Lisa Moravec has written a review of Virtual Normality – Women Net Artists 2.0, a group show Museum der bildenden Künste in Leipzig that includes the works of Molly Soda and Signe Pierce. Describing Soda’s contribution to the exhibition, Moravec writes: “Molly Soda’s sound-video installations show her in her private spaces, acting in a casual manner in front of her virtual audience. In That’s Me in the Corner (2017), she sings along with pop music numbers for about 30 minutes. We can see that the live audience on Instagram is watching her, but whether shewatches the audience, is not clear as she continues to look straight ahead, smiling from time to time.” To read the full review, click here.
GALLERIES NOW | 22 February 2018
Galleries Now, arts events listing site, has featured AKG’s current show Synthetic Seduction online.
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FOOD REPUBLIC | 21 February 2018
Signe Pierce has been interviewed by Food Republic about her role in the design of the David-Lynch-inspired Rose Gold, a new bar in Brooklyn, New York.
Continue reading “FOOD REPUBLIC | 21 February 2018”
STERN | 20 February 2018
Hamburg-based news magazine Stern has reviewed Virtual Normality – Women Net Artists 2.0 at Museum der bildenden Künste Leipzig, which features work by Signe Pierce (article in German).
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INDIE | 20 February 2018
In order to gauge public opinion of Virtual Normality – Women Net Artists 2.0, a group show at MdbK Leipzig curated by Anika Meier, Indie Mag has gathered responses from visitors to the museum about the current state of feminism today in this unique review of the exhibition.
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WHITE HOT | 7 February 2018
White Hot Magazine of Contemporary Art writer Karen Moe has written a full round-up of Mexican art fairs Zona Maco and Material. Specifically, she mentions AKG’s booth at Material: “In a correspondingly aesthetic frolic, Dominic Dispirito of London’s Annka Kultys Gallery used a new fangled 3-D pen to build a flower garden that is reminiscent of one of Matisse’s charming bouquets. An electric blue blob that is maybe a melting Popsicle then overtakes the whole pretty thing.” To read the full review, click here.
SPIEGEL | 10 February 2018
In a new column, Spiegel writer Sibylle Berg uses Signe Pierce’s American Reflexxx as a starting point for a wider conversation about the relationship between immediacy, tolerance, self-control and bigotry in the modern world (article in German).
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LA PANACÉE | 10 February 2018
Work by Ivana Basic will be included in the upcoming group show Crash Test: The Molecular Turn at La Panacée in Montpellier, France. Exploring the relations between culture and nature, rather than emphasizing its differences, Crash Test presents the works of 25 contemporary artists that deal with the notion of reality and blur traditional opposite concepts, such as artificial and natural. Opening tomorrow, 10 February, Crash Test will run through 6 May. For more information, click here.
JOHN BINGHAM | 8 February 2018
Artist and writer John Bingham has featured Cacotopia 02 on his blog! The group show features five recent graduates from around Europe, giving these young artists a chance to show off their work. Rather than showing all five artists at once, in this show, each artist is shown once at a time as the show unfolds over five weeks. For more information and to read Bingham’s full post, click here.
MATERIAL ART FAIR | 8 February 2018
Annka Kultys Gallery is pleased to announce that we will be participating for the first time in Material Art Fair in Mexico City, Thursday 8 February through Sunday 11 February! Come visit our Latin-American debut at booth C17, where paintings by London-based artist Sherman Sam will be on view. For more information on the fair, click here.
THE TIMES | 4 February 2018
Cristin Leach has written a short but poignant review of Digital_self, a current group show in the Project Spaces at the Irish Museum of Modern Art featuring the work of Molly Soda. Leach writes: “Everyone’s a self-portrait maker now, broadcasting to a global audience via social media. Aptly, the most compelling work comes from artists using digital platforms.” Digital_selfclick here will be on view through 25 February. To read the complete review, .
MONOPOL | 4 February 2018
In a new article about female artists in the time of social media, writer and curator Anika Meier discusses the work of Signe Pierce, Molly Soda, and Arvida Byström in the context of the changing nature of female identity as mediated by digital technology (article in German).
