digital Archives, Kunstverein Hannover, Hannover — DE
Nervous Systems, HKW, Berlin — DE
The Black Chamber, Galerija Škuc, Ljubljana — SI
The Next Big Thing is Not a Thing, Bureau Europa, Maastricht — NL
Kunst und Nachhaltigkeit Vol. 5: Prix Mobilière 2016, Die Mobiliar, Bern — CH
Hacking Habitat – The Art of Control, Former Prison Wolvenplein, Utrecht — NL
Prix Mobilière 2016, artgenève, Geneva — CH

2015
Identfikuj me, G21Hub, Belgrade — RS
Always-on, Schule des Sehens, Johannes Gutenberg-Universität, Mainz — DE
(Artificial Intelligence) Digitale Demenz, HMKV, Dortmund — DE
Thing Nothing, Van Abbemuseum, Eindhoven — NL
Digitale Demenz (artificial intelligence), EIGEN + ART Lab, Berlin— DE
The 3rd Ural Industrial Biennial of Contemporary Art, Ekaterinburg — RU
GLOBALE: Infosphere, ZKM, Karlsruhe — DE
Wasting time on the Internet 2.0, Kunsthalle Dusseldorf, Dusseldorf — DE
Athens Digital Arts Festival, Athens — GR
Digital / Analog: Indifferenz, Motorenhalle, Dresden — DE
Invent the Future with Elements of the Past, Cabaret Voltaire, Zurich —CH

2014
Cosmos, The Shanghai Minsheng 21st Century Museum, Shanghai — CN
Leipzig Festival of Lights, Public Space, Leipzig — DE
Performa Festival, La Rada, Locarno — CH
大声展 – Get it louder Biennial, Beijing — CN
net.art Painters and Poets, City Art Gallery, Ljubljana — SI
Art Meets Radical Openness, Servus.at, Architekturforum Linz — AT

2013
Monitoring, Kunstverein Kassel, Dokfest Kassel — DE
Flashbacks, Stadtgalerie Bern — CH
Werkschau 2013: Kultur Kanton Zurich, F+F Zurich — CH
Physical City – Sensing Place, Rua da Madalena Project, Lisbon — PT
CCTV – A Trail of Images, Relevante Musik – Festival politischer Medienkunst, Berlin — DE
BiennaleOnline 2013, Artplus.com [online]
Streetview, Lichter Filmfest Frankfurt — DE
Social Sound, Stichting VHDG, Leeuwarden — NL

2012
Network Hack, La Gaîté Lyrique, Paris — FR
Werk- und Atelierstipendien der Stadt Zürich 2012, Helmhaus Zurich — CH
Yes we’re open, NiMk Netherlands Media Art Institute, Amsterdam — NL
The Social Contract, Artefact Festival, STUK Kunstencentrum Leuven — BE

2011
Together in Electric Dreams. Absent Presence, Beton7, Athens — GR
Dada New York II: The Revolution to Smash Global Capitalism, Cabaret Voltaire, Zurich — CH
Cops and Robbers: 7th Piemonte Share Prize Exhibition, Share Festival, Torino — IT
One Hundred Days of Manifestation, Bblackboxx, Basel — CH
Hoja Blanca – Weisses Blatt, Botica Cultural, Quetzaltenango — GT
Wem gehört die Stadt?, Schlachthaus Theater, Bern — CH
Together in Electric Dreams. Abwesende Anwesenheit, House of Electronic Arts, Basel — CH
Hoja Blanca – Weisses Blatt, Arte Centro Graciela Andrade de Paiz — GT
Hoja Blanca – Weisses Blatt, Casa Convento Concepción, Antigua Guatemala — GT
Hands on – Hacking & Bricolage, Electron Festival: BAC Bâtiment d‘art contemporain, Geneva — CH
Hoja Blanca – Weisses Blatt, Schmuck Inc., Weinplatz 7, Zurich — CH

2010
unterdessen, Museum Bärengasse, Zurich — CH
Hacking the City, Museum Folkwang, Essen — DE

