Gretchen Andrew has reviewed the UBS Bank VR exhibition as part of The Art Newspaper’s expert XR Panel.
Continue reading “THE ART NEWSPAPER | 23 July 2021”
Gretchen Andrew has reviewed the UBS Bank VR exhibition as part of The Art Newspaper’s expert XR Panel.
GalleriesNow has featured the current exhibition at Annka Kultys, AI Portraiture: Us and Them, in their Weekender Newsletter of the best exhibitions to see.
Ai-Da Robot’s exhibition at the Design Museum has been featured in Cyprus Mail.
Gretchen Andrew has been mentioned in the Zeit Magazin newsletter, noting her upcoming show at the Francisco Carolinum Museum and how she uses computational linguistics in her work (article in German).
Gretchen Andrew publishes her third peer-reviewed paper, questioning the utopian potential of AI programming.
Gretchen Andrew speaks to her alma mater about being a woman in tech and her hopes for the future.
Olivier Vergnault reports on Ai-Da’s residency at Porthmeor Studios in St Ives and where she fits into the legacy of the St Ives School of artists like Barbara Hepworth and Ben Nicholson.
Gretchen Andrew covered in the Portuguese magazine Glamurama (article in Portuguese).
Fast Company discusses Gretchen Andrew’s SEO work.
Gretchen Andrew: Other Forms of Travel is profiled by Airmail.news.
Jonathan Jones names Ai-Da Robot’s Design Museum exhibition as his exhibition of the week for The Guardian.
TRT World has written an article on Ai-Da Robot’s history and her Design Museum exhibition.
ArtReview has written an opinion piece on the implications of designing an effeminate robot artist.
Ai-Da’s creator, Aidan Meller, has been interviewed by Nina Azzarello at designboom.
Live Science has written an article about how Ai-Da robot’s paintings question the role of AI in society.
The Art Newspaper has included Ai-Da Robot’s exhibition at the Design Museum in a feature piece on the return of AI in contemporary art.
Mark Brown interviews Ai-Da Robot about her fascination with self-portraiture and her favourite artists for The Guardian.
The Financial Times mentions Gretchen Andrew in their article on Frieze New York.
FAD Magazine reviews Gretchen Andrew’s show Other Forms of Travel at Annka Kultys.
NFT Articles outlines Gretchen Andrew’s first solo gallery exhibtion at Annka Kultys Gallery in “Three Exhibitions to see in London this weekend.”
The Art Newspaper named Gretchen Andrew’s first solo exhibition at Annka Kultys Gallery in “Three shows to see in London this weekend.”
Gretchen Andrew interviewed on her show at Annka Kultys Other Forms of Travel by Anna Meinecke for Gallerytalk.net (article in German).
Fad Magazine interviews Gretchen Andrew about her vision boards.
LA Weekly interviews Gretchen Andrew on her latest works and the forthcoming solo show Annka Kultys Gallery in London.
Maryam Arshad at Floresta interviews Andrew on her work and upcoming gallery solo debut at Annka Kultys.
Gretchen Andrew: Other Forms of Travel at Annka Kultys is highlighted by FAD Magazine as a must-see exhibition in London.
White Wall review König Galerie’s recent exhibition and the work of Gretchen Andrew.
Ninu Nina interview Gretchen Andrew on her approaching exhibition at Annka Kultys Other Forms of Travel.
Marco De Mutiis, Digital Curator at Fotomuseum Winterthur hosts an online interview and screen walk with Gretchen Andrew, in collaboration with The Photographers’ Gallery.
The Art Gorgeous interview Gretchen Andrew on how she feels about 2020 and whether it has affected her practice.
Anna-Elisa Jakob profiles Gretchen Andrew’s search engine manipulations for Jetzt Magazin (article in German).
Dazed Digital explores Ai-Da’s new exhibition at the Design Museum, selfie culture, and the dangers of Big Tech.
The Art Newspaper has written an article about Ai-Da Robot’s Design Museum exhibition and human-robot relations.