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FAD | 4 February 2018
FAD Magazine has listed Cacotopia 02, the current group show at Annka Kultys Gallery, as one of the top 7 art exhibitions to see in London right now. The author, Tabish Khan, writes: “This impressive and labour intensive exhibition returns with a new artist every week during the six week run. My visit coincided with Hugo Servanin’s classical sculptures that allow water to seep into them and this distorts their shape over time. But the beauty of the show is visitors will have a different experience to mine.” Also on view as part of the show are Yarli Allison, Michal Plata, Bob Bicknell-Knight and Dominic Dispirito. To check out the complete list of rankings, click here.
FLUTER | 3 February 2018
Marlene Halser has written a review of Virtual Normality – Women Net Artists 2.0, featuring work by Signe Pierce, at Museum der bildenden Künste Leipzig (article in German).
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DRØME | 2 February 2018
Marianne Abbott has interviewed Signe Pierce for DRØME Magazine about the contrast between harsh aggression and soft femininity in her work.
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CYLAND MEDIA ART LABORATORY | 2 February 2018
Molly Soda’s collaborative augmented reality work with Nicole Ruggiero and Refrakt Slide to Expose (2017) will be include in the 11th annual Cyfest. The project, entitled WEATHER FORECAST: DIGITAL CLOUDINESS, will open 2 February and run through 12 February at Museum of Applied Arts of St. Petersburg Stieglitz State Academy of Art and Design. For more information about Cyfest, click here.
OFFICE | 2 February 2018
John Martin Tilley has interviewed Signe Pierce for Office Magazine about her presentation of American Reflexxx at New Release Gallery in New York City.
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DIGICULT | 1 February 2018
Digicult has written a review of Future Love: Desire and Kinship in Hypernature, a group show at Haus der electronischen Künste Basel featuring works by !Mediengruppe Bitnik.
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PENNSYLVANIA COLLEGE OF ART & DESIGN | 2 February 2018
Molly Soda has been invited to give an artist’s talk this Friday (2 February) at the Photography Department of the Pennsylvania College of Art & Design. For more information, click here.
i-D | 30 January 2018
i-D Deutschland has reviewed Virtual Normality – Women Net Artists 2.0, an exhibition at Museum der bildenden Künste Leipzig featuring the works of Molly Soda, Signe Pierce and Arvida Bystöm (article in German).
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WALL STREET INTERNATIONAL | 29 January 2018
Wall Street International has featured Cacotopia 02, the current group show at Annka Kultys Gallery. Featuring the work of five emerging artists—Yarli Allison, Michal Plata, Hugo Servanin, Bob Bicknell-Knight and Dominic Dispirito—the show aims to give these young creatives a first platform to display their talent. Rather than showing all five artists at once, Cacotopia 02 shows one artist at a time, unfolding over the course of five weeks. Cacotopia 02 will be on view through 10 February. For more information, click here.
DOJO | 25 January 2018
Things-to-do app DOJO has reviewed Cacotopia 02, the current group show at Annka Kultys Gallery. Unlike traditional group shows in which all of the artists are shown together, in Cacotopia, each artist is shown one at a time over the course of five weeks. For the second edition of this annual exhibition program, the artists selected are Yarli Allison, Michal Plata, Hugo Servanin, Bob Bicknell-Knight and Dominic Dispirito. Click here to read the full review.
DIE ZUKUNFT | 26 January 2018
Michael Meyns has written a review of Virtual Normality – Women Net Artist’s 2.0, a new group show at Museum der bildenden Künste Leipzig that includes the work of Molly Soda, Signe Pierce and Arvida Byström (article in German).
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LES INROCKUPTIBLES | 25 January 2018
Les Inrockuptibles has reviewed Virtual Normality: Women Net Artists 2.0 at Museum de bildenden Künste Leipzig, including works by Molly Soda, Signe Pierce and Arvida Byström (article in French).