2009
Cyberarts 09 – Prix Ars Electronica Exhibition, OK Offenes Kulturhaus, Linz — AT
Pronto!, [plug.in], Basel — CH
Leftover, White Space, Zurich — CH
Shifting Identities – (Swiss) Art Now, CAC Contemporary Art Center, Vilnius — LT
Urban Jealousy – Roaming Biennial of Tehran, Centar za Kulturnu Dekontaminaciju, Belgrade — RS
Neid, Gunststiftung, Zurich — CH
Schmuck Inc. – RESEARCH & DEVELOPMENT, Strehlgasse 26, Zurich — CH

2008
Urban Jealousy – Roaming Biennial of Tehran, Newyorck in Bethanien, Berlin — DE
Werk- und Atelierstipendien der Stadt Zurich, Helmhaus, Zurich — CH
StipendiatInnen, Stiftung Binz39, Zurich — CH
Shifting Identities, Kunsthaus, Zurich — CH
Urban Jealousy – Roaming Biennial of Tehran, Hafriyat Karakoy, Istanbul — TR

2007
Access, Shift – Electronic Arts Festival, Basel — CH
They call it Reality, Hartware MedienKunstVerein, Dortmund — DE
FWD:Re:Re:Re:Re:Re: Redirect, TAGallery, online exhibition, cont3xt.net
25 Years – Jubiläumsausstellung Stiftung Binz39, Binz39, Zurich — CH

MONOGRAPHS, SOLO EXHIBITION CATALOGUES & ARTIST BOOKS 

2017
<script>alert(“!Mediengruppe Bitnik”);</script>. Texts by !Mediengruppe Bitnik, VfmK Verlag für modern Kunst, Vienna (artist book)

2016
Random Darknet Shopper. Texts by Jon Lackman, Aksioma, Ljubljana — SI (artist book)

2014
Delivery for Mr Assange/Ein Paket für Herrn Assange. Texts by Daniel Ryser, Echtzeit Verlag, Basel (artist book)

SELECTED BOOKS & GROUP EXHIBITION CATALOGUES 

2019
Artistic Intelligence. Digital Archives. Digital Conditions. Texts by Kathleen Rahn and Sergey Harutoonian, Kunstverein Hannover, Hannover — DE (exh. cat.)

2018
Fetch and Deliver/ Holen und Bringen: Werkleitz Festival 2018. Texts by Moritz Altenried et al., VfmK Verlag für moderne kunst, Vienna — AT
Documents – Collecting Digital Art Volume 2 (2007-2018). Texts by Cecile Dazord and Domenico Quaranta, Les Presses du Réel, Dijon — FR
Always different, always the same. An Essay about Art and Systems. Texts by Lynn Kost, Snoeck Verlagsgesellschaft, Cologne — DE
Big Data und der digitale Ungehorsam. Texts by Eric Mülling, Springer Fachmedien Wiesbaden, Hessen — DE
Hidden/Secret. Strategien des Verborgenen. Edition Randgruppe, Stuttgart — DE
Faking, Forging, Counterfeiting. Texts by Andreas Baur and Anka Wenzel, transcript Verlag (exh. cat.)
Media Arts in Switzerland. Pioneers, Tinkerers, Provocateurs. Texts by Dominik Landwehr, Christoph Merian Verlag, Basel — CH (exh. cat.)
rt Beyond Digital/ L’art au-delà du digital. Texts by Dominique Moulon, Scala, Milan — IT
TOMORROWS: Urban Fictions for Possible Futures. Texts by Daphne Dragona, Onassis Cultural Centre, Athens — GR (exh. cat.)

2017
Action! Texts by Mirjam Varadinis, Kunsthaus Zurich, Zurich — CH (exh. cat.)
Inéditos 2017. Scenographies of Power: from the state of exception to the spaces of exception. Texts by Maite Borjabad López-Pastor, La Casa Encendida, Madrid — ES (exh. cat.)
Dadaclub.online. Texts by Domenico Quaranta, Link Editions, Brescia — IT
Digital Dark. Public Access Gallery, Chicago — US (exh. cat.)

2016
The Black Chamber. Texts by Domenico Quaranta, Link Editions, Brescia — IT
Nervous Systems. Texts by Anselm Franke, Stephanie Hankey, and Marek Tuszynski, Haus der Kulturen der Welt/Spector Books, Berlin — DE (exh. cat.)
L’image volée. Texts by Thomas Demand, Fondazione Prada, Milan — IT (exh. cat.)

