IN THE MEDIA
MOUSSE MAGAZINE | FEATURE | 28 AUGUST 2023
Horacio Quiroz “Goddesses of Spoiled Lands” at Annka Kultys Gallery, London
Horacio Quiroz’s first UK solo exhibition, ‘Goddesses of Spoiled Lands’ at ANNKA KULTYS GALLERY, has been featured in Mousse Magazine. →
ORGAN THING | REVIEW | 21 AUGUST 2023
Sean Worrall glowingly reviews Horacio Quiroz’s solo exhibition ‘Goddesses of Spoiled Lands’ at ANNKA KULTYS GALLERY, describing it as ‘is an excellent show, [with] eight fine paintings, eight paintings that want to talk to you’. →
JUXTAPOZ MAGAZINE | INTERVIEW | 9 AUGUST 2023
118: Horacio Quiroz and the Goddesses of Spoiled Lands | Radio Juxtapoz
Horacio Quiroz talks to Radio Juxtapoz about his solo exhibition at ANNKA KULTYS GALLERY and his artistic practice, meandering through discussions about the complexities of growing up queer in Mexico, how his work is a balance of quasi-supernatural explorations with the details of his homeland and the evolving relationship that humans have with nature. →
NOMAD SALON | INTERVIEW | 29 JULY 2023
Horacio Quiroz talks about his artistic practice and his upcoming show at Annka Kultys Gallery in an interview with Jenny Muñoz, discussing his interest in erasing binaries, overturning capitalist hierarchies and returning to the materiality of the Earth. →
EXPANDED ART | INTERVIEW | 18 JULY 2023
Claudia Hart, in discussion with Anika Meier in the third and final of three conversations for EXPANDED.ART, speaks about her journey from traditional medium to the world of virtual reality and NFTs, remarking on her background in architecture and her perception of the present. →
EXPANDED ART | INTERVIEW | 26 JUNE 2023
In the second of three conversations with Anika Meier for EXPANDED.ART, Hart discusses her early artistic influences, how Europe transformed her into a digital artist, and the “mind and body split” in her visual and literary work. →
ORGAN THING | REVIEW | 26 JUNE 2023
MY TRAVELS IN HYPERREALITY, Claudia Hart’s solo exhibition at presented simultaneously at ANNKA KULTYS PHYGITAL in London and EXPANDED.ART online was reviewed in Organ Thing by Sean Worrall, who describes the gallery as ‘one of the few remaining East London art spaces I feel I need to check out every single time a new show opens’. →
EXPANDED ART | INTERVIEW | 22 JUNE 2023
Interviewed by Anika Meier for EXPANDED.ART, Claudia Hart discusses her position as a pioneer of digital art, including the notion of post-photography, being a female artist in a man’s world, and her goal of moving contemporary art forward. →
ART REVIEW | REVIEW | 31 MAY 2023
THE UNCANNY IMAGINARY OF JONAS LUND’S AI CORPORATE WORLD, BY J.J CHARLESWORTH
TIME WELL SPENT MAG | FEATURE | 28 MAY 2023
THE TOP 16 UNMISSABLE EXHIBITIONS THIS JUNE 2023
‘In the Middle of Nowhere II’, Jonas Lund’s second instalment of his solo exhibition taking place at Annka Kultys Gallery, was included within the ‘Top 16 Unmissable Exhibitions This June 2023’, an article by Time Well Spent Mag. →
MUTUAL ART | FEATURE | 5 MAY 2023
JONAS LUND: IN THE MIDDLE OF NOWHERE II
‘In the Middle of Nowhere II’, Jonas Lund’s solo exhibition at Annka Kultys Gallery, is featured in Mutual Art. →
