STUDIO INTERNATIONAL | 24 February 2018

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Lisa Moravec has written a review of Virtual Normality – Women Net Artists 2.0, a group show Museum der bildenden Künste in Leipzig that includes the works of Molly Soda and Signe Pierce. Describing Soda’s contribution to the exhibition, Moravec writes: “Molly Soda’s sound-video installations show her in her private spaces, acting in a casual manner in front of her virtual audience. In That’s Me in the Corner (2017), she sings along with pop music numbers for about 30 minutes. We can see that the live audience on Instagram is watching her, but whether shewatches the audience, is not clear as she continues to look straight ahead, smiling from time to time.” To read the full review, click here.

WHITE HOT | 7 February 2018

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White Hot Magazine of Contemporary Art writer Karen Moe has written a full round-up of Mexican art fairs Zona Maco and Material. Specifically, she mentions AKG’s booth at Material: “In a correspondingly aesthetic frolic, Dominic Dispirito of London’s Annka Kultys Gallery used a new fangled 3-D pen to build a flower garden that is reminiscent of one of Matisse’s charming bouquets. An electric blue blob that is maybe a melting Popsicle then overtakes the whole pretty thing.” To read the full review, click here.

LA PANACÉE | 10 February 2018

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Work by Ivana Basic will be included in the upcoming group show Crash Test: The Molecular Turn at La Panacée in Montpellier, France. Exploring the relations between culture and nature, rather than emphasizing its differences, Crash Test presents the works of 25 contemporary artists that deal with the notion of reality and blur traditional opposite concepts, such as artificial and natural. Opening tomorrow,  10 February,  Crash Test will run through 6 May. For more information, click here.

JOHN BINGHAM | 8 February 2018

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Artist and writer John Bingham has featured Cacotopia 02 on his blog! The group show features five recent graduates from around Europe, giving these young artists a chance to show off their work. Rather than showing all five artists at once, in this show, each artist is shown once at a time as the show unfolds over five weeks. For more information and to read Bingham’s full post, click here.

MATERIAL ART FAIR | 8 February 2018

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Annka Kultys Gallery is pleased to announce that we will be participating for the first time in Material Art Fair in Mexico City, Thursday 8 February through Sunday 11 February! Come visit our Latin-American debut at booth C17, where paintings by London-based artist Sherman Sam will be on view. For more information on the fair, click here.

THE TIMES | 4 February 2018

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Cristin Leach has written a short but poignant review of Digital_self, a current group show in the Project Spaces at the Irish Museum of Modern Art featuring the work of Molly Soda. Leach writes: “Everyone’s a self-portrait maker now, broadcasting to a global audience via social media. Aptly, the most compelling work comes from artists using digital platforms.” Digital_selfclick here will be on view through 25 February. To read the complete review, .

FAD | 4 February 2018

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FAD Magazine has listed Cacotopia 02, the current group show at Annka Kultys Gallery, as one of the top 7 art exhibitions to see in London right now.  The author, Tabish Khan, writes: “This impressive and labour intensive exhibition returns with a new artist every week during the six week run. My visit coincided with Hugo Servanin’s classical sculptures that allow water to seep into them and this distorts their shape over time. But the beauty of the show is visitors will have a different experience to mine.” Also on view as part of the show are Yarli Allison, Michal Plata, Bob Bicknell-Knight and Dominic Dispirito. To check out the complete list of rankings, click here.

CYLAND MEDIA ART LABORATORY | 2 February 2018

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Molly Soda’s collaborative augmented reality work with Nicole Ruggiero and Refrakt Slide to Expose (2017) will be include in the 11th annual Cyfest. The project, entitled WEATHER FORECAST: DIGITAL CLOUDINESS, will open 2 February and run through 12 February at Museum of Applied Arts of St. Petersburg Stieglitz State Academy of Art and Design. For more information about Cyfest, click here.