2015
Dadabot: An Introduction to Machinic Creolization. Texts by Nicolas Nova and Joël Vacheron, IDPure éditions, Lausanne — CH
Selection 02 #2. Texts by !Mediengruppe Bitnik et al., Zero Deux éditions, Nantes — FR (exh. cat.)
Athens Digital Arts Festival 2015. ISSUU, online (exh. cat.)
Invent the Future with Elements of the Past. Texts by Adrian Notz and Hans Ulrich Obrist, Scheidegger & Spiess, Zurich — CH
Wasting Time on the Internet 2.0 Reader. Texts by Kenneth Goldsmith, Kunsthalle Düsseldorf, Düsseldorf — DE (exh. cat.)
Global Activism – Art and Conflict in the 21st Century. Texts by Peter Weibel, MIT Press, Boston — US (exh. cat.)

2014
net.art Painters and Poets. Texts by Vuk Cosic, Ajdin Bašić, and Alenka Gregoric, City Art Gallery, Ljubljana — SI (exh. cat.)
Hacking – Edition Digital Culture 2. Texts by Dominik Landwehr, Christoph Merian Verlag, Basel — CH

2013
Substitut – A little Centre Culturel Suisse in Berlin. Texts by Heinz Stahlhut, Substitut, Berlin — DE

2012
Summer Expeditions 2012. Sound Development City, London/Berlin/Zurich (exh. cat.)

2011
Dis-Connecting Media. Texts by Ulla Autenrieth, Andreas Blättler, and Regine Buschauer, Christoph Merian Verlag, Basel — CH
Kultur digital. Texts by Dominik Landwehr, Christoph Merian Verlag, Basel — CH
Hacking the City: Interventions in Public and Communicative Spaces. Steidl Verlag, Göttingen — DE (exh. cat.)

2010
unterdessen. Visarte, Zurich — CH

2009
CyberArts 2009, International Compendium. Texts by Hannes Leopoldseder and Christine Schopf, Hatje Cantz. Ostfildern — DE
Home Made Electronic Arts. Texts by Dominik Landwehr, Christoph Merian Verlag, Basel — CH

2008
Media Arts Zurich: 13 Positions. Edited by Christian Hübler, Nils Röller, Felix Stalder, and Yvonne Wilhelm, Scheidegger & Speiss, Zurich — CH
Shifting Identities: (Swiss) Art Now. Texts by Mirjam Varadinis, Kunsthaus Zurich, JRP Ringier Kunstverlag AG, Zurich — CH (exh. cat.)
The Deptford.TV Diaries II – Pirate Strategies. MetaMute, London — UK (exh. cat.)

2007
Tactile: High Touch Visuals. Texts by Matthias Hubner, Robert Klanten, and Sven Ehmann, Die Gestalten Verlag, Berlin — DE

2006
The Deptford.TV Diaries I. MetaMute, London — UK (exh. cat.)

SELECTED BIBLIOGRAPHY (ARTICLES & REVIEWS)

2021
Meier, Anika. “Why do you collect art, Annka Kultys?” Misa.art (18 August 2021) [ill.] [online]

2018
“Inaugural Winners of Pax Art Award Announced.” Artforum (1 June 2018) [ill.] [online]
Launay, Aude. “How do you say that to a bot?” Keen On (12 March 2018) [ill.] [online]
“Future Love: Desire and Kinship in Hypernature.” Digicult (1 February 2018) [ill.] [online]
Hägler, Tom. “Une exposition examine l’impact de la technologie sur notre sexualité.” Radio Télévision Suisse (24 January 2018) [ill.] [online]