WHITECHAPEL GALLERY | FEATURE | 4 MAY 2023
Jonas Lund’s solo exhibition ‘In the Middle of Nowhere II’ at ANNKA KULTYS GALLERY is featured on the website of Whitechapel Gallery. →
FAD MAGAZINE | REVIEW | 27 MARCH 2023
Jasper Spires reviewed the opening reception for Juliette Sturlèse’s and Marjan Moghaddam’s simultaneous solo exhibitions, spanning across Annka Kultys Gallery’s physical and phygital spaces. →
GALLERIESNOW | FEATURE | 24 MARCH 2023
JULIETTE STURLÈSE: A LITTLE MOUSE WAS RUNNING THROUGH THE GRASS
Juliette Sturlèse’s solo exhibition ‘A little mouse was running through the grass’ at ANNKA KULTYS GALLERY is featured in GalleriesNow. →
ART FORUM | INTERVIEW | 15 MARCH 2023
SASHA STILES: TRANSCENDING DIGITAL DUALISM THROUGH NETWORKED POETRY, BY TINA RIVERS RYAN
Sasha Stiles, whose work was exhibited at ANNKA KULTYS GALLERY for her solo show B1NARY 0DES, was interviewed by Tina Rivers Ryan for the ARTFORUM. →
DIGITLAL ART BLOG | FEATURE | 5 MARCH 2023
Sasha Stiles’ solo exhibition at Annka Kultys Gallery, ‘B1NARY 0DES’, was promoted by @digitalartsblog on Instagram, who say that Stiles’ ‘experiments present a brilliant human-machine collaboration that’s incredibly creative and unique’. →
NIIO EDITORIAL | PROFILE | 03 MARCH 2023
Claudia Hart on Machiavelli, Politics, and NFTs, by pau waelder
Pau Waelder analyses Claudia Hart’s artistic practice for Niio Editorial, focussing on the development of A Child’s Machiavelli and the rise of NFT culture. →
THE ART NEWSPAPER | ARTICLE | 28 FEBRUARY 2023
Ai-Da, the artificial intelligence robot artist, and her creators discuss the impact of AI on the future of art for The Art Newspaper, deeming her creations as a Duchampian revolution for the art world. →
ORGAN | REVIEW | 24 FEBRUARY 2023
‘B1NARY 0DES’, Sasha Stiles’ solo exhibition at Annka Kultys Gallery ,was reviewed by Sean Worrall for ORGAN, who deemed it ‘an excellent show, a stimulating show, a show with heart, with soul’. →
MOUSSE MAGAZINE | FEATURE | 24 FEBRUARY 2023
SASHA STILES ‘B1NARY 0DES’ AT ANNKA KULTYS GALLERY, LONDON
Sasha Stiles’ solo exhibition at Annka Kultys Gallery, B1NARY 0DES, was featured in Mousse Magazine. →
THE ART NEWSPAPER | ARTICLE | 14 FEBRUARY 2023
Paris’s Centre Pompidou breaks new ground by acquiring 18 NFTs
Jonas Lund’s work features amongst the Centre Pompidou’s new collection of NFTs, an evolution which is discussed by Dorian Batycka for The Art Newspaper. →
CENTRE POMPIDOU | ARTICLE | 10 FEBRUARY 2023
THE CENTRE POMPIDOU IN THE AGE OF NFTs, by Séverine Pierron
The Centre Pompidou announces its first collection of NFT and NFT-related artwork, featuring art by Jonas Lund, curated to ‘reflect the astonishing wealth of the forms of artistic creation associated with blockchain’. →
FAD MAGAZINE | ARTICLE | 15 JANUARY 2023
THE TOP 5 ART EXHIBITIONS TO SEE IN LONDON RIGHT NOW, BY TABISH KHAN
CACOTOPIA 07, Annka Kultys Gallery’s 7th show in a yearly series featuring emerging artists, was included within ‘The Top 5 Art Exhibitions to See in London Right Now’, an article written by Tabish Khan for FAD Magazine. →
EXPANDED ART | INTERVIEW | 9 JANUARY 2023
WHY DO YOU COLLECT ART, ANNKA KULTYS?