FAD Magazine reports on Ai-Da Robot’s Design Museum exhibition of “‘selfies’ of a someone who doesn’t have a self.”
Gretchen Andrew talks to The Y Circus about Google, Billy Childish, and her new exhibition at Annka Kultys Gallery.
Marc Lee’s project ‘Airport Lounge’ is mentioned in The New York Times. The artist uses social media as a medium: “I just take the newest social media posts,” he says. “It’s a strict concept. I always start with the youngest posts in the beginning. You never know who is posting what.” Without this randomness, Lee says, “the piece would not work.” To read the full article click here.
FAD Magazine speaks to Stine Deja about her upcoming solo show at Tranen in Copenhagen and the ethics of cryonics.
Here & There Magazine interviews Gretchen Andrew about debunking power structures.
Alex Estorick at Flash Art explores the relationship of art technology, focusing on the work of Gretchen Andrew.
The German curator and writer Annika Meier notes the online exhibitions of [The arts happens here] from Annka Kultys Gallery as ‘the best online shows to see’. To read the full article click here.
VICE interviews Gretchen Andrew about human desire and manipulating Google.
Gretchen Andrew interviewed by Artland about her search engine manipulation and hacking the US election
Artnet News write about Gretchen Andrew’s latest work ‘The Next American President’.
Wallace Ludel at The Art Newspaper writes an Article on Gretchen Andrew and her timely work ‘The Next American President’.
CNN Style write an article on Gretchen Andrew’s latest work.
Soft, Rachel de Joode’s show at Annka Kultys Gallery, has been reviewed by Sean Worrall in Organ Thing.
Rachel de Joode: Soft, currently exhibited at the gallery, has been featured on Galleries Now, a curated international art listing of the world’s best galleries.
Stine Deja is featured by French magazine L’ADN Tendances as one of five artists who represent Post-Internet aesthetics.
Curator Georg Bak from the Museum of Contemporary Digital Art interviews Gretchen Andrew about her 2020 projects.
Gretchen Andrew is cited in Analytics India Magazine‘s article on AI-generated art.
Stine Deja is the protagonist of an in-depth, detailed article published in the third 2020 issue of Springerin.
The Financial Times has reviewed Studio Berlin, the extensive group show featuring work by Aaron Scheer at Berlin’s Berghain that is aiding the capital’s cultural recovery from the pandemic.
Club Innovation & Culture France have written an in-depth survey of Ai-Da’s current exhibition at Annka Kultys, Do Robots Dream of Electric Bees? (article in French).
CLOT Magazine has featured Ai-Da Robot’s latest exhibition at Annka Kultys Gallery, Do Robots Dream of Electric Bees? in its latest issue.
Art Daily has profiled Annka Kultys Gallery as the first commercial art gallery to represent a humanoid robot artist on the occasion of Ai-Da’s solo show Do Robots Dream of Electric Bees?
Russian magazine Kommersant has featured an article on Ai-Da Robot in light of her most recent show at Annka Kultys Gallery (article in Russian).
The forthcoming exhibition Do Robots Dream of Electric Bees? at Annka Kultys Gallery has been featured as one of the “Top Gallery Exhibitions to Visit this September” alongside shows at White Cube, Victoria Miro and Marian Goodman Gallery by GoWithYamo.
The Californian reports on Gretchen Andrew’s debut Museum show in Monterey.
Stine Deja is interviewed about her past and future projects in the 31st issue of Figure Figure by the artist Marco Galvan.
The German magazine Wirtschafts Woche publishes an article focused on Gretchen Andrew’s artistic practice (article in German).
Gretchen Andrew is the protagonist of a recent article published on Wirtschafts Woche (article in German).
Gretchen Andrew has been extensively profiled by Camilla Flocke in Wirtschafts Woche.