2017
Carey-Kent, Paul. “Paul Carey-Kent chooses his top London exhibitions 2017.” Artlyst (17 December 2017) [ill.] [online]
Khan, Tabish. “Top 9 Exhibitions to see this week in London.” FAD Magazine (5 November 2017) [ill.] [online] 
“CASt: East London.” CASt (4 November 2017) [online]
“!Mediengruppe Bitnik: Are You Online Now? at Annka Kultys Gallery, London.” Mousse (27 October 2017) [ill.] [online]
Cellan-Jones, Rory. “In the Glass Room.” BBC News (27 October 2017) [ill.] [online]
McLaughlin, Aimée. “The Glass Room: the exhibition uncovering the hidden side of our online lives.” Design Week (25 October 2017) [ill.] [online]
Blewitt, Richard Tyr. “The Glass Room will teach Londoners scary things about data.” Neowin (25 October 2017) [ill.] [online]
Carey-Kent, Paul. “London Art Exhibitions November 2017 Explored by Paul Carey-Kent.” Paul’s Art World (22 October 2017) [ill.] [online]
“!Mediengruppe Bitnik: Are You Online Now?” Wall Street International (15 October 2017) [ill.] [online] 
“!Mediengruppe Bitnik will explore the world of online affairs and intimacy in Are You Online Now?  at Annka Kultys, Oct 11 – Nov 11.” AQNB (9 October 2017) [ill.] [online]
“!Mediengruppe Bitnik.” Time Out London (8 October 2017) [ill.] [online]

SELECTED ARTIST TALKS

2019
“Mechanisms of a Surveillance State, Panel with Benjamin Bratton, Trevor Paglen and Doreen Mende,” Art Basel Conversations, Basel — CH
“Artist Talk and Panel,” Sportbuffet Kunsthochschule Weissensee, Berlin — DE
“Delivered the Same Day: The Post Office and Amazon.com – Work, Property, Metrics,” Centre for Postdigital Cultures, Coventry University, Coventry — UK
“Digital Matters,” DON18 Talk Series, ETH Zurich, Zurich — CH
“Algorithmic Intimacies, Panel with Joana Moll and Taina Bucher,” transmediale, Berlin — DE

2018
“PUBLIC(S), Open Lecture Series Markus Miessen,” HDK Academy of Design, Gothenburg — SE
“Kolloquium 1,2,3 Logistics,” Werkleitz Festival Halle (Saale) — DE
Artist Talk, A+T Salón de Arte y Tecnología, Fundación Telefónica, Gallery Weekend Mexico, Mexico City — MX
Artist Talk, Bündner Kunstmuseum, Chur — CH
“Conversations in the exhibition,” Bruce Naumann exhibition, Schaulager, Basel — CH
“502 Bad Gateway — Digitales Ausstellen,” K-Komma, Berlin — DE 
“Ecstasy 10x yellow Twitter 120mg Mdma,” Studium generale UdK, Berlin University of the Arts, Berlin — DE
“ALT-OUTPUT Lecture Series,” FHNW Academy of Art and Design, Basel — CH
“The Craft of Blurring Boundaries,” Berliner Festspiele, Martin-Gropius-Bau, Berlin — DE

2017
“Ecstasy 10x yellow Twitter 120mg Mdma,” Chaos Computer Congress, Leipzig — DE
“Good Hack – Bad Hack?,” Panel Discussion, Collegium Helveticum, Zurich — CH
“Bots and Angels,” Glass Room, London — UK
Artist Talk, EIGEN+ART Lab, Berlin — DE
“Bots Like Me,” Swissnex, San Francisco — US
“Dark Jesters in the Spotlight,” FACT, Liverpool — UK
“Alertes at régimes de vérité,” La Gaîté Lyrique, Paris — FR

2016
“Bots like Me,” Centre Culturel Suisse, Paris — FR
“Truth Tellers – The Impact of Speaking Out,” Disruption Network lab, Berlin — DE
Artist Talk, The Pushkin State Museum, Moscow — RU
Artist Talk, Drugo More, Rijeka — HR
“Get involved! Partizipation als künstlerische Strategie,” Panel Discussion, Cabaret Voltaire, Zurich — CH
“Get involved! Partizipation als künstlerische Strategie,” Panel Discussion, Cabaret Voltaire, Zurich — CH
Artist Talk, Art Bar, Kunsthaus Langenthal, Langenthal — CH
“Transparency. Thinking Through an Opaque Concept,” Palace St. Gallen, St. Gallen — CH
“Human Entities – A cultura na era das maquinas semi-autonomas,” Trienal de Arquitectura de Lisboa, Lisbon — PT
Artist Talk, Aksioma, Ljubljana — SI