Gallery owner, Annka Kultys, was interviewed by Expanded Art about her interest and background in collecting digital art. →
ORGAN | REVIEW | 8 JANUARY 2023
CACOTOPIA 07, the 7th show in a series of yearly exhibitions at Annka Kultys Gallery featuring emerging artists, was reviewed in Organ by Sean Worrall, who described it as ‘without a doubt a strong show’. →
MOUSSE MAGAZINE | FEATURE | 12 DECEMBER 2022
“WEB 3.0 AESTHETICS: IN THE FUTURE POST-HYPE OF THE NFTS” AT ANNKA KULTYS GALLERY
Mousse Magazine featured ‘Web 3.0 Aesthetics: In the Future Post-Hype of the NFT’s (a NFT trilogy curated by Annka Kultys for LaCollectionio). →
THE GUARDIAN | ARTICLE | 14 OCTOBER 2022
AI-DA THE ROBOT SUMS UP THE FLAWED LOGIC OF LORDS DEBATE ON AI
The Guardian reports on Ai-Da’s appearance in the House of Lords to contribute to a debate on AI technology, in an article written by Alex Hern. →
ÖO STORIES | VIDEO | 12 OCTOBER 2022
Art NFT Linz – Alfred Weidinger in conversation with Jonas Lund
Jonas Lund discusses the past, present, and future of digital art and NFTs in relation to his show ‘Studio Visit. How to Make Art in the Age of Algorithms’ at Francisco Carolinum Linz with Alfred Weidinger for Art NFT Linz. →
THE TELEGRAPH | ARTICLE | 11 OCTOBER 2022
I’VE SEEN A FEW ROBOTIC PERFORMANCES IN PARLIAMENT, BUT THIS WILL TAKE SOME BEATING, by Tim Stanley
Ai-Da’s appearance in the House of Lords is commented upon by Tim Stanley in an article for The Telegraph. →
RIGHT CLICK SAVE | INTERVIEW | 15 SEPTEMBER 2022
Jonas Lund and fellow artist Sarah Meyohas speak to curators Anika Meier and Hans Ulrich Obrist about the value of art after NFTs, how they imagine new economies and their own place in art history for Right Click Save Magazine. →
THE ORGAN | REVIEW | 29 JULY 2022
Sean Worrall reviews Kate Bickmore’s solo exhibition ‘Unfurling’ at Annka Kultys Gallery in Organ Thing, describing the body of work as something ‘to unfurl and enjoy, to explore, to dive into’ and remarking that ‘it does almost feel revolutionary’. →
OUTLAND | REVIEW | 6 JUNE 2022
THE HIRSCH TRUTH: EPISODE 8, BY ANN HIRSCH
As part of her video series ‘The Hirsch Truth’ for Outland, Ann Hirsch discusses the NFT exhibition “Web 3.0 Aesthetics: In the Future Post-Hype of the NFTs,” curated by Annka Kultys Gallery for LaCollection. →
DOMESTIKA | ARTICLE | 1 JUNE 2022
NFT Art Projects: 8 Examples from 2022 With a Positive Impact, BY LAUREN DUPLESSIS
Domestika mentioned Annka Kultys Gallery’s collaboration with LaCollection as part of its article about ‘NFT Art Projects: 8 Examples from 2022 With a Positive Impact’, written by Lauren Duplessis. →
GALLERIESNOW | FEATURE | 27 MAY 2022
KATE BICKMORE, ANNKA KULTYS GALLERY
Kate Bickmore’s second solo show at ANNKA KULTYS GALLERY, ‘Unfurling’, is featured in GalleriesNow. →
COOL HUNTING | ARTICLE | 18 MAY 2022
LA COLLECTION’S IMMERSIVE, IN-PERSON EGONSCHIELE NFT EXHIBITIOB FOR FRIEZE NYC, BY DAVID GRAVER
Annka Kultys Gallery’s contribution to LaCollection’s in-person exhibition at Frieze New York was mentioned in David Graver’s article for Cool Hunting. →
NFT EVENING | ARTICLE | 11 MAY 2022
LaCollection Announces NFT Collection with Annka Kultys Gallery, BY JANELLE BORG
The creation of ‘Web 3.0 Aesthetics: In the Future Post-Hype of the NFTs’, an exhibition curated by Annka Kultys Gallery for LaCollection, was announced in an article featured in NFT Evening by Janelle Borg. →
THE ART NEWSPAPER | REVIEW | 22 APRIL 2022
VENICE BIENNALE 2022: THE WORST ART ON SHOW IN THE CITY
The Art Newspaper reviews Ai-Da’s contribution to the Venice Biennale 2022. →
THE GUARDIAN | ARTICLE | 4 APRIL 2022
‘MIND-BLOWING’: AI-DA BECOMES FIRST ROBOT TO PAINT LIKE AN ARTIST, BY CAROLINE DAVIES
Featured in The Guardian, Caroline Davies discusses the remarkable technological evolution of the ability of Ai-Da, a humanoid AI robot, to create artwork and the implications this creates for how we understand both artwork and the boundaries of humanity. →
ARTNET | ARTICLE | 01 APRIL 2022
The anticipated appearance of Ai-Da’s artwork at the Venice Biennale is discussed in Artnet by Sarah Cascone, who remarks that ‘the exhibition […] highlights Ai-Da’s growing talents as an artist’. →
UGEAVISEN | ARTICLE | 10 FEBRUARY 2022
Five new works for the art museum
“We are both very grateful and proud that we have succeeded in acquiring these striking works…” Carlsberg Foundation’s acquisition of five new artworks by internationally renowned artists for their collection, all of which centre around the them of DNA. One of the works is Stine Deja’s sculptural and digital work entitled Crisp(r) Creatures, 2021. →
ELANTIN | ARTICLE | 7 FEBRUARY 2022
Where Does the Money Come from for the Universal Basic Income?