WALL STREET INTERNATIONAL | 29 January 2018

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Wall Street International has featured Cacotopia 02, the current group show at Annka Kultys Gallery. Featuring the work of five emerging artists—Yarli Allison, Michal Plata, Hugo Servanin, Bob Bicknell-Knight and Dominic Dispirito—the show aims to give these young creatives a first platform to display their talent. Rather than showing all five artists at once, Cacotopia 02 shows one artist at a time, unfolding over the course of five weeks. Cacotopia 02 will be on view through 10 February. For more information, click here.

DOJO | 25 January 2018

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Things-to-do app DOJO has reviewed Cacotopia 02, the current group show at Annka Kultys Gallery. Unlike traditional group shows in which all of the artists are shown together, in Cacotopia, each artist is shown one at a time over the course of five weeks. For the second edition of this annual exhibition program, the artists selected are Yarli Allison, Michal Plata, Hugo Servanin, Bob Bicknell-Knight and Dominic Dispirito. Click here to read the full review.

CEYSSON & BENETIERE | 13 January 2018

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Sherman Sam’s first solo show in Luxembourg opens today at Ceysson &  Benetiere. Entitled Nightclubbing after the eponymous 1981 Grace Jones album, the exhibition includes a selection of Sam’s abstract, ‘assembled’ paintings. “Abstraction can be speculative; it can be uncertain, as life is; it is open to possibility (of interpretations), as life can be,” Sam explains. “It is not a closed form, as some conclude it is. It is not symbolic, least not the kind I am thinking of. That is it can pose or embody flux – open questions in ways that representation cannot.” Nightclubbing will remain on view through 03 March. For more information, click here.

DENTONS ART PRIZE | 10 January 2018

Annka Kultys Gallery is pleased to announce that Dominic Dispirito has been shortlisted for the Spring/Summer 2018 Dentons Art Prize. The Dentons Art Prize is a biannual award of £5,000 given to a single artist by an independent panel of judges. Additionally, all shortlisted artists are given access to expert pro bono legal advice and their artwork is offered for sale. Curator Niamh White and artist Tim A. Shaw launched the prize in January 2016. For more information and to see the complete shortlist of artists, please click here.

HAPPENING MEDIA | 3 January 2018

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Molly Soda is interviewed by Happening Media for her involvement in Kickstarter’s new crowdfunding subscription service for emerging artists, Drip. One of the first artists invited to participate in Drip’s launch, Soda says that the new platform “allows people to connect to you and your “process” or whatever it is you want to put out there in a more intimate way.” Read the full article here.

ISTHISIT? GALLERY | 22 December 2017

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“Selfie”, 2017, a work created by Olga Fedorova for her solo show Generic Jungle at AKG, is included in the online group exhibition Why don’t we get a kickstarter going for an ISP? hosted by isthisit? Gallery and curated by Bob Bicknell-Knight. The show, staged in the wake of the ‘death’ of net neutrality in the United States, explores the limits of information control and the power associated with corporate grips on digital information pathways. Opening 22 December, the exhibition will run through 22 January 2018 and include artists such as Andy Holden, Ann Hirsch, Constant Dullaart, Eva Papamargariti, and Jacob Kudsk Steensen, among others. For more information and to see the show, click here.

DATEAGLE ART | 14 December 2017

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Generic Jungle, Olga Fedorova’s first solo exhibition at Annka Kultys Gallery, has been reviewed by Rodrigo Carlon for Dateagle Art. Carlon writes that by using a lenticular printing method, “Fedorova creates a screen-like effect on a non-electric, non-digital surface. This blurs the boundaries between the digital and physical realms. The digital and the ‘real’ or empirical become one and the same.” To read the full review, click here.

TEETH | 6 November 2017

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Writer Bee Beardsworth has just reviewed Candy, Dominic Dispirito’s dual-show with Christina BanBan at The Dot Project in London. She writes: “If Candy…were a sweet, it would be a gobstopper: a cacophony of bright, childlike colours slowly dissolving to reveal layer after layer of thought-provoking messages and meaning.” You can find the full review here.

