The Washington Post discuss Gretchen Andrew’s work in an article on net artists.Continue reading “WASHINGTON POST | 18 June 2020”
Molly Soda has been featured by Kesley Ables in the article An introduction to the world of Net Art for the Washington Post as one of the principal artists to know when being introduced to the world of digital art. Referring to Soda, Ables writes: “Imbued with a gnawing emptiness, so much of Soto’s work seems to teeter on the brink of a breakdown, raising the question, how much sharing is too much? In one video, Soto details the fungus growing in her armpit. In another, her face, wet with tears, glows on a computer screen while she takes iPhone selfies.” You can read the full article here.
The Washington Post has reviewed the National Portrait Gallery’s new exhibition Eye to I: Self-Portraits From 1900 to Today, which includes the video work by Molly Soda Who’s Sorry Now. To watch the video and read the review by Sadie Dingfelder, click here.
The Washington Post features Ekaterina, the ‘mockumentary’ photography series by Swiss artist Romain Mader. Centering around Mader’s own fictional search for a bride in Ukraine, the work asks important questions about sex tourism and the male gaze in post-Soviet nations. To read the full article, click here.