Elantin ponders AI replacing humans in the workforce, mentioning Ai-Da Robot’s painting and poetry. →
KUNSTEN | ARTICLE | 2 FEBRUARY 2022
Kunsten at forandre – introduktion til e-bog om samfundsengageret kunst
Kunsten.nu writes about the e-book The Art of Change (Kunsten at forandre) which includes 15 visual artists whose practices address on current crises and solutions. Included is Stine Deja’s Hard Core, Soft Bodies. →
DESIGNERS DIGEST | FEATURE | 31 JANUARY 2022
The TRANSMEDIALE art festival at At the Academy of Arts in Berlin is featured in Designer Digest magazine. The festival, which includes Stine Deja’s Dawn Chorus Beta, addresses digital capitalism and surveillance. →
GALLERIESNOW | FEATURE | 28 JANUARY 2022
CACOTOPIA 06 at ANNKA KULTYS GALLERY is featured on the front page of GalleriesNow. →
STIR WORLD | ARTICLE | 19 JANUARY 2022
Discovering the use of Instagram filters in the artworks of Ziyang Wu, BY SUKANYA DEB
“I feel like it was the first time during the pandemic that thinkers or writers from all over the world were talking about the same issue at the same time,” Sukanya Deb profiles artist Ziyang Wu and his artwork Where Did Macy Go for Stir World. →
BERLIN ART LINK | ARTICLE | 18 JANUARY 2022
Transmediale Launches Exhibition to Conclude Year-Long Program on Refusal
Berlin Art Link discusses the finale of transmediale 2021–22, and the festival’s final symposium and exhibition that will feature the works of Stine Deja. →
INDEPENDENT | ARTICLE | 15 JANUARY 2022
Style notes: get captivated by colour and introduce a little art to your wardrobe, BY BAIRBE POWER
Bairbe Power discusses Kate Bickmore’s floral collaboration with fashion brand Karen Millen in an article encouraging colourful statement clothing and artist partnerships. →
I-PROGRAMMER | ARTICLE | 28 December 2021
What Is Status Of Art In Our Digital World?, BY DAVID CONRAD
Ai-Da Robot first major exhibition at London’s Design Museum is reported on by David Conrad for I-programmer.info. the article debates NFTs versus AI generated artwork. →
ARTLYST | ARTICLE | 20 DECEMBER 2021
Ai-Da A Robot’s Divine And Comedic Vision Ashmolean Museum, BY NICO KOS
Ai-Da Robot, who is featured in the Ashmolean exhibition ‘Dante: The Invention of Celebrity’ is profiled by Nico Kos for Artlyst. the exhibition is curated by Professor Gervase Rosser and questions Dante’s influence on contemporary culture. →
GALLERIESNOW | FEATURE | 10 DECEMBER 2021
GalleriesNow featured artist Jukka Virkkunen for his first UK solo exhibition, From the Seven Eggs of Pochard at ANNKA KULTYS GALLERY. →
DESIGNBOOM | ARTICLE | 9 DECEMBER 2021
TOP 10 robotic and artificial intelligence stories of 2021
Designboom lists interview with Ai-Da Robot’s creators as one of the TOP 10 robotic and artificial intelligence stories of 2021. →
FAD MAGAZINE | REVIEW | 19 NOVEMBER 2021
Tree and Leaf, BY MARK WESTALL
FAD Magazine’s Mark Westall Reviews ‘Tree andLeaf’ group exhibition at Hannah Barry that features the work of Kate Bickmore. →
GALLERIESNOW | FEATURE | 28 OCTOBER 2021
Galleriesnow featured The Shadow Hand, László von Dohnányi’s first solo exhibition with ANNKA KULTYS GALLERY. →
FINANCIAL TIMES | ARTICLE | 7 OCTOBER 2021
How London became a crypto-art capital, By Alex Estorick
The Financial Times has mentioned Annka Kultys Gallery as one of an “eclectic mix of early adopters” to have embraced digital art in an article on how London has become a crypto-art capital, written by Alex Estorick. →
