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This document was updated on 2 October 2021 and is for reference only.


B.F.A. School of Visual Arts, New York


Digital Streams of an Uploadable Consciousness, ANNKA KULTYS GALLERY, London — UK
Reflexxxions, EIGEN+ART LAB, Berlin — DE

Tesseract, Times Square Space, New York — US
American Reflexxx, New Release, New York — US

Virtual Normality, Galerie Nathalie Halgand, Vienna — AT

Neon Classical, Adidas Originals, New York — US


WALK!, Schirn, Frankfurt — DE

Time for Outrage! Art in Times of Social Anger, Kunstpalast, Düsseldorf — DE

Gifts for you, EIGEN + ART, Berlin — DE
Re-New, PostmastersROMA, Rome — IT
Inside Out – Konstruktionen des Ichs, Kunstmuseum Wolfsburg — DE
Quid Est Veritas?, ANNKA KULTYS GALLERY, London — UK
World Receivers, Zabludowicz Collection, London — UK
MASK, Kunstmuseum Bonn, Bonn — DE
Hate Speech. Aggression und Intimität, Künstlerhaus Graz. Halle für Kunst & Medien, Graz — AT

Anti – Athens Biennale, Athens — GR
Virtual Normality: Women Net Artists 2.0, Mdbk, Leipzig — DE
Anti-body, Glassbox, Paris — FR
On the Internet, nobody knows you’re a performance artist, Düsseldorf Photo, NRW-Forum, Düsseldorf — DE

Secret Garden (Curated by Indira Cesarine), The Untitled Space, New York — US
Cybercy, UCCS Galleries of Contemporary Art, Colorado Springs — US

“American Reflexxx” / Selected Works, Galerie Nathalie Halgand, Vienna — AT
“American Reflexxx” / Cheap Thrills, SPRING/BREAK Art Show, New York — US
Selected Works, Castor Gallery, New York — US
Big Sister Is Watching You, Untitled Space, New York — US
Reality Is A Porno and Life Is But A Meme, SPRING/BREAK Art Show, New York — US
Beverly Hells, Sunday Gallery, Los Angeles — US
The War On Women, Slow Culture, Los Angeles — US
You Can Call Me Baby, Skylight at Moynihan Station, New York — US
LOVE 2016, Columbia University, LeRoy Neiman Gallery, New York — US

Broken Dreams, Ace Gallery, Los Angeles — US
Cheap Thrills, Solos Project House, Newark — US
Simulated Beauty / Sunset Strip Club (Day), Alt Space, New York — US
Motelscape (Installation), Miami Princess Hotel, Miami — US
American Reflexxx, Kadmium, Delft — NL
Better To Have Loved Pt. I + II, Sunday Gallery, Los Angeles — US

Girls Gone Wild, Good Work Gallery, New York — US
American Reflexxx, BHQFU, New York — US
Let Her Eat Cake, MOVES, New York — US

Glitz Pageant, The Metropolitan Museum of Art, New York — US
Glitz Pageant, Warsaw Photo Days, Warsaw — PL


REMIX at The Eagle, The Eagle, Los Angeles — US
TOMB RAVER: Holographic Love in a Liminal Space,, New York — US
Kaimin x Kunst, Elsewhere, New York — US
BOUND x Tom of Finland Pride, The Standard Hotel, New York — US

Bio-Haqué, RC Cola plant, Miami — US
Deep Web, Le Grand Rex (in collab. with Flora Miranda), Paris — FR
Virtual Normality, EP7, Paris — FR
Reflexxxions, EIGEN + ART Lab, Berlin — DE

Virtual Normality – 24 Hour Live Stream, Galerie Nathalie Halgand, Vienna — AT
Virtual Normality: Women Net Artists 2.0, Mdbk, Leipzig — DE
A Glitch in the Echo Chamber of Big Sister‘s Cave (presented with the support of ANNKA KULTYS GALLERY), Tsmede, Anti-Athens Biennale, Athens — GR
Tesseract: Times Square, Times Square Space, New York — US
H0L0, Squeegee NYC, New York — US

Living Booth, Frieze Art Fair (ANNKA KULTYS GALLERY), London — UK
Virtual Normality – 24 Hour Live Stream, Galerie Nathalie Halgand, Vienna — AT
Barbie Jeep, Spring Break Art Show, New York — US
Virtual Normality, Human Resources LA, Los Angeles — US