2015
“Ringvorlesung Mit Medien Machen,” Kulturwissenschaften im Praxistest, University of Basel, Basel — CH
Artist Talk, Academy of Media Arts, Cologne — DE
“The Influencers,” CCCB, Barcelona — ES
“Parallel Polis – HACKERS CONGRESS 2015,” KINO 43, Prague — CZ
“Alles nur noch digital?,” EIGEN + ART Lab, Berlin — DE
“Darknets und ein Paket an Mr. Assange,” Weltkunstzimmer, Düsseldorf — DE
“Kunst ist Manipulation,” State Academy of Fine Arts, Stuttgart — DE
“Fear of Missing Out,” Institute of Contemporary Art, London — UK
Artist Talk, Athens Digital Arts Festival, Athens — GR 
“Sealed with a bit,” Re:publica, Berlin — DE
“The Act of Liberation. Rage Against the Machine,” Videonale.15, Kunstmuseum Bonn, Bonn — DE
“Art under Mass Surveillance,” Museum Bärengasse, Zurich — CH

2014
“Random Darknet Shopper and the Darknets,” Palace St. Gallen, St. Gallen — CH
“AMT Rendez-vous #11: !Mediengruppe Bitnik,” Parsons Paris, Paris — FR
“Here, but Invisible,” Kunst Halle, St. Gallen — CH
“Wie gefährlich ist Unwissen?” Rab bar Trogen — CH
“Culture at Work,” Kunsthaus Zurich, Zurich — CH
“Zeitfugen, Umzonungen – Widerständige Raumproduktion heute?” Bern Biennial, Schlachthaus, Bern — CH
“Information as Reality – Critical Art in Digital Networks?” Lentos Museum, Linz — AT
“Hacking as Artistic Practice,” HOPE X, New York — US
“Dorkbot San Francisco,” Noisebridge, San Francisco — US
“Who Are Hacktivists?” Swissnex, San Fracisco — US
“Art Meets Radical Openness,” Servus.at, Architekturforum, Linz — AT
“Hacking as Artistic Practice,” Literatur und Strom Festival, Literaturhaus, Stuttgart — DE
“Ziviler Ungehorsam im Netz und die Zukunft des digitalen Widerstands,” taz.lab 2014, Haus der Kulturen der Welt, Berlin — DE
“Art under Mass Surveillance,” Helmhaus, Zurich — CH
“Reality Check #6 Between Private and Public Identity,” Kunsthalle Zurich, Zurich — CH

2013
“Hacking as Artistic Practice,” 30th Chaos Computer Congress, Congress Center, Hamburg — DE
“Delivery for Mr. Assange,” Verbindingen / Jonctions Festival, Recyclart, Brussels — BE
“Playing Power: Surveillance & Control,” rePLAYCE:theCITY, Zurich — CH
“Prekäre Landschaften,” Ringlokschuppen, Mülheim — DE
“Delivery for Mr. Assange,” Storytelling Konferenz, Volkshaus, Zurich — CH
“Mikro.TV: Présentation du dispositif,” Désert Numérique #4, Saint-Nazaire-le-Désert — FR
“Streetview Agora zu Stadtraum und Öffentlichkeit,” Lichter Filmfest, Frankfurt — DE
“(Un)friendly takeover.exe,” Forum Kultur & Ökonomie, Kunsthaus Basel, Basel — CH
“Hacking as Artistic Practice, Public Lectures,” Freie Fachschule für Tontechnik, Zurich — CH

2012
“RRRRadical Realtime: Hacking as Artistic Practice,” Hochschule für Gestaltung, Offenbach a. M., Hesse — DE
“RRRRadical Realtime: Hacking as Artistic Practice,” B3 Biennale, Frankfurt a. M. — DE
“Surveillance Chess, Besides the Screen Conference,” Goldsmiths College, University of London — UK
“RRRRadical Realtime,” Constant Roundtable Event, Constant Variable, Brussels — BE
“CCTV and Network Hacks Conference,” Mal au Pixel Conference #7, La Gaîté Lyrique, Paris — FR
“Surveillance Chess,” Impakt Festival 2012, Utrecht — NL
“Performativity of Code,” Panel / Workshop, Zurich University of the Arts, Zurich — CH
“On the Make,” Institute of Architecture and Planning, University of Lichtenstein— LI
“The Revolution to Smash Global Capitalism: Coffee Break,” Cabaret Voltaire, Zurich — CH