THE LEADER | PODCAST | 23 SEPTEMBER 2021
How NFTs are transforming political and social campaigning
The Leader, ES Magazine’s podcast, has spoken to art academic Acacia Mei and tech journalist Monty Munford ahead of the release of Brave New World, the groundbreaking NFT featuring Kai Isaiah Jamal. →
LITTLE BLACK BOOK | ARTICLE | 22 SEPTEMBER 2021
Little Black Book has reported on Brave New World, the NFT featuring trans-visibility activist and post Kai Isaiah Jamal, which will be auctioned on the Foundation marketplace in association with Phillips in a 24-hour auction, and shown at Annka Kultys Gallery. →
EVENING STANDARD | ARTICLE | 22 SEPTEMBER 2021
ES Magazine makes history as the first UK publication to release an NFT, created by Warren du Preez and Nick Thornton Jones, featuring trans-visibility campaigner and poet Kai Isaiah Jamal, auctioned by Foundation in association with Phillips, and on view at Annka Kultys Gallery. →
INSTAGRAM | POST | 21 SEPTEMBER 2021
Kate Bickmore: In Season, By Jonathan Travis
Art writer Jonathan Travis has described Kate Bickmore’s show at Annka Kultys Gallery as “a knockout debut solo” in an Instagram post. →
EVENING STANDARD | INTERVIEW | 20 SEPTEMBER 2021
Kai-Isaiah Jamal on how they created their groundbreaking NFT with ES Magazine, By Olive Pometsey
Kai-Isaiah Jamal has been interviewed by ES Magazine about the process of creating their boundary-pushing NFT, Brave New World. →
ES MAGAZINE | ARTICLE | 20 SEPTEMBER 2021
ES Magazine NFT: see the artwork here, By Olive Pometsey
Brave New World, the groundbreaking NFT by Warren du Preez and Nick Thornton Jones, including Kai Isaiah Jamal, released in association with Phillips and featured at Annka Kultys Gallery, ahead of a 24-hour auction on the Foundation marketplace, has been previewed by ES Magazine. →
ORGAN THING | REVIEW | 18 SEPTEMBER 2021
Kate Bickmore’s current exhibition, In Season, at Annka Kultys Gallery has been named as a “must-see” by Sean Worrall from Organ Thing. →
GALLERIESNOW | FEATURE | 17 SEPTEMBER 2021
GalleriesNow announces In Season, Kate Bickmore’s first solo exhibition with ANNKA KULTYS GALLERY. →
FIPP | ARTICLE | 17 SEPTEMBER 2021
FIPP has reported on the unveiling of the unique NFT cover of ES Magazine with trans-visibility activist, model and poet Kai-Isaiah Jamal, ahead of the NFT’s sale in a 24-hour auction on the Foundation marketplace, in association with Phillips and on view at Annka Kultys Gallery. →
EVENING STANDARD | ARTICLE | 15 SEPTEMBER 2021
FIPP has reported on the unveiling of the unique NFT cover of ES Magazine with trans-visibility activist, model and poet Kai-Isaiah Jamal, ahead of the NFT’s sale in a 24-hour auction on the Foundation marketplace, in association with Phillips and on view at Annka Kultys Gallery. →
FAD MAGAZINE | REVIEW | 13 SEPTEMBER 2021
Kate Bickmore Studio Visit: Landscapes of the Flesh, By Jasper Spires
Jasper Spires from FAD Magazine has reviewed Kate Bickmore’s In Season, the recent RCA graduate’s first solo exhibition in the UK, on show at Annka Kultys Gallery. →
FLATNESS | INTERVIEW | AUTUMN 2021
Interview with Danielle Brathwaite-Shirley by Flatness for Feminist Review and Women’s Art Library
Danielle Brathwaite-Shirley has been interviewed in a collaboration between Flatness.Eu, Feminist Review and Women’s Art Library for the latter’s Autumn 2021 issue. →
