In an article reviewing the impact of the Wrong Bienniale, the Internet’s first digital art biennial, Happening Media mentions Olga Fedorova’s work If Looks Could Kill (2017). Curated by Fabio Paris, the unique GIF work is on view as part of Pink Pink Moon’s online pavilion for the Wrong. To read the full article and check out Fedorova’s work, click here.
ART SLANT | 15 November 2017
Christian Petersen has included Signe Pierce and Alli Coates’ work, American Reflexxxx, in his Web Wednesday review of the Wrong Biennale.
Continue reading “ART SLANT | 15 November 2017”
THE WRONG BIENNALE | 3 November 2017
OLGA FEDOROVA in
EMPTY VESSELS || VULNERABLE BODIES
3 NOVEMBER – 30 NOVEMBER 2017
ONLINE PAVILION, DIGITAL BIENNIAL
THE WRONG BIENNALE | 1 November 2017
Christopher Clary, in collaboration with Eyebeam, has included works by Amalia Soto (Molly Soda) and Signe Pierce in his exhibition SAFE for the Wrong Biennale. Probing the concept of safe space in networked culture, the show asks questions about the validity and expression of trauma online. To view the online exhibition, click here.
THE WRONG BIENNALE | 1 November 2017
Sid Smith and Jim Bicknell-Knight’s online pavilion, The 15 Cmdments, includes an original work by Molly Soda. Inspired by the Apple computer keyboard shortcut Command-S (save function), Soda’s work HUGE! GIF HAUL! (2017) imitates the style of popular YouTube haul videos as the artist displays recent additions to her desktop GIF hoard. To view the online exhibition and Soda’s work, click here.