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HUNGER TV | 24 January 2018
Signe Pierce has been listed by Hunger TV as one of “five female visual artists to follow right now” alongside peers Juno Calypso, Maisie Cousins, Alice Joiner and Alice Skinner.
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RADIO TÉLÉVISION SUISSE | 24 January 2018
Tom Hägler of RTS has reviewed Future Love. Desire and Kinship in Hypernature, an exhibition of artworks that explore technologically mediated intimacy in the modern world at HeK Basel, and which features !Mediengruppe Bitnik (article in French).
Continue reading “RADIO TÉLÉVISION SUISSE | 24 January 2018”
THE EYE OF PHOTOGRAPHY | 24 January 2018
The Eye of Photography has reviewed the work of Signe Pierce in Virtual Normality: Women Net Artists 2.0 at MdbK Leipzig.
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THE ART GORGEOUS | 22 January 2018
The Art Gorgeous has reviewed One Year of Resistance, a group show at Untitled Space in New York City featuring artworks that were created in reaction to the current American political climate under Donald Trump’s presidency.
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NEW RELEASE | 20 January 2018
SIGNE PIERCE in
AMERICAN REFLEXXX
20 JANUARY – 11 FEBRUARY 2018
New Release, NEW YORK, USA
WIDEWALLS | 19 January 2018
Swiss art magazine Widewalls has reviewed One Year of Resistance, a group show at Untitled Space in New York City reflecting on the political climate after a year of Donald Trump’s presidency that includes photographic work by Signe Pierce.
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LIBÉRATION | 19 January 2018
Signe Pierce has been profiled by French outlet Libération for her involvement in Virtual Normality – Women Net Artist’s 2.0 at Museum der bildenden Künste Leipzig (article in French).
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KUNSTMARKT | 17 January 2018
Jan Soldin of Kunstmarkt has reviewed Virtual Normality – Web Artists 2.0, a new group show at MdbK Leipzig featuring the works of Molly Soda, Arvida Byström and Signe Pierce (article in German).
Continue reading “KUNSTMARKT | 17 January 2018”
CEYSSON & BENETIERE | 13 January 2018
Sherman Sam’s first solo show in Luxembourg opens today at Ceysson & Benetiere. Entitled Nightclubbing after the eponymous 1981 Grace Jones album, the exhibition includes a selection of Sam’s abstract, ‘assembled’ paintings. “Abstraction can be speculative; it can be uncertain, as life is; it is open to possibility (of interpretations), as life can be,” Sam explains. “It is not a closed form, as some conclude it is. It is not symbolic, least not the kind I am thinking of. That is it can pose or embody flux – open questions in ways that representation cannot.” Nightclubbing will remain on view through 03 March. For more information, click here.
INTERVIEW | 12 January 2018
Interview reviews Virtual Normality – Web Artists 2.0: a new group show at MdbK Leipzig featuring works by Signe Pierce and Molly Soda (article in German).
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DETEKTOR.FM | 12 January 2018
Detektor FM has reviewed Virtual Normality – Web Artists 2.0, an exhibition of women net artists curated by Anika Meier at MdbK Leipzig, including works by Signe Pierce (article in German).
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MITTELDEUTSCHER RUNDFUNK | 12 January 2018
Mittledeutscher Rundfunk (MDR) features the work of Molly Soda and Signe Pierce in a short review of Virtuality Normality – Web Artists 2.0, a group show at MdbK Leipzig.
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SPIEGEL | 11 January 2018
Spiegel author Angela Gruber writes on Virtual Normality, the upcoming group exhibition at Museum der bildenden Künste Leipzig featuring the work of artists Signe Pierce, Molly Soda, and Arvida Byström (article in German).
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DEUTSCHE WELLE | 11 January 2018
Deutsche Welle reviews Virtual Normality – Women Net Artist’s 2.0, the upcoming group show at Museum der bildenden Künste, Leipzig featuring works by Signe Pierce, Molly Soda, and Arvida Byström among others.
