SURVEY PRESS GUIDE
BIOGRAPHY
Rachel de Joode is a Dutch-born, Berlin-based multi-media artist. She mixes mediums, particularly those of photography, sculpture and most recently, painting. Her work bounces between the physical and the virtual, exploring the relationship between the three dimensional object and its two dimensional representation. De Joode’s work is a constant play between surface, representation and materiality.
De Joode earned her diploma in time-based art from the Gerrit Rietveld Academie in Amsterdam. She was awarded the Deutsche Börse Residency Program at the Frankfurter Kunstverein in Frankfurt (2013) and the Sculpture Space funded residency (2012), as well as a residency at LMCC swingspace program at Governors Island (2013 – 2014) in New York. She has received funding from the Mondrian fund, the Berliner Senat and the Royal Dutch Embassy. Her work has been reproduced and reviewed in Vitamin C clay and ceramics (Phaidon), Artforum, Artnet, The New York Times, The New Yorker, DIS magazine and Charlotte Cotton’s book Photography is Magic.
SELECTED WORKS
Sloppy Therapy 12
2020
Pigment ink on archival paper, mounted on aluminium dibond, and frame
152 x 125 cm (59 3/4 x 49 1/4 in)
Unique
(RdJo001.20)
Sloppy Therapy 14
2020
Pigment ink on archival paper, mounted on aluminium dibond, and frame
152 x 125 cm (59 3/4 x 49 1/4 in)
Unique
(RdJo002.20)
Sloppy Therapy 18
2020
Pigment ink on archival paper, mounted on aluminium dibond, and frame
152 x 125 cm (59 3/4 x 49 1/4 in)
Unique
(RdJo003.20)
Sloppy Therapy 19
2020
Pigment ink on archival paper, mounted on aluminium dibond, and frame
152 x 125 cm (59 3/4 x 49 1/4 in)
Unique
(RdJo004.20)
Sloppy Therapy 21
2020 Pigment ink on archival paper, mounted on aluminium dibond, and frame
152 x 125 cm (59 3/4 x 49 1/4 in)
Unique
(RdJo005.20)
PAST EXHIBITION AT ANNKA KULTYS
SOFT
22 OCTOBER – 11 DECEMBER 2020
SELECTED PRESS
Rachel de Joode, Berlin-based multimedia artist talks about her new works on show at London’s Annka Kultys Gallery, interviewed by Olivia Gavoyannis. De Joode says that when she views art in person, she sometimes moves closer out of reflex. “Phones are almost a prosthetic for the way we look at art… we now have to move around [artwork] in order to activate the kinds of zooming in and out we could easily accomplish on a screen,” she says. Read now