BOOKLUB #10: Make America Great Again, The Museum of Modern Art (MoMA), New York — US
iDentity: A 1.0 Woman Show, Bitforms, New York — US
Authority Figure: Big Sister, Knockdown Center, New York — US
SYNTHETIC LUST: Was It As Good For You As It Was For Media?, ATM Gallery, Austin — US

Simulational Aesthetics, Palais de Tokyo, Paris — FR
Model Home: The Beyond, Secret Project Robot, New York — US

NYNYHPHPRhizome Gala, New Museum, New York — US
Step & Repeat, Museum of Contemporary Art, Los Angeles — US
Burning of the Blondes, Otionfront Studios, New York — US


A Woman’s Right to Pleasure. Texts by Roxane Gay, Erica Jong and Amir Marashi. BlackBook Publishing, New York [book]

15 Million Minutes of Fame. Texts by Signe Pierce. Bauhaus 100 (online)

Virtual Normality: Women Net Artists 2.0. Edited by Alfred Weidinger and Anika Meier. Verlag für moderne Kunst, Vienna (exh. cat.)
Anti-Athens Biennale. Edited by Stefanie Hessler, Poka-Yio, Kostis Stafylakis, and Augustine Zenakos. Pletsas-Kardari G.P., Athens (exh. cat.)
Mindstate Malibu. Edited by Joshua Gross, Johannes Hertwig und Andy Kassier. Starfruit Publications, Vienna (book)

Mossless: Public/Private/Portrait. Edited by Romke Hoogwaerts. Texts by Romke Hoogwaerts and Alexis Avedesin. Mossless, New York (book)
LOVE 2016. Edited by Rachel Stern. Matte Magazine, New York (exh. cat.)


Meier, Anika. “Why do you Collect Art, Annka Kultys?” (18 August 2021) [ill.] [online]

Howard, Lindsay. “Signe Pierce thinks it’s time to take a 360-degree approach to generating value around art.” (25 June 2020) [ill.] [online]
Shorey, Eric. “10 Contemporary Artists You Need to Know.” The Manual (18 May 2020) [ill.][online]
Schmitt, Lexie. “American Reflexxx.” 21st Century Digital Art (28 March 2020) [ill.] [online]

Wherry, Brit. “Art Basel 2019: The Parties We Can’t Stop Re-Living.” Compose Yourself Magazine (16 December 2019) [ill.] [online]
Perry, Kevin. ” Grimes review – a suitably surreal invasion of the Miami Art Basel.” The Guardian (6 December 2019) [ill.] [online]
Lopez de Oliveira, Beatriz. “Cultura Pop e Escapiscmo – Nostalgia Na Era Pòs-Internet.” (31 October 2019) [ill.] [online] (article in Portuguese)
Arida, Ralph. “Getting real with Signe Pierce.” Plastik Magazine (3 October 2019) [ill.] [online]
Weiss, Ali. “#16 – Weapons of Mass Seduction (feat. Signe Pierce).” Tales of Taboo podcast (2 October 2019) [online]
“Wir Brauchen Mehr Blumen!” Fraülein Magazine (2 October 2019) [ill.] [online] (article in German)
Bucknell, Alice.”‘Digital Streams of an Uploadable Consciousness: Stories 2016-2019’: Signe Pierce.” Mousse Magazine (24 June 2019) [ill.] [online]
Pierce, Signe. “15 Million Minutes of Fame.” Bauhaus 100 (June 2019) [ill.] [online]
“A Dangerous Walk: Interview with Signe Pierce.” Musée Magazine (10 June 2019) [online]
Schoder, Von Angelika. “Signe Pierce: Hyperrealismus, Feminismus und die Spice Girls.” MUS.ER.ME.KU (14 May 2019) [ill.] [online] (article in German)
“Artist Signe Pierce Explores the Chaotic Beauty of Reality and its Natural Tefractions.” Design You Trust (18 February 2019) [ill.] [online]
Miranda, Flora. “Flora Miranda X Signe Pierce.” Not for Real (20 January 2019) [ill.] [online] (article in German)
Dietzel, Stefanie Regina. “Signe Pierce: A Fierce Female Multimedia Artist You Need To Know About.” The Devi (n.d.) [ill.] [online]