2010
“Medienkunst im Kunstmuseum?” Kunstmuseum Thun, Thun — CH

2009
“Ruhestörung, Workgroup Art in Public Space,” Kongresshaus, Zürich — CH
“Dis – Connecting Media, Symposium on intermedial aesthetics,” University of Basel, Basel — CH

2008
“My Fear – Your Castle,” RarBar, St. Gallen — CH
“Transformationen – Komposition & Medienkunst,” Museum für Gestaltung, Zurich — CH
“File Symposium 2008,” Festival Internacional de Linguagem Eletrônica, São Paulo — BR
“Hacker Space Fest,” /tmp/lab, Vitry-Sur-Seine, Paris — FR
“Hacking as Artistic Practice,” Kunst und Vermittlung der Hochschule Luzern, [plug.in], Basel — CH

2007
“interfictionXIV/2007 PATCH_WORK,” Film & Documentary Film Festival, Kassel — DE
“Who owns Culture?” Panel, Shift – Electronic Arts Festival, Basel — CH
“Open the Source – Sind Hacker die Situationisten von heute?” Cabaret Voltaire, Zurich — CH
“Dorkbot Swiss,” Walcheturm, Zurich — CH

SPECIAL PROJECTS

2014
“The Hidden City: From Surveillance to Sousveillance,” Zurich University of Arts, Zurich — CH
“The Hidden City: From Surveillance to Sousveillance,” Swissnex, San Francisco — US
“CCTV – A Trail of Images,” Literatur und Strom Festival, Literaturhaus, Stuttgart — DE

2013
“CCTV – A Trail of Images,” Invisible Zurichs, Gessnerallee, Zurich — CH
“CCTV – A Trail of Images,” Rua da Madalena Project, Lisbon — PT
“CCTV – A Trail of Images,” Relevante Musik – Festival politischer Medienkunst, Berlin — DE
“CCTV – A Trail of Images,” Lichter Fimlfest, Frankfurt — DE

2012
“CCTV – A Trail of Images,” Mal au Pixel Festival #7, La Gaîté Lyrique, Paris — FR
“CCTV – A Trail of Images,” Sound Development City, London — UK

2011
“CCTV – A Trail of Images,” House of Electronic Arts, Basel — CH
“CCTV – A Trail of Images,” Electron Festival, BAC Bâtiment d’art contemporain, Geneva — CH

2010
“Following the Crisis: Instructions for a Dérive,” Les Complices, Zurich — CH
“Following the Crisis: Instructions for a Dérive,” SPACE Gallery, London — UK
“Following the Crisis,” Psychogeographical Summit, HTTP Gallery, London — UK
“CCTV – A Trail of Images,” Hacking the City, Museum Folkwang, Essen — DE
“Looking out for you – Instructions for a Dérive,” Kunstpassanten, Zurich — CH

2009
“CCTV – A Trail of Images,” Tachometa, Vienna — AT
“CCTV – A Trail of Images,” [plug.in], Basel — CH
“CCTV – A Trail of Images,” Kunstraum Walcheturm, Zurich — CH
“CCTV – A Trail of Images,” Kunsthalle, St. Gallen — CH
“CCTV – A Trail of Images,” Goldsmiths College, University of London, London — UK
“CCTV – A Trail of Images,” Roboloco, Reithalle Bern, Bern — CH

2008
“CCTV – A Trail of Images,” Piet Zwart Institut & WORM, Rotterdam — NL
“CCTV Cinema,” Kalkbreite, Zurich — CH
“CCTV – A Trail of Images,” Gallery Eden 343, Sao Paulo — BR
“Die unsichtbare Stadt: Tools für Sousveillance,” Kunsthaus, Zurich — CH

2007
“Citywalk with Sofatrips.com,” Cabaret Voltaire, Zurich — CH

WORKSHOPS

2018
Elektronski Gradanski Neposluh, Drugo More, Rijeka — HR

2013
“Your Own Private Pirate TV Station.” Désert Numérique #4, Saint-Nazaire-le-Désert — FR
“RRRRRRRRRRRRRRRRRadical Realtime.” Kunst in Echtzeit, Stadtbibliothek Stuttgart — DE

2012
“Sound Development City.” Workshop for Summer School, London — UK
“The Revolution to Smash Global Capitalism: Coffee Break.” Cabaret Voltaire, Zurich — CH