HOLLY WATKINS | 20 October 2017

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Artist and writer Holly Watkins has profiled Dominic Dispirito, with whom she recently collaborated with. Describing his work flow, she writes: “Dominic had a unique way of working, he showed me that most of his imagery is first created on his phone. He then uses an airbrush to recreate the effect on a larger scale.” You can read her full piece here.

JOHN BINGHAM | 11 October 2017

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Artist and writer John Bingham has just published an interview with Dominic Dispirito on his blog. Describing the subject matter of his work, Dispirito says:  “I’m interested in contemporary technologies and their sociological impact, the relationship between human and machine and the virtual world and the real world.” You can read the full interview here.

THE DOT PROJECT | 6 October 2017

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Recent Slade MFA graduate Dominic Dispirito has been included in a new dual-show with Christina BanBan entitled Candy at The Dot Project in London. The show, which grapples with how to navigate a world saturated by consumerism, digital imagery, humour and the struggle of everyday life, will run through 26 November. You can find more information here.

AMADEUS | 04 October 2017

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Amadeus Magazine has written a glowing review of Candy, Dominic Dispirito’s dual show with Christina BanBan at The Dot Project. They write: “Dispirito focuses on subjective human states of being. His subject matter is isolated and reduced, becoming the focus for painterly exercises in color, volume and style.” You can read the full review here.

ACME | 13 July 2017

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Congratulations to Dominic Dispirito, who has been selected as the winner of the 2017-2018 Adrian Caruthers Studio Award! The prize, allocated to one final-year MA student from The Slade School of Fine Art, offers a free studio for one year, a cash bursary, mentoring and the opportunity to work with a partner gallery towards an exhibition or public project. For more information, click here.

LIKE A LITTLE DISASTER | 18 June 2017

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Stine Deja has been included in And If I Left Off Dreaming About You, a group show curated by the Like a Little Disaster collective at the Foothold project space in Polignano a Mare, Italy. Also included are works by Gioia de Girolamo, Motoko Ishibashi, Lito Kattou, Botond Keresztesi and Maurizio Vicerè-Vice. The exhibition will remain on view until 18 August. For more information, click here.

ELEPHANT | 16 June 2017

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Dominic Dispirito’s work in the 2017 Slade School of Fine Art MFA Degree Show has been listed in Elephant Magazine’s round-up of top highlights from the show. The author, Emily Steer, writes: “The world in Dispirito’s works feels recognisable but also oddly alien, and has a sketchy rather than polished feel to it, drawing to mind a place that is malleable and changeable, as well as technically experimental for the artist.” You can read the full list of highlights here.

ARTSLANT | 2 November 2016

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Olga Fedorova is Artslant’s ‘Wednesday Web Artist of the Week’. Christian Petersen writes, “Fedorova’s work explores contemporary obsessions with clinical modernism and sterile technology, which she uneasily couples with a unique blend of untamed nature and raw sexuality.” Read the full article here.

EAST LONDON LINES | 09 December 2015

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East London Lines has just reviewed From My Bedroom To Yours, Molly Soda’s first solo show in the United Kingdom. Author Emilie Shane writes, “[Soda’s] videos and images are raw, presenting an authentic experience of being a girl on the Internet. According to Soda: “That’s activism in itself – just putting yourself out there as a woman – being totally unashamed of who you are and what you’re about.” To read the full review, click here.

1883 | 30 November 2015

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1883 Magazine has just reviewed From My Bedroom To Yours, Molly Soda’s first solo show. Author Jacopo Nuvo writes, “She likes to call herself a ‘webcam princess’; yet Molly Soda is more than a mere ‘Internet sensation’, and her debut solo show proves it.” You can find the full review here .