THEM.US | ARTIST PROFILE | 30 AUGUST 2021
The Black Trans Archive Is Revolutionizing How We Tell Queer History, By Michael Cuby
Michael Cuby has profiled artist Danielle Brathwaite-Shirley, whose Black Trans Archive aims to collect, recover and preserve stories of the historically-marginalised Black trans for use by generations to come. →
BØRSEN | ARTICLE | 24 AUGUST 2021
Glohed samtidskunst på konkurrerende kunstmesser
Stine Deja has been mentioned in an article on art fairs in the leading Danish financial newspaper, Børsen (article in Danish). →
TAINTED MAGAZINE | INTERVIEW | 23 AUGUST 2021
Gretchen Andrew and the Art of Hacktivism
Gretchen Andrew has been interviewed by Tainted Magazine about leaving Silicon Valley behind for an art career, criticising systems of power in the EU, sharing glue gun with her viewers, and how Google’s revenue model is directly interested in making women a product for consumption. →
ARTREVIEW | FEATURE | 20 AUGUST 2021
The Culture Club: Larry Achiampong and Danielle Brathwaite-Shirley
ArtReview has featured Danielle Brathwaite-Shirley as one of its most innovative voices shaping the art and cultural scene in advance of her presentation in collaboration with the publication and the Standard Hotel, London. →
MISA.ART | INTERVIEW | 18 AUGUST 2021
Why do you Collect Art, Annka Kultys?
Annka Kultys has been interviewed by Anika Meier for Misa.Art on how she has come to collect and promote works by digital natives and how Annka Kultys Gallery is like Duchamp’s boîte en valise. →
GALLERYTALK | ARTICLE | 17 AUGUST 2021
INTERNET EXPLORER: KUNST ONLINE #3, DAS NETZ SPIELT VERRÜCKT, By Lara Brörken
Annka Kultys Gallery’s platform [the art happens here], and Stine Deja’s work in particular, has been spotlighted on Gallerytalk.net (article in German). →
ART IN AMERICA | ARTICLE | 12 AUGUST 2021
FROM BLOCKCHAIN TO BROWSER: EXHIBITING NFTS, PART ONE, By Brian Droitcour
Art In America discusses the curation of NFTs, mentioning Artist Ziyang Wu’s “haunting sci-fi animation” included in the online exhibition “NFS NSFW NFT,” 2021, at New Art City. →
COBO SOCIAL | ARTICLE | 28 JULY 2021
What do we see when art looks to the future?, By Reena Devi
AI Portraiture: Us and Them has been profiled in an article on how artists are grappling with the uncertain futures of technology. →
THE ART NEWSPAPER | REVIEW | 23 JULY 2021
Gretchen Andrew has reviewed the UBS Bank VR exhibition as part of The Art Newspaper’s expert XR Panel. →
GALLERIESNOW | FEATURE | 20 JULY 2021
The Week in Art 20 Jul – 27 Jul 2021
GalleriesNow has featured the current exhibition at Annka Kultys, AI Portraiture: Us and Them, in their Weekender Newsletter of the best exhibitions to see. →
CYPRUS MAIL | FEATURE | 16 JULY 2021
‘Ai-Da: Portrait of the Robot’ at the Design Museum
Ai-Da Robot’s exhibition at the Design Museum has been featured in Cyprus Mail. →
ZEIT MAGAZIN | NEWSLETTER | 16 JULY 2021
Was für ein Wochenende!, By Christoph Amend
Gretchen Andrew has been mentioned in the Zeit Magazin newsletter, noting her upcoming show at the Francisco Carolinum Museum and how she uses computational linguistics in her work (article in German). →
THE BRITISH COMPUTER SOCIETY | PAPER | JULY 2021
What if We Educated AI Based on the World We Want Instead of the World We Have?