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HUNGER TV | 11 January 2018
Signe Pierce was interviewed by Hunger TV about her contribution to the upcoming group exhibition ONE YEAR OF RESISTANCE, reflecting critically on the first year of Donald Trump’s presidency, on view at Untitled Gallery in New York.
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DROOL CREATIVES | 10 January 2018
Drool Creatives has listed Cacotopia 02 on their exhibitions page. To see the full posting, click here.
DENTONS ART PRIZE | 10 January 2018
Annka Kultys Gallery is pleased to announce that Dominic Dispirito has been shortlisted for the Spring/Summer 2018 Dentons Art Prize. The Dentons Art Prize is a biannual award of £5,000 given to a single artist by an independent panel of judges. Additionally, all shortlisted artists are given access to expert pro bono legal advice and their artwork is offered for sale. Curator Niamh White and artist Tim A. Shaw launched the prize in January 2016. For more information and to see the complete shortlist of artists, please click here.
GIRL TALK HQ | 10 January 2018
Girl Talk HQ previews Untitled Gallery’s upcoming exhibition, ONE YEAR OF RESISTANCE, which will include photographic work by Signe Pierce; the show will survey more than 80 artists responding to the American political climate in the post-Trump era.
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AM NEW YORK | 9 January 2018
ONE YEAR OF RESISTANCE, the upcoming group show featuring work by Signe Pierce at Untitled Gallery in New York, is the subject of an article by AM NY.
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ART FUSE | 5 January 2018
Art Fuse has previewed the upcoming group exhibition ONE YEAR OF RESISTANCE, responding to the first year of Donald Trump’s presidency, and featuring work by Signe Pierce.
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HAPPENING MEDIA | 3 January 2018
Molly Soda is interviewed by Happening Media for her involvement in Kickstarter’s new crowdfunding subscription service for emerging artists, Drip. One of the first artists invited to participate in Drip’s launch, Soda says that the new platform “allows people to connect to you and your “process” or whatever it is you want to put out there in a more intimate way.” Read the full article here.
TIME | 31 December 2017
Signe Pierce’s portrait of Aubrey Plaza, included in the 21 August issue of Time Magazine for the story “Aubrey Plaza’s Status Update,” has been selected as one of the best portraits of 2017.
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ARCHITECTS NEWSPAPER | 28 December 2017
Audrey Wachs reports on the opening of Galeria Melissa, an upscale boutique in New York City designed by Muti Randolph and featuring a video installation by Signe Pierce, for Architects Newspaper.
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ISTHISIT? GALLERY | 22 December 2017
“Selfie”, 2017, a work created by Olga Fedorova for her solo show Generic Jungle at AKG, is included in the online group exhibition Why don’t we get a kickstarter going for an ISP? hosted by isthisit? Gallery and curated by Bob Bicknell-Knight. The show, staged in the wake of the ‘death’ of net neutrality in the United States, explores the limits of information control and the power associated with corporate grips on digital information pathways. Opening 22 December, the exhibition will run through 22 January 2018 and include artists such as Andy Holden, Ann Hirsch, Constant Dullaart, Eva Papamargariti, and Jacob Kudsk Steensen, among others. For more information and to see the show, click here.
BUSHWICK DAILY | 19 December 2017
Bushwick Daily writer Darragh Dandurand reports on the opening of Rose Gold, a new cocktail bar in New York built under the creative direction of Signe Pierce and Safwat Riad.
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ARTLYST | 17 December 2017
Annka Kultys Gallery received a mention in Paul Carey-Kent’s list of top exhibitions in 2017, which nods to the gallery’s program of future-facing exhibitions.
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DATEAGLE ART | 14 December 2017
Generic Jungle, Olga Fedorova’s first solo exhibition at Annka Kultys Gallery, has been reviewed by Rodrigo Carlon for Dateagle Art. Carlon writes that by using a lenticular printing method, “Fedorova creates a screen-like effect on a non-electric, non-digital surface. This blurs the boundaries between the digital and physical realms. The digital and the ‘real’ or empirical become one and the same.” To read the full review, click here.