Benor, Dalya. “In the 6th with Nathalie Halgand.” Office (28 October 2018) [ill.] [online]
Cascone, Sarah. “Brooklyn’s Museum of Pizza Is Now Open—and It’s Exactly as Cheesy as You’d Expect.” Artnet News (16 October 2018) [online]
Mufson, Beckett. “Here Are the Artists that Made The Museum of Pizza More Than a Selfie Stop.” VICE (16 October 2018) [ill.] [online]
“ANTI : 6th Athens Biennale 2018 / Athens, Greece.” Daily Lazy (9 October 2018) [ill.] [online]
Passy, Charles. “Pizza Museum Aims to Be Upper Crust of Pop-Up Exhibitions.” Wall Street Journal (24 September 2018) [online]
“Netzkünstlerinnen 2.0: ‘Virtual Normality’ und Rollenklischees.” Leipziger Volkszeitung (21 August 2018) [ill.] [online] (article in German)
Harrison, Dane. “Why we’re all so obsessed with neon.” i-D (2 August 2018) [ill.] [online]
“Photos that Show How Real Life Isn’t Always What It Seems.” Broadly VICE (June 2018) [ill.] [online]
Davis, Arianna. “Meet Kali Uchis, One Of 2018’s Buzziest Artists.” Refinery 29 (June 2018) [ill.] [online]
“Signe Pierce: arte y technofeminismo en la era iPhone.” !Ah! Magazine (5 May 2018) [ill.] [online] (article in Spanish)
“Issue 06.” Cactus Digitale (May 2018) [ill.] [online]
“Lazy Guide to London.” Lazy Oaf blog (28 April 2018) [ill.] [online]
“Selfridges Eye: May 2018.” Selfridges (26 April 2018) [ill.] [online]
PleasecallmeGrace. “L’univers électrisant de Signe Pierce.” Open Minded (25 April 2018) [ill.] [online] (article in French)
Khan, Tabish. “The Top 7 Art Exhibitions to see in London this week.” FAD Magazine (15 April 2018) [ill.] [online]
Khan, Tabish. “Which Exhibitions Should You See Right Now?” Londonist (9 April 2018) [ill.] [online]
“Photography In Bloom: Our Favourite Floral Photos.” HUNGER Magazine (6 April 2018) [ill.] [online]
West-Davies, Maeshelle. “Virtual normality. Netzkünstlerinnen 2.0.” The Leipzig Glocal (31 March 2018) [ill.] [online] (article in German)
Kent, Paul Carey. “London Art Review Round-Up April 2018.” Artlyst (31 March 2018) [ill.] [online]
Monro, Lara. “Signe Pierce on the chaotic beauty of reality and its natural refractions.” Teeth Magazine (30 March 2018) [ill.] [online]
“ART NEWS: March 03.” Dream Idea Machine (29 March 2018) [ill.] [online]
Marani, Simona. “La femminilità 2.0 è rosa, resistente, seducente. Ed è in mostra con le nuove artiste dell’era digitale.” Elle Italia (28 March 2018) [ill.] [online] (article in Italian)
“Signe Pierce: Metamirrorism.” Time Out (26 March 2018) [ill.] [online]
Morgan, Philippa. “Vogue Previews Marzook’s Fall 2018 Collection, an Ode to the Millennial Trailblazer.” Vogue Arabia (22 March 2018) [ill.] [online]
“Eli Rezkallah X Signe Pierce For Marzook.” Plastik Studios (March 2018) [ill.] [online]
Zingg, Rahel. “Instagram, warum willst du diese Fotos nicht zeigen?” Welt (10 March 2018) [ill.] [online] (article in German)
Di Yu, Sandy. “The Best of Spring in London: Our Top Contemporary Art Picks.” Art Rabbit (7 March 2018) [ill.] [online]
Do, Tiffany. “How David Lynch Inspired The Design At A Trippy Bushwick Bar.” Food Republic (21 February 2018) [ill.] [online]
Fernholz, Denise. “Ausstellung ‘Virtual Normality’: Weibliche Sexualität: Fotos zeigen schmalen Grat zwischen Lustobjekt und Shitstorm.” Stern (20 February 2018) [ill.] [online] (article in German)
Finney, Alice. “We Asked Young People What They Thought Of New Feminist Exhibition ‘Virtual Normality.'” Indie Magazine (20 February 2018) [ill.] [online]
Berg, Sibylle. “Man mag es nicht, das Fremde.” Spiegel (10 February 2018) [ill.] [online] (article in German)
Meier, Anika. “Künstlerinnen in Zeiten sozialer Medien.” Monopol (4 February 2018) [ill.] [online] (article in German)
Halser, Marlene. “Ein Megafon, um zurückzubrüllen.” Fluter (3 February 2018) [ill.] [online] (article in German)
Abbott, Marianne. “Artist Signe Pierce on How to Take Up Space and puncture People’s Realities.” DRØME (2 February 2018) [ill.] [online]
Tilley, John Martin. “The Knee-Jerk Mirror.” Office (2 February 2018) [ill.] [online]
“Diese künstlerinnen hinterfragen rollenklischees im zeitalter digitaler inszenierung.” i-D (30 January 2018) [ill.] [online] (article in German)
Meyns, Michael. “Pics or it didn’t happen.” Die Zukunft (26 January 2018) [ill.] [online]
Burlet, Fleur. “‘Virtual Normality’, l’expo qui questionne la représentation du corps féminin sur Internet.” Les Inrockuptibles (25 January 2018) [ill.] [online] (article in French)
“Five Female Visual Artists to Follow Right Now.” HUNGER TV (24 January 2018) [ill.] [online]
“Best Of 2018 – Leah Schrager’s play with the male gaze.” The Eye of Photography (24 January 2018) [ill.] [online]
Sayej, Nadja. “The World’s Hottest Anti-Trump Art.” The Art Gorgeous (22 January 2018) [ill.] [online]
Kordic, Angie. “One Year of Resistance – How Artists See Trump’s Presidency So Far.” Widewalls (19 January 2018) [ill.] [online]
Piette, Jérémy. “Signe Pierce, Âge De Réseaux.” Libération (19 January 2018) [ill.] [online] (article in French)
Soldin, Jan. “Netzkünstlerinnen und die „Virtual Normality“ in Leipzig.” Kunstmarkt (17 January 2018) [online] (article in German)
Berboth, Amelie. “Selbstdarstellung oder Kunst?” Detektor FM (12 January 2018) [ill.] [online] (article in German)
Gruber, Angela. “‘Virtual Normality’: Künstlerinnen im Netz.” Spiegel (11 January 2018) [ill.][online] (article in German)
Steffes-Halmer, Annabelle. “Women artists redefining ‘virtual normality’.” Deutsche Welle (11 January 2018) [ill.] [online]
“The Art Show Celebrating One Year of Resistance Against Donald Trump.” Hunger TV (11 January 2018) [ill.] [online]
“Untitled Gallery’s ‘One Year Of Resistance’ Exhibit Is A Reminder To Keep Fighting For Our Rights.” Girl Talk HQ (10 January 2018) [ill.] [online]
Desai, Rajvi. “Trump presidency focus of ‘One Year of Resistance’ exhibit at The Untitled Space in TriBeCa.” AM New York (9 January 2018) [online]

