LONDON
Curator Georg Bak from the Museum of Contemporary Digital Art interviews Gretchen Andrew about her 2020 projects.
Gretchen Andrew is cited in Analytics India Magazine‘s article on AI-generated art.
Stine Deja is the protagonist of an in-depth, detailed article published in the third 2020 issue of Springerin.
The Financial Times has reviewed Studio Berlin, the extensive group show featuring work by Aaron Scheer at Berlin’s Berghain that is aiding the capital’s cultural recovery from the pandemic.
Club Innovation & Culture France have written an in-depth survey of Ai-Da’s current exhibition at Annka Kultys, Do Robots Dream of Electric Bees? (article in French).
GalleriesNow announces Ai-Da Robot’s groundbreaking solo exhibition at ANNKA KULTYS GALLERY, Do Robots Dream of Electric Bees?
CLOT Magazine has featured Ai-Da Robot’s latest exhibition at Annka Kultys Gallery, Do Robots Dream of Electric Bees? in its latest issue.
Art Daily has profiled Annka Kultys Gallery as the first commercial art gallery to represent a humanoid robot artist on the occasion of Ai-Da’s solo show Do Robots Dream of Electric Bees?
Russian magazine Kommersant has featured an article on Ai-Da Robot in light of her most recent show at Annka Kultys Gallery (article in Russian).
The forthcoming exhibition Do Robots Dream of Electric Bees? at Annka Kultys Gallery has been featured as one of the “Top Gallery Exhibitions to Visit this September” alongside shows at White Cube, Victoria Miro and Marian Goodman Gallery by GoWithYamo.
The Californian reports on Gretchen Andrew’s debut Museum show in Monterey.
Stine Deja is interviewed about her past and future projects in the 31st issue of Figure Figure by the artist Marco Galvan.
The German magazine Wirtschafts Woche publishes an article focused on Gretchen Andrew’s artistic practice (article in German).
Gretchen Andrew is the protagonist of a recent article published on Wirtschafts Woche (article in German).
Silicon Valet’s group exhibition, which includes work by Ziyang Wu, is features Vie des arts. The review of the virtual gallery’s exhibition highlights Wu’s artwork A Woman with the Technology Part 4 (2019).
Gretchen Andrew has been extensively profiled by Camilla Flocke in Wirtschafts Woche.
The online guide the Londonist has featured Do Robots Dream of Electric Bees?, Ai-Da Robot’s upcoming show at the gallery, as one of the “9 Must See Exhibitions In London” in September 2020.
Gallerytalk has interviewed Stine Deja about the impact of technology on our day-today emotions, coinciding with her feature in the group show Real Feelings at HeK, Basel (article in German).
FAD Magazine has covered Ai-Da Robot’s solo exhibition at Annka Kultys, marking five years since the gallery opened.
Stine Deja’s work Foreigner (2018) has been featured by CLOT Magazine in an article about the forthcoming show Real Feelings: Technology and Emotion at HeK in Basel.
Berlin Art Link has interviewed Danielle Brathwaite-Shirley about using the video game aesthetic as an artistic and political tool to archive and comment on the Black trans experience.
Danielle Brathwaite-Shirley has spoken to Tamara Hart of AQNB, resulting in a powerful conversation about the economy of trauma, jouissance in Black death and the power in not passing.
Independent Collectors has interviewed Artistic Directors Karen Boros and Juliet Kothe about the highly-anticipated group show at Berlin’s Berghain featuring Aaron Scheer and 116 other artists.
Bill Posters’ online show Dissimulation, on view on Annka Kultys’ digital platform [The art happens here], has been featured in a CLOT Magazine review.
Curator Anika Meier interviews Gretchen Andrew in Monopol Magazine (article in German).
Ziyang Wu’s video work A Woman with the Technology is discussed in Neural, describing the artist’s use of keywords and AI technology.
Hell Gette’s current exhibition at Annka Kultys Gallery, ‘##’, has been reviewed in The Quietus.
Hell Gette’s show at Annka Kultys Gallery has been featured by Galleries Now in the Weekender, the weekly selection of great exhibitions.
Lindsay Howard, curator and Head of Community at Foundation, has interviewed Signe Pierce, represented by Annka Kultys Gallery since 2017, to coincide with the groundbreaking launch of the Foundation platform, for which Pierce has created its first-ever NFT.
Ben Elliot’s digital show, which took place on the Annka Kultys Gallery website, has been noted by Flash Art.
The Washington Post discusses Gretchen Andrew’s work in an article on net artists.
The latest exhibition at Annka Kultys Gallery, ‘##’ by Hell Gette, has been inserted in the June-August issue of Flash Art.
Ziyang Wu’s video work A Woman With The Technology is declared as ‘ An Important and (and scary) picture of the future’ by It’s Nice That.
Rhizome includes Ziyang Wu in collaboration with NEW INC and Nokia Bell Labs. the project the historic ‘Experiments in Art and Technology’ project connects artists with engineers.
Laura Lisauskaitė, from Arterritory, has interviewed Gertrūda Gilytė via Instagram messages on the occasion of her the first exhibition @successful_art_project on Annka Kultys Gallery’s digital platform.