TEETH | 6 November 2017
Writer Bee Beardsworth has just reviewed Candy, Dominic Dispirito’s dual-show with Christina BanBan at The Dot Project in London. She writes: “If Candy…were a sweet, it would be a gobstopper: a cacophony of bright, childlike colours slowly dissolving to reveal layer after layer of thought-provoking messages and meaning.” You can find the full review here.
SOMETHING CURATED | 24 October 2017
Something Curated has written a round-up of the “5 Art Prizes and Awards to Know About,” mentioning Dominic Dispirito, winner of the 2017 Adrian Caruthers Studio Award. You can find the full article here.
HOLLY WATKINS | 20 October 2017
Artist and writer Holly Watkins has profiled Dominic Dispirito, with whom she recently collaborated with. Describing his work flow, she writes: “Dominic had a unique way of working, he showed me that most of his imagery is first created on his phone. He then uses an airbrush to recreate the effect on a larger scale.” You can read her full piece here.
JOHN BINGHAM | 11 October 2017
Artist and writer John Bingham has just published an interview with Dominic Dispirito on his blog. Describing the subject matter of his work, Dispirito says: “I’m interested in contemporary technologies and their sociological impact, the relationship between human and machine and the virtual world and the real world.” You can read the full interview here.
THE DOT PROJECT | 6 October 2017
Recent Slade MFA graduate Dominic Dispirito has been included in a new dual-show with Christina BanBan entitled Candy at The Dot Project in London. The show, which grapples with how to navigate a world saturated by consumerism, digital imagery, humour and the struggle of everyday life, will run through 26 November. You can find more information here.
AMADEUS | 04 October 2017
Amadeus Magazine has written a glowing review of Candy, Dominic Dispirito’s dual show with Christina BanBan at The Dot Project. They write: “Dispirito focuses on subjective human states of being. His subject matter is isolated and reduced, becoming the focus for painterly exercises in color, volume and style.” You can read the full review here.
ACME | 13 July 2017
Congratulations to Dominic Dispirito, who has been selected as the winner of the 2017-2018 Adrian Caruthers Studio Award! The prize, allocated to one final-year MA student from The Slade School of Fine Art, offers a free studio for one year, a cash bursary, mentoring and the opportunity to work with a partner gallery towards an exhibition or public project. For more information, click here.
LIKE A LITTLE DISASTER | 18 June 2017
Stine Deja has been included in And If I Left Off Dreaming About You, a group show curated by the Like a Little Disaster collective at the Foothold project space in Polignano a Mare, Italy. Also included are works by Gioia de Girolamo, Motoko Ishibashi, Lito Kattou, Botond Keresztesi and Maurizio Vicerè-Vice. The exhibition will remain on view until 18 August. For more information, click here.
ELEPHANT | 16 June 2017
Dominic Dispirito’s work in the 2017 Slade School of Fine Art MFA Degree Show has been listed in Elephant Magazine’s round-up of top highlights from the show. The author, Emily Steer, writes: “The world in Dispirito’s works feels recognisable but also oddly alien, and has a sketchy rather than polished feel to it, drawing to mind a place that is malleable and changeable, as well as technically experimental for the artist.” You can read the full list of highlights here.
HUNGER TV | 8 June 2017
Hunger TV has reviewed Signe Pierce’s solo show, Faux Realities, at Annka Kultys Gallery, questioning what is real in an increasingly simulated world.
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PW MAGAZINE | 26 April 2017
Signe Pierce is interviewed by Amar Priganica and Marie-Claire Gagnon for PW-Magazine where they discuss what it means to be alone in the age of global connectivity.
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ARTNET | 6 December 2016
In a round-up of Satellite Art Show in Miami, writer Sarah Cascone mentions Signe Pierce’s installation Entropical Getaway in collaboration with Castor Gallery.
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BLOUIN ARTINFO | 6 November 2016
Molly Soda’s solo show, Comfort Zone, has been reviewed by Blouin ArtInfo’s Amanda Avery. You can find the full article here.