“Best Portraits of 2017.” TIME (31 December 2017) [ill.] [online]
Wachs, Audrey. “Plastic shoes and feminist art make a standout pair at Galeria Melissa NYC.” Architects Newspaper (28 December 2017) [online]
Dandurand, Darragh. “Rose Gold is the Latest Underground Nightclub Set to Open in Bushwick in January 2018.” Bushwick Daily (19 December 2017) [ill.] [online]
“A New adidas Original: The Prophere.” Office (5 December 2017) [ill.] [online]
Meier, Anika. “Es darf sich geärgert werden.” Monopol (1 December 2017) [online] (article in German)
Manders, Hayden. “What Is The Queer Community Thankful For This Year?” Nylon (23 November 2017) [ill.] [online]
Long, Theron. “Our Friendsgiving with Wolvesmouth captured by Pixel 2.” Paper Magazine (18 November 2017)) [ill.] [online]
Bucknell, Alice. “A Brief History of the Color Pink.” Artsy (6 November 2017) [ill.] [online]
Feitelberg, Rosemary. “Artists and Designers Rally to Help Hurricane Maria Victims in Puerto Rico.” Women’s Wear Daily (26 October 2017) [online]
“At the Intersection of Real and Artificial: Slideshow with Signe Pierce.” VICELAND (14 October 2017) [ill.] [online]
Meier, Anika. “Fotokünstler auf Instagram: Ein Selfie geht immer.” Der Standard (9 October 2017) [online] [article in German]
Nafziger, Christina. “Faux Realities By Signe Pierce: What Does It Mean To Be 
Simultaneously Fake And Real, False And Factual?” Art Maze Magazine (31 August 2017) [ill.] [online]
DiPalma, Alexandra. “Signe Pierce’s Work for Galeria Melissa Merges Liquid, Light, and Media.” Creators (30 July 2017) [online]
Meier, Anika. “Ich bin Pop und ich bin Kunst.” Monopol (1 July 2017) [ill.] [online] (article in German)
“Artificial Worlds.” Aesthetica Magazine (29 June 2017) [ill.] [online]
Khan, Tabish. “Top 8 Art Exhibitions to see this week in London.” FAD Magazine (25 June 2017) [ill.] [online]
Khan, Tabish. “Things To Do Today In London: Friday 23 June 2017.” Londonist (23 June 2017) [ill.] [online]
Bucknell, Alice. “Signe Pierce: Faux Realities.” This is Tomorrow (22 June 2017) [ill.] [online]
Gamble, Ione. “Immerse Yourself in Signe Pierce’s Neon Hyperreality.” Dazed (9 June 2017) [ill.] [online]
“Signe Pierce | Annka Kultys Gallery.” Gowithyamo (9 June 2017) [ill.] [online]
“Faux Realities is Questioning what’s Real in an Increasingly Simulated World.” HUNGER TV (8 June 2017) [ill.] [online]
Saiyavongsa, Samantha. “‘Reality Artist’ Signe Pierce Exposes a Neon-soaked Dystopia.” Playboy (May 2017): 69 [ill.] [print]
Gagnon, Marie-Claire and Priganica, Amar. “Signe Pierce: iPhones and Barbie Jeeps.” PW Magazine (26 April 2017) [ill.] [online]
“Galleries of Contemporary Art to open Cybercy exhibit May 5.” Communique (21 April 2017) [online]
Draxler, Phillipp. “Signe Pierce: ‘Virtual Normality’ Solo Exhibition & Artist’s Performance at Galerie Nathalie Halgand.” Purple (30 March 2017) [ill.] [online]
Curley, Harrison “We Went To SPRING/BREAK: Who Let the Dogs Out?” Art F City (2 March 2) [ill.] [online]
Gore, Sydney. “Artist Signe Pierce Takes Us Behind the Scenes of Big Sean’s New Video.” Nylon (9 February 2017) [ill.] [online]
Rose, Annie. “Signe Pierce: The Only Girl In Times Square.” Posture Magazine (6 January 2017): 122 [ill.] [online]