Signe Pierce is noted in “10 Contemporary Artists You Need to Know” by The Manual, alongside Damian Hirst, Takashi Murakami, Cindy Sherman, Julianna Huxtable, Rashaad Newsome, Jeff Koons, Richard Prince, and Virgil Abloh.
Molly Soda has been featured by Kesley Ables in the article An introduction to the world of Net Art for the Washington Post as one of the principal artists to know when being introduced to the world of digital art.
Marc Lee’s 10.000 Moving Cities has been mentioned in a Kunstforum essay on art and dystopia (article in German).
Molly Soda has been featured by Rosalind Duguid in her article Got Cabin Fever? Explore the Art of Looking Through Windows for Elephant.
Metal Magazine has published an interview with Stine Deja focusing on her most recent projects.
LALA Magazine print a feature on Gretchen Andrew discussing her work with David Eddington.
Art-Lovers Movie Club has featured Stine Deja’s 4K Zen as part of their weekly artist video spotlight on ArtReview.
Juan Marco Torres from White Hot Magazine writes on Gretchen Andrew’s relationship with the internet and her work.
FAD Magazine has featured a series of Zoom talks between Ai-Da and artist Sadie Clayton.
Gretchen Andrew has been interviewed by Kate Mcilwee, editor at FAD Magazine.
Queer Direct has interviewed Danielle Brathwaite-Shirley, resulting in an in-depth conversation about growing up with video games, their dream archive, and how the art world can support Black trans artists.
An extensive survey of American Reflexxx, Signe Pierce and Allie Coates’ video work, has been published on 21st Century Digital Art. The article exposes a thorough analysis of the video, underlining the visual and thematic influences that inspired it and the social and political issues it unveils.
i-D have profiled Danielle Brathwaite-Shirley’s latest project, ‘WE ARE HERE BECAUSE OF THOSE THAT ARE NOT’, a video game celebrating Black trans lives.
Stine Deja’s Last Resort, the last show with Annka Kultys, has been featured on Galleries Now.
Last Resort, Stine Deja’s fourth exhibition with Annka Kultys, has been featured in TZVETNIK.
Laura Netz, contributor at CLOT Magazine, features Stine Deja’s work Cryptic Ruins in her article, in relation to Deja’s participation in the show Hyper Functional, Ultra Healthy at Somerset House.
Shannon Forrester, a PhD candidate at the Royal College of Art, has singled out Kate Bickmore’s work in an extensive research paper about the reparative turn in contemporary art practice.
Stine Deja’s work is featured in the article Digital. Virtuell. Posthuman? by Magdalena Kröner (article in German).
Ai-Da Robot has been interviewed by editor Geraldine Wharry, a future trend forecaster, for Dazed Digital in a conversation that covers Ai-Da’s practice, inspirations and questions about the human sense of community.
As part of Five Recommended Art Things, Organ Things advises art lovers to visit CACOTOPIA 04.
Signe Pierce’s performance at Art Basel Miami has been singled out as an “epic highlight” of the entertainment programme.
Signe Pierce has been mentioned in The Guardian for her music performance in Miami, Florida, during Art Basel Miami. Pierce performed her new music single Do You Wanna Be Alive? together with exhibitions by well-known artists and DJs Grimes, Sophie and Nina Kraviz.
Signe Pierce has been the subject of an in-depth university paper on nostalgia in the post-internet era (article in Portuguese).
Jacob Lomas at Art She Says interviews Gretchen Andrew.
Ai-Da has been mentioned in writer Chris Fite-Wassilak’s essay about the relationship between AI and creativity, and about its legitimacy in the art world.
Ai-Da Robot has hosted a workshop at Tate Exchange, together with artist Sadie Clayton called Black Creativity & Technology, which has been covered by It’s Nice That Magazine.
Signe Pierce has sat down for a candid interview with Ralph Arida of Plastik Magazine to discuss the current state of pop culture and fine art.
Signe Pierce has been commissioned by Fräulein to contribute an image for an article on contemporary floral photography (article in German).
Galleries Now features Márton Nemes solo exhibition at ANNKA KULTYS Gallery, Ghosting Love.
Signe Pierce has been interviewed on the “Tales of Taboo” podcast series about living in the Matrix, the perks of being ‘lowbrow,’ and how to use overt sexuality to communicate intellect (if you want).
Gretchen Andrew is featured in a DAZED article by Gunseli Yalcinkaya.
BBZ. BLK. BK. have interviewed Danielle Brathwaite-Shirley to coincide with the 2019 Alternative Graduate showcase.
Mousse Magazine features a review of the group exhibition Quid est veritas? curated by Anton Svyatsky at ANNKA KULTYS GALLERY.
Gretchen Andrew has been recently featured in an article for WePresent.
Marc Lee’s 10.000 Moving Cities, exhibited as part of a Freisinger Schafhof exhibition, has been mentioned in an article analysing the show’s urbanity, globalization and the contradiction of analogue and virtual worlds (article in German).