THE WHITE PUBE | 25 November 2015

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The White Pube writers Gabriella de la Puente and Zarina Muhammad have just reviewed From My Bedroom to Yours, Molly Soda’s first solo show. Describing the complexity of the ideas that Soda presents in the show, Muhammad writes “I always, always in my mind want to make the kind of work that makes you stop. I want to make work that is arresting. That makes you pull out your phone and plop it on Instagram, that you take a selfie in front of. I want my work to look good with a filter on it as well as in real life. Molly’s show did that.” To read the full review, click here .

LADYGUNN | 06 October 2015

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Ladygunn has just interviewed Molly Soda in anticipation of her upcoming solo show at Annka Kultys Gallery. The author writes: “Despite the never ending sounds and voices of so many people in the digital stratosphere Molly has made it to the frontier lines of that world for her engaging and deeply personal work that includes explores self-identity and self depreciation, feminism, culture, and perversion. From her uninhibited  selfies, her raw emotions and her uncategorizable take on the modern world, with Molly Soda everything she puts out is a bit surprising, a bit alarming and a bit real.” To read the full article, click here.

DAZED | 26 August 2015

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Dazed Digital has just published a roundtable discussion about censorship online between Molly Soda and Rupi Kaur, Arvida Byström, Saerah Lee and Alexandra Marzella. Opening the conversation, Soda says: “The way women are perceived online is just a heightened reflection of society and the way women, and particularly their bodies, are treated in real life. Everything you put out there essentially invites others to criticise and interpret your image.” You can find their full conversation here.

I-D | 30 July 2015

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i-D has published a short review of hot in here, the group show at Sunday Gallery in Los Angeles featuring works by Molly Soda. The show, on view through 5 August 2015, also includes work by Arvida Byström, Mayan Toledano, Vivian Fu, Grace Miceli and Molly Matalon. To read the full article, click here.

NPR | 27 July 2015

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Molly Soda has been mentioned in an article posted on NPR about the art of the selfie. Describing Soda’s signature self-portrait aesthetic, the author writes: “Soda is among those who do not clean up their selfies. She’s going for an unvarnished, alternative look.” To read the full article, click here.

BULLETT | July 2015

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Molly Soda has been interviewed by Kayla Unnerstall for Bullett Magazine about the release of her most recent zine, I don’t want you to miss me. Describing the evolution of her practice, Soda says: “I started thinking about websites as art and videos as art and using the Internet as a tool to get my work out there and using it as a medium to make work on instead of having to make a print, painting or a physical piece. I think I’ve evolved in that way that I’m not separating my real life practice from my online art practice anymore. It’s all melded into one thing.” You can find the full interview here.

GALORE | 08 July 2015

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Galore Magazine has just published a new interview with Molly Soda. Upon responding to writer Maria Pasquini’s request for Soda to describe her practice in 10 words or less, Soda replies: “webcam princess explores digital intimacy and cyber sincerity.” You can find the full interview here.

BULLETT | 10 June 2015

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Bullett Magazine‘s Kayla Unnerstall has written about the controversy surrounding the release of Molly Soda’s zine should i send this / ur so emo about boys. While some have called the zine feminist artwork, others have decried the work as vapid and narcissistic. To read the full piece, click here.

DAZED | 09 June 2015

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Dazed Digital has just published an article about Should I Send This?, Molly Soda’s latest zine in which the artist publishes a selection of previously unseen nude images and sexts. The author, Alice Mosey, writes: “Far from a bunch of awkward nudes and cringeworthy chat-up lines, Should I Send This? highlights how we construct our intimacy while hiding behind a screen.” You can find the full article  here.

HUFFINGTON POST | 21 April 2015

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Molly Soda’s involvement in the glitch art project This is Not an Error has been reported on by Priscilla Frank of the Huffington Post. Other artists included in the project are Jeanette Hayes, LaTurbo Avedon, So Sad Today and more. To read the article and see Soda’s glitches-out 404 error page, click here.