Gretchen Andrew publishes her third peer-reviewed paper, questioning the utopian potential of AI programming. →
HEICHI MAGAZINE | REVIEW | 08 JULY 2021
Wonderland: Surviving Horror and Monstrosity, By Danni Shen
Danni Shen reviews the online exhibition “Wonderland” at EPOCH. The group exhibition, including the work of Ziyang Wu, brings together the work of ten Chinese artists living and working in the United States and observing the imposed stereotypes. →
BOSTON COLLEGE MAGAZINE | INTERVIEW | SUMMER 2021
Flower Power, By Courtney Hollands
Gretchen Andrew speaks to her alma mater about being a woman in tech and her hopes for the future. →
IN YOUR AREA | ARTICLE | 25 JUNE 2021
First life-like artist robot to take up residency at Porthmeor Studios in St Ives
Olivier Vergnault reports on Ai-Da’s residency at Porthmeor Studios in St Ives and where she fits into the legacy of the St Ives School of artists like Barbara Hepworth and Ben Nicholson. →
ARTLAND | FEATURE | 24 JUNE 2021
Artland has featured the group exhibition at ANNKA KULTYS GALLERY, AI Portraiture: Us and Them on their website. →
AKANISTA MINDFULNESS | INTERVIEW | JUNE 2021
Zenmind presents: Our unconscious mind comes through paintings with Kate Bickmore, By Karuna Priya
Kate Bickmore has been interviewed by Karuna Priya from Akanista Mindfulness about the role meditation has played in her practice. →
GLAMURAMA | ARTIST PROFILE | 09 JUNE 2021
Gretchen Andrew covered in the Portuguese magazine Glamurama (article in Portuguese). →
PROTAGONIST MAGAZINE | REVIEW | JUNE 2021
Triggered Economics, a group exhibition featuring Kate Bickmore, has been given a 5-star review by Protagonist Magazine writer Daen Palma Huse. →
FAST COMPANY | ARTICLE | 06 JUNE 2021
How an ex-Googler turned artist hacked her work to the top of search results
Fast Company discusses Gretchen Andrew’s SEO work. →
AIRMAIL.NEWS | REVIEW | JUNE 2021
Gretchen Andrew: Other Forms of Travel
Gretchen Andrew: Other Forms of Travel is profiled by Airmail.news. →
ART IN AMERICA | ARTICLE | 2 JUNE 2021
How Danielle Brathwaite-Shirley Archives the Black Trans Experience, By Legacy Russell
Art in America contributor, the writer and curator Legacy Russell, has profiled the virtual experience works of Danielle Brathwaite-Shirley to show the dangers of “trans tourism” and how “building an archive is a trust exercise”. →
THE GUARDIAN | ARTICLE | 28 MAY 2021
AI-DA THE ROBOT PAINTER, IRANIAN EPICS AND A GAZE AT GOD – THE WEEK IN ART, BY JONATHAN JONES
Jonathan Jones names Ai-Da Robot’s Design Museum exhibition as his exhibition of the week for The Guardian. →
TRT WORLD | ARTICLE | 25 MAY 2021
Ai-Da: An ultra-realistic robot artist gets her day in the spotlight
TRT World has written an article on Ai-Da Robot’s history and her Design Museum exhibition. →
ARTREVIEW | ARTICLE | 24 MAY 2021
Why’s Ai-Da, the World’s First Robot Artist, Kind of Hot?, By Imogen West-Knights
ArtReview has written an opinion piece on the implications of designing an effeminate robot artist. →
DESIGNBOOM | INTERVIEW | 24 MAY 2021
Ai-Da’s creator, Aidan Meller, has been interviewed by Nina Azzarello at Designboom. →
LIVE SCIENCE | ARTICLE | 21 MAY 2021
Human-like robot creates creepy self-portraits, By Harry Baker
Live Science has written an article about how Ai-Da robot’s paintings question the role of AI in society. →
THE ART NEWSPAPER | ARTICLE | 20 MAY 2021
‘I’ll be back’: the return of AI art, By Gareth Harris
The Art Newspaper has included Ai-Da Robot’s exhibition at the Design Museum in a feature piece on the return of AI in contemporary art. →
THE GUARDIAN | ARTICLE | 18 MAY 2021