Cascone, Sarah. “Satellite Art Show Brings ‘More Fun’ to Miami Art Week.” Artnet (6 December 2016) [ill.] [online]
Porath, Jos. “Signe Pierce: Neo-Noir Feminism, URL to IRL.” Metal Magazine (2 November 2016) [ill.] [online]
Hout, Annekathrin. “”It’s a Reality Piece!”: An Interview with Signe Pierce.” So Frisch So Gut (20 July 2016) [ill.] [online]
Romily, Alice “Exhibition // ‘Zero Zero” Proposes A New Post-Internet Landscape.’ Berlin Art Link (17 July 2016) [ill.] [online]
“Zero Zero Takeover.” Nowness (6 July 2016) [ill.] [online]
Barry, Robert. “Explore Functions: Zero Zero At ANNKA KULTYS GALLERY.” The Quietus (1 July 2016) [ill.] [online]
D’Angelo, Madelaine. “Artist Interview with Reality Artist Signe Pierce.” Huffington Post (27 June 2016) [ill.] [online]
Cochrane, Kristen. “Talking Cyberfeminism and Art with Artist and Aspiring Cyborg, Signe Pierce.” Slutever (8 June 2016) [ill.] [online]
Michalarou, Efi. “ART CITIES: London – ZERO ZERO.” dreamideamachine (June 2016) [ill.][online]
Mossless. “Photos That Blur the Line Between Public and Private Personas.” VICE (9 May 2016) [ill.] [online]
“Signe Pierce: Neon Beauty Forming the Art of the Future.” Aether Magazine (Spring/Summer 2016) [ill.] [print]
Saltz, Jerry. “11 Artists Poised to Have A Breakout Year.” New York Magazine
(18 April 2016): 69 [ill.] [online] [print]
Stein, Ari. “New Voice In Art: Signe Pierce – Post-Everything.” 52-Insights (28 March 2016 [ill.] [online]
Johnson, Paddy. “The Artist-Centric Movement has its Milestone Moment: SPRING/BREAK.” Art F City (7 March 2016) [ill.] [online]
Manning, Emily. “5 Things You Can’t Miss at Spring/Break, NYC’s Buzziest Art Fair.” i-D (1 March 2016) [ill.] [online]
Messinger, Kate. “Beyond the Main Fair: 9 Things To See This Armory Arts Week.” Paper (1 March 2016) [ill.] [online]
Gamble, Ione. “Why Are People Still Shocked By Female Sexuality?” Dazed Digital (2 March 2016) [ill.] [online]
Thompson, Martine. “The Women Making Instagram a More Inspiring Place.” Dazed Digital (3 February 2016) [ill.] [online]