ARTSLANT | 2 November 2016
Olga Fedorova is Artslant’s ‘Wednesday Web Artist of the Week’. Christian Petersen writes, “Fedorova’s work explores contemporary obsessions with clinical modernism and sterile technology, which she uneasily couples with a unique blend of untamed nature and raw sexuality.” Read the full article here.
ALTERNATIVE ESCAPE | October 2016
Curatorial platform Alternative Escape has interviewed Molly Soda. Her solo show, Comfort Zone, is on view through 12 November at Annka Kultys Gallery. You can read the full interview here.
FEBRUARY STATIONARY | 14 October 2016
Marianne Eloise has written a review of Molly Soda’s solo show Comfort Zone at Annka Kultys Gallery. You can find the full article here.
ARTVIEWER | 15 September 2016
Art Viewer has listed Throat Wanders Down the Blade, Ivana Basic’s solo show at Annka Kultys Gallery. You can view the full post here.
AUJOURD’HUI | 10 September 2016
Ivana Basic’s solo show Throat Wanders Down the Blade has been listed by Aujourd’hui. You can view the full piece here.
SO FRISCH SO GUT | 20 July 2016
Signe Pierce has been interviewed by So Frisch So Gut writer Annekathrin Kohout.
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HUFFINGTON POST | 27 June 2016
Madelaine D’Angelo has interviewed Reality Artist Signe Pierce for the Huffington Post.
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SLUTEVER | 8 June 2016
Signe Pierce was interviewed by Kristen Cochrane for Slutever, a website that deals predominantly with sexuality and relationships, where they speak about American Reflexxx, cyberfeminism and Jean Baudrillard.
Continue reading “SLUTEVER | 8 June 2016”
OXYGEN | 18 May 2016
Signe Pierce has been profiled by Oxygen, in which she notes: “I like looking for beauty, in banal and boring situations”.
Continue reading “OXYGEN | 18 May 2016”
VICE | 9 May 2016
Vice has interviewed Romke Hoogwaerts about Mossless, a new photography publication that features work by Molly Soda and Signe Pierce.
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AETHER | Spring/Summer 2016
Signe Pierce has been featured in the Spring/Summer issue of Aether art magazine.
Continue reading “AETHER | Spring/Summer 2016”
DAZED DIGITAL | 10 December 2015
Reality Artist Signe Pierce has been profiled by Ione Gamble of Dazed Digital.
Continue reading “DAZED DIGITAL | 10 December 2015”
EAST LONDON LINES | 09 December 2015
East London Lines has just reviewed From My Bedroom To Yours, Molly Soda’s first solo show in the United Kingdom. Author Emilie Shane writes, “[Soda’s] videos and images are raw, presenting an authentic experience of being a girl on the Internet. According to Soda: “That’s activism in itself – just putting yourself out there as a woman – being totally unashamed of who you are and what you’re about.” To read the full review, click here.
1883 | 30 November 2015
1883 Magazine has just reviewed From My Bedroom To Yours, Molly Soda’s first solo show. Author Jacopo Nuvo writes, “She likes to call herself a ‘webcam princess’; yet Molly Soda is more than a mere ‘Internet sensation’, and her debut solo show proves it.” You can find the full review here .
LET’S MAKE LOTS OF MONET | 28 November 2015
Blogger Issey Scott has reviewed From My Bedroom To Yours, Molly Soda’s first solo show. To read the full review, click here.
THE WHITE PUBE | 25 November 2015
The White Pube writers Gabriella de la Puente and Zarina Muhammad have just reviewed From My Bedroom to Yours, Molly Soda’s first solo show. Describing the complexity of the ideas that Soda presents in the show, Muhammad writes “I always, always in my mind want to make the kind of work that makes you stop. I want to make work that is arresting. That makes you pull out your phone and plop it on Instagram, that you take a selfie in front of. I want my work to look good with a filter on it as well as in real life. Molly’s show did that.” To read the full review, click here .