The online guide the Londonist has featured Do Robots Dream of Electric Bees?, Ai-Da Robot’s upcoming show at the gallery, as one of the “9 Must See Exhibitions In London” in September 2020. Annka Kultys Gallery and the “world’s first humanoid robot artist” have been featured alongside venues such as The British Museum, South London Gallery and Imperial War Museum. You can read the entire article here.
Gallerytalk has interviewed Stine Deja about the impact of technology on our day-today emotions, coinciding with her feature in the group show Real Feelings at HeK, Basel (article in German).
FAD Magazine has covered Ai-Da Robot’s solo exhibition at Annka Kultys, marking five years since the gallery opened.
Stine Deja’s work Foreigner (2018) has been featured by CLOT Magazine in an article about the forthcoming show Real Feelings: Technology and Emotion at HeK in Basel.
Independent Collectors has interviewed Artistic Directors Karen Boros and Juliet Kothe about the highly-anticipated group show at Berlin’s Berghain featuring Aaron Scheer and 116 other artists.
Bill Posters’ online show Dissimulation, on view on Annka Kultys’ digital platform [The art happens here], has been featured in an article on CLOT Magazine. The short review includes details about the artist’s practice and about the two video works exhibited in the show, Veridical Fakes and Big Dada. Read the full piece at this link.
Curator Anika Meier interviews Gretchen Andrew in Monopol Magazine (article in German).
Hell Gette’s current exhibition at Annka Kultys Gallery, ‘##’, has been reviewed in The Quietus. The writer of the article, Robert Barry, notes that “As the tall y-axis and shorter x-axis of these paintings suggest, these images are not just landscapes but also portraits – depictions of our digital selves. Or perhaps the truth of Landscape 3.0 is that, today, all landscapes become portraits. We capture the picturesque scenery only in order to depict ourselves.” You can read the full review here.
Hell Gette’s show at Annka Kultys Gallery has been featured by Galleries Now in the Weekender, the weekly selection of great exhibitions. Read the article here.
Ben Elliot’s digital show, which took place on Annka Kultys Gallery website, has been noted by Flash Art. You can read the feature here.
The Washington Post discusses Gretchen Andrew’s work in an article on net artists.
The latest exhibition at Annka Kultys Gallery, ‘##’ by Hell Gette, has been inserted in the June-August issue of Flash Art. You can read the full feature here.
Laura Lisauskaitė, from Arterritory, interviews Gertrūda Gilytė via Instagram DMs in the occasion of her the first exhibition @successful_art_project on Annka Kultys Gallery’s digital platform. In the interview, Gilytė touches upon the themes that delineate her artistic practice, such as DIY spirituality trends, social media presence and online authenticity. You can read the whole interview here.
Signe Pierce is noted in “10 Contemporary Artists You Need to Know.” by the Manual Magazine. Other artists are: Damian Hirst, Takashi Murakami, Cindy Sherman, Julianna Huxtable, Rashaad Newsome, Jeff Koons, Richard Prince, and Virgil Abloh, Click here to read the entire article.
Molly Soda has been featured by Kesley Ables in the article An introduction to the world of Net Art for the Washington Post as one of the principal artists to know when being introduced to the world of digital art. Referring to Soda, Ables writes: “Imbued with a gnawing emptiness, so much of Soto’s work seems to teeter on the brink of a breakdown, raising the question, how much sharing is too much? In one video, Soto details the fungus growing in her armpit. In another, her face, wet with tears, glows on a computer screen while she takes iPhone selfies.” You can read the full article here.
Flaunt interview Gretchen Andrew on her practice.
Molly Soda has been featured by Rosalind Duguid in her article Got Cabin Fever? Explore the Art of Looking Through Windows for Elephant. Duguid writes: “Twenty-five years down the line, Tumblr-famous Molly Soda was regularly updating 30,000 people (myself among them) on the internet. Soda’s work since has played with the feelings of the thrill and anxiety induced by carving out a window into your life online.” You can read the entire article here.
Metal Magazine has published an interview with Stine Deja focusing on her most recent projects.