Pauly, Adriana. “7 Female Performance Artists You Need To Know About.” Art Report (15 December 2015) [ill.] [online]
Gamble, Ione. “The Reality Artist Using Makeup to Fight The Patriarchy.” Dazed Digital (10 December 2015) [ill.] [online]
Renstrom, Elizabeth. “‘Motelscape’ is a Trippy, Neon-Soaked Antidote to Boring
Art Shows.” VICE (9 December 2015) [ill.] [online]
Valentine, Ben. “Masking Against the Neoliberal Gaze.” Open Space – SF MoMA (8 December 2015) [ill.] [online]
Fraschini, Gaia. “What’s Real? Signe Pierce.” Vogue Italia (16 October 2015) [ill.] [online] (article in Italian)
Gamble, Ione. “American Reflexxxion.” Polyester Zine: Issue 3, (Summer 2015): 14 [ill.] [print]
Avedisian, Alexis Anais. “Interview: American Reflexxx.” Rhizome (19 August 2015) [ill.] [online]
Chiaverina, John. “Alli Coates and Signe Pierce Talk American Reflexxx.” ArtNews (4 May 2015) [ill.] [online]
Grobe, Max. “Post-Internet Visions: Synthetic Lust & Beverly Hells.” Hunger Magazine (May 2015) [online]
Leifheit, Matthew. “Watch Transphobia Fuel an Angry, Violent Mob in Myrtle Beach.” VICE (23 April 2015) [ill.] [online]


“Signe Pierce”, SMU Meadows Division of Art Visiting Artist Lecture Series, Dallas — US

“Virtual Normality: In Conversation with Signe Pierce and Noit Banai”, Galerie Nathalie Halgand, Vienna — AT

“Google IRL: Digital Photography”, Google Spring Street, New York — US
“American Reflexxx: Signe Pierce + Alli Coates”, Rubber Factory, New York — US

“Identifications: A Discussion about Non-Conformity, Labeling, & Forms of Identity,” Mana Contemporary, Miami — US


The Eyeslicer Presents, The Museum of Modern Art (MoMA), New York — US

American Reflexxx – The Public Award, 14th Festival International Signes de Nuit — FR
American Reflexxx – Special Mention – Short Film Award, 15th Internationale Festival Zeichen der Nacht — DE
American Reflexxx – Best Short Film, XPOSED International Queer Film Festival, Berlin — DE
American Reflexxx -The Night Award, Internationales Festival Zeichen de Nacht — DE

American Reflexxx – Signs Award, 14th Festival Internacional Signos de Noite — PT
American Reflexxx, Kino Moviemento, Berlin — DE
American Reflexxx, Cinemart, Rotterdam — NL
American Reflexxx, Space Space Gallery, Tokyo — JP

American Reflexxx – Reality Star, Palais de Tokyo, Paris — FR
American Reflexxx, Danish Film Institute, Copenhagen — NL
American Reflexxx, Zegelstraat 13, Antwerp — BE


Artist in Residence, World Trade Centre, New York — US

Tesseract, Times Square Space, New York — US

Artist in Residence, ARTHA Project, New York — US
American Reflexxx – The Public Award, 14th Festival International Signes de Nuit, Paris — FR
American Reflexxx – Special Mention – Short Film Award, 15th Internationale Festival Zeichen der Nacht, Berlin — DE

American Reflexxx – Signs Award, 14. Internacional Festival Signos de la Noite, Lisbon — PT
American Reflexxx – Best Short Film, XPOSED International Queer Film Festival, Berlin — DE

Annka Kultys Gallery
Annka Kultys