AQNB | 24 November 2015
AQNB has featured From My Bedroom to Yours To read the full listing, click here.
ASOS LIKES | 24 November 2015
Ione Gamble has interviewed Molly Soda about her first solo show, From My Bedroom To Yours, on the ASOS Likes blog. The show will remain on view at Annka Kultys Gallery through 16 January 2016. To read the full interview, click here.
LADYGUNN | 06 October 2015
Ladygunn has just interviewed Molly Soda in anticipation of her upcoming solo show at Annka Kultys Gallery. The author writes: “Despite the never ending sounds and voices of so many people in the digital stratosphere Molly has made it to the frontier lines of that world for her engaging and deeply personal work that includes explores self-identity and self depreciation, feminism, culture, and perversion. From her uninhibited selfies, her raw emotions and her uncategorizable take on the modern world, with Molly Soda everything she puts out is a bit surprising, a bit alarming and a bit real.” To read the full article, click here.
DAZED | 26 August 2015
Dazed Digital has just published a roundtable discussion about censorship online between Molly Soda and Rupi Kaur, Arvida Byström, Saerah Lee and Alexandra Marzella. Opening the conversation, Soda says: “The way women are perceived online is just a heightened reflection of society and the way women, and particularly their bodies, are treated in real life. Everything you put out there essentially invites others to criticise and interpret your image.” You can find their full conversation here.
I-D | 30 July 2015
i-D has published a short review of hot in here, the group show at Sunday Gallery in Los Angeles featuring works by Molly Soda. The show, on view through 5 August 2015, also includes work by Arvida Byström, Mayan Toledano, Vivian Fu, Grace Miceli and Molly Matalon. To read the full article, click here.
NPR | 27 July 2015
Molly Soda has been mentioned in an article posted on NPR about the art of the selfie. Describing Soda’s signature self-portrait aesthetic, the author writes: “Soda is among those who do not clean up their selfies. She’s going for an unvarnished, alternative look.” To read the full article, click here.
BULLETT | July 2015
Molly Soda has been interviewed by Kayla Unnerstall for Bullett Magazine about the release of her most recent zine, I don’t want you to miss me. Describing the evolution of her practice, Soda says: “I started thinking about websites as art and videos as art and using the Internet as a tool to get my work out there and using it as a medium to make work on instead of having to make a print, painting or a physical piece. I think I’ve evolved in that way that I’m not separating my real life practice from my online art practice anymore. It’s all melded into one thing.” You can find the full interview here.
GALORE | 08 July 2015
Galore Magazine has just published a new interview with Molly Soda. Upon responding to writer Maria Pasquini’s request for Soda to describe her practice in 10 words or less, Soda replies: “webcam princess explores digital intimacy and cyber sincerity.” You can find the full interview here.
BULLETT | 10 June 2015
Bullett Magazine‘s Kayla Unnerstall has written about the controversy surrounding the release of Molly Soda’s zine should i send this / ur so emo about boys. While some have called the zine feminist artwork, others have decried the work as vapid and narcissistic. To read the full piece, click here.
DAZED | 09 June 2015
Dazed Digital has just published an article about Should I Send This?, Molly Soda’s latest zine in which the artist publishes a selection of previously unseen nude images and sexts. The author, Alice Mosey, writes: “Far from a bunch of awkward nudes and cringeworthy chat-up lines, Should I Send This? highlights how we construct our intimacy while hiding behind a screen.” You can find the full article here.
HUFFINGTON POST | 21 April 2015
Molly Soda’s involvement in the glitch art project This is Not an Error has been reported on by Priscilla Frank of the Huffington Post. Other artists included in the project are Jeanette Hayes, LaTurbo Avedon, So Sad Today and more. To read the article and see Soda’s glitches-out 404 error page, click here.
DAZED | 09 April 2015
Dazed writer Alice Mosey interviews Molly Soda about her digital exhibition, Me and My Bear, hosted on New Hive.
Continue reading “DAZED | 09 April 2015”