‘Some people feel threatened’: face to face with Ai-Da the robot artist
Mark Brown interviews Ai-Da Robot about her fascination with self-portraiture and her favourite artists for The Guardian. →
RENÉE PFISTER ART & GALLERY CONSULTANCY | REVIEW | MAY 2021
Triggered Economics – An Exhibition in Focus, BY Thomas Hoving
Renée Pfister Art & Gallery Consultancy have mentioned Kate Bickmore’s work in their review of the group show Triggered Economics at 34 Bruton Street. →
FINANCIAL TIMES | ARTICLE | 03 MAY 2021
Boundaries blur in Frieze New York’s augmented reality show
The Financial Times mentions Gretchen Andrew in their article on Frieze New York. →
FAD MAGAZINE | REVIEW | 28 APRIL 2021
GRETCHEN ANDREW “OTHER FORMS OF TRAVEL” ANNKA KULTYS / LONDON
FAD Magazine reviews Gretchen Andrew’s show Other Forms of Travel at Annka Kultys Gallery. →
NFT ARTICLES | ARTICLE | 25 APRIL 2021
NFT Articles outlines Gretchen Andrew’s first solo gallery exhibtion at Annka Kultys Gallery in “Three Exhibitions to see in London this weekend.” →
THE ART NEWSPAPER | ARTICLE | 23 APRIL 2021
Three exhibitions to see in London this weekend
The Art Newspaper named Gretchen Andrew’s first solo exhibition at Annka Kultys Gallery in “Three shows to see in London this weekend.” →
GALLERYTALK.NET | INTERVIEW | 22 APRIL 2021
SO WERDEN DEINE TRÄUME WAHR GRETCHEN ANDREW MANIPULIERT DAS INTERNET
Gretchen Andrew interviewed on her show at Annka Kultys Other Forms of Travel by Anna Meinecke for Gallerytalk.net (article in German). →
GALLERIESNOW | FEATURE | 22 APRIL 2021
Gretchen Andrew: Other Forms of Travel
Galleries now announces Gretchen Andrew’s exhibition at ANNKA KULTYS GALLERY, Other Forms of Travel. →
FAD MAGAZINE | INTERVIEW | 20 APRIL 2021
Fad Magazine interviews Gretchen Andrew about her vision boards. →
LA WEEKLY | INTERVIEW | 19 APRIL 2021
Meet SEO Artist Gretchen Andrew, By Shana Nys Dambrot
LA Weekly interviews Gretchen Andrew on her latest works and her forthcoming solo show at Annka Kultys Gallery in London. →
FLORESTA | INTERVIEW | 12 APRIL 2021
When Art Hacks Its Way Into Spaces: With Gretchen Andrew, By Maryam Arshad
Maryam Arshad at Floresta interviews Andrew on her work and upcoming gallery solo debut at Annka Kultys. →
FAD MAGAZINE | ARTICLE | 09 APRIL 2021
14 Exhibitions to see IRL in London from Next Week, By Mark Westall
Gretchen Andrew: Other Forms of Travel at Annka Kultys is highlighted by FAD Magazine as a must-see exhibition in London. →
WHITEWALL | REVIEW | 09 APRIL 2021
König Galerie Hosts Virtual Exhibition in Decentraland
Whitewall review König Galerie’s recent exhibition featuring the works of Annka Kultys Gallery artists Aaron Scheer, Ai-Da Robot, Gretchen Andrew, Rachel de Joode, and Stine Deja. →
FRONTRUNNER | INTERVIEW | 02 APRIL 2021
Ziyang Wu: Cutting Through The Noise, By Yuhui Kong
FRONTRUNNER’s Yuhui Kong interviews Ziyang Wu about the artist’s practice during lockdown, career and advice for artist. →
NINU NINA | INTERVIEW | APRIL 2020
Artist Gretchen Andrew, By Leila Antakly
Ninu Nina interview Gretchen Andrew on her approaching exhibition at Annka Kultys Other Forms of Travel. →
THE PHOTOGRAPHERS’ GALLERY | INTERVIEW | 24 MARCH 2021
SCREEN WALK WITH GRETCHEN ANDREW
Marco De Mutiis, Digital Curator at Fotomuseum Winterthur hosts an online interview and screen walk with Gretchen Andrew, in collaboration with The Photographers’ Gallery. →
THE ART GORGEOUS | INTERVIEW | 30 MARCH 2021
REAL TALK – HOW THE ART WORLD FEELS ONE YEAR AFTER THE FIRST LOCKDOWN, BY THE FEMPIRE
The Art Gorgeous interview Gretchen Andrew on how she feels about 2020 and whether it has affected her practice. →