2011
“One Hundred Days of Manifestation.” Bblackboxx, Basel — CH

2010
“Frequency Modulations.” SPACE Media Lab, London — UK

2008
“How to Build Your Own Private Pirate TV Station.” OS Video Conference Constant vzw, Brussels — BE
“Your Own Private Pirate TV Station.” Container Project, Palmers Cross — JA
“From TV to CCTV, Gallery EDEN 343.” Sao Paulo — BR
“Prototyping in Romainmôtier, Dorkbot-Meeting.” Romainmôtier — CH
“BereBere mit Alejo Duque und Lorenz Schori.” [plug.in], Basel — CH
“The Deptford Initiatives mit Adnan Hadzi und James Stevens.” [plug.in], Basel — CH

2007
“Burnstation mit Platoniq.” Cabaret Voltaire, Zurich — CH
“Your Own Private Pirate TV Station.” Center for Conterporary Art, Warsaw — PL
“The Dotmasters mit C6.org.” Cabaret Voltaire, Zurich — CH

TEACHINGS & SEMINARS

2017
Open Set Lab — NL
Univesity of Basel, Basel — CH

2016
Seminary for Design Politics Seminar, University of Applied Arts, Vienna — AT

2015
Post-graduate Programme in Curating, Zurich University of Arts, Zurich — CH
Guest Lecturers, Zurich Univeristy of Arts, Zurich — CH
Hacking Identity, Zurich University of Arts, Zurich — CH

2014
Parsons Paris, Paris — FR
School of Art and Design, Kassel — DE
Temple University, Philadelphia — US
Zurich University of Arts, Zurich — CH

2013
Zurich University of the Arts, Zurich — CH

2012
Hochschule für Gestaltung, Offenbach a. M., Hesse — DE
École Supérieure des Arts, Brussels — BE
Zurich University of the Arts, Zurich — CH

2011
Schule für Gestaltung, St. Gallen — CH
Cultural Studies Institute, University of Warsaw — PL
Zurich University of the Arts, Zurich — CH

2009
Zurich University of the Arts, Zurich — CH
Hochschule der Künste, Bern — CH

2008
Hochschule Luzern, Lucerne — CH
Piet Zwart Institute, Rotterdam — NL
Zurich University of the Arts, Zurich — CH

2007
Haute École d’Art et de Design Genf, Geneva — CH

AWARDS, GRANTS & RESIDENCIES

2018
Pax Art Award, Art Foundation Pax, Basel — CH

2017
Prix de la Société des Arts Genève, Geneva — CH

2016
Honorary Mention Prix Ars Electronica, Ars Electronica, Linz — AT

2015
Work Grant, Migros Kulturprozent, Zurich — CH

2014
Swiss Art Award, Swiss Federal Office for Culture, Bern — CH
Work Grant, Kanton of Zurich, Zurich — CH
Art On Your Screen, Work Grant, ZKM Karlsruhe, Karlsruhe — DE

2013
Golden Cube, 30th Kassel Documentary Film and Video Festival, Kassel — DE
Work Grant, Kanton of Zurich, Zurich — CH
Work Grant, Migros Kulturprozent, Zurich — CH

2012
Studio Residency, Constant Variables, Brussels — BE
Work Grant, City of Zurich, Zurich — CH

2011
Short List, Share Prize 2011, Torino — IT
Studio Residency Pro Helvetia, Warsaw — PL

2009
Honorary Mention Interactive Art, Ars Electronica, Linz — AT

2008
Swiss Art Award, Swiss Federal Office for Culture, Bern — CH

2007
Jubilee Award 1. Prize Category ‘New Media’, Migros Kulturprozent, Zurich — CH

SELECTED PUBLIC COLLECTIONS

House of Electronic Arts, Basel — CH
Art Collection City of Zurich, Zurich — CH 
Migros Musuem for Contemporary Art, Zurich — CH
Julius Bär Art Collection — CH
Walter A. Bechtler Foundation, Kunsthaus Zurich, Zurich — CH
Museum of Communication, Bern — CH 
Collection Espace Multimédia Ganter, Belfort — FR 

SELECTED PUBLIC COMMISSIONS

H3333333K, House of Electronic Arts, Basel — CH