LALA Magazine print a feature on Gretchen Andrew discussing her work with David Eddington.
Welcome to the Art-Lovers Movie Club, where every week you’ll find a new artist’s video available exclusively online at artreview.com for seven days.
If you’ve ever come across any ‘wellness’ products, you’ll know they can be a bit helpful, a bit expensive and also a bit self-indulgent and silly. These are the ideas that Danish London-based artist Stine Deja emphasises in 4K ZEN, her two-part project originally commissioned for the Roskilde Festival in Denmark in 2017. The first video works as a commercial showcasing the product: a guided meditation video that comes with a branded mat and this sensory-isolating thingamajig resembling a VR headset. The second video is the actual meditation you are guided through: serene nature scenes, whooshing sounds of water, the full works. Yet nothing is quite as calm as it first seems. “The sunlight from the clear blue sky is catching the tops of the waves in the distance” the narrator intones. “The whole ocean seems to shimmer and sparkle like paparazzis snapping perfect pictures of you.” Take a deep breath and… relax?
Juan Marco Torres from White Hot Magazine writes on Gretchen Andrew’s relationship with the internet and her work.
FAD Magazine has featured a series of Zoom talks between Ai-Da and artist Sadie Clayton.
Gretchen Andrew has been interviewed by Kate Mcilwee, editor at FAD Magazine.
An extensive survey of American Reflexxx, Signe Pierce and Allie Coates’ video work, has been published on 21st Century Digital Art. The article exposes a thorough analysis of the video, underlining the visual and thematic influences that inspired it and the social and political issues it unveils. You can click here to have access to the full essay.
Stine Deja’s Last Resort, the last show with Annka Kultys, has been featured on Galleries Now.
Last Resort, Stine Deja’s fourth exhibition with Annka Kultys, has been featured in TZVETNIK.
Laura Netz, contributor at CLOT Magazine, features Stine Deja’s work Cryptic Ruins in her article, in relation to Deja’s participation in the show Hyper Functional, Ultra Healthy at Somerset House.
Stine Deja’s work is featured in the article Digital. Virtuell. Posthuman? by Magdalena Kröner (article in German).
Ai-Da Robot has been interviewed by editor Geraldine Wharry, a future trend forecaster, for Dazed Digital in a conversation that covers Ai-Da’s practice, inspirations and questions about the human sense of community.
Signe Pierce has been mentioned in The Guardian for her music performance in Miami, Florida, during Art Basel Miami. Pierce performed her new music single Do You Wanna Be Alive? together with exhibitions by well-known artists and DJs Grimes, Sophie and Nina Kraviz. To read the full piece, click here.
Jacob Lomas at Art She Says interviews Gretchen Andrew.
Ai-Da has been mentioned in writer Chris Fite-Wassilak’s essay about the relationship between AI and creativity, and about its legitimacy in the art world.
Ai-Da Robot has hosted a workshop at Tate Exchange, together with artist Sadie Clayton called Black Creativity & Technology, which has been covered by It’s Nice That Magazine.
Recently, Signe Pierce sat down for a candid interview with Ralph Arida of Plastik Magazine to discuss the current state of pop culture and fine art. Pontificating on the role of the artist in mass media, and her self-proclaimed status as a reality artist, Pierce said: “The separation of an artist’s work and an artist’s life is rapidly disappearing. We use our phones and computers to capture our lives in media, and can instantly export and broadcast that content on the Internet. We are all the stars of our own reality show.” To read the complete interview, click here.
Signe Pierce has been the protagonist of a podcast episode from the “Health is Hell” series. With the host Ali Weiss, Pierce explores “living in the Matrix, the perks of being ‘lowbrow,’ developing & maintaining personal identity, and how to use overt sexuality to communicate intellect (if you want).” To listen to the one-hour-long episode and have more information about the podcast, click here.
Gretchen Andrew is featured in a DAZED article by Gunseli Yalcinkaya.
Gretchen Andrew has been recently featured in an article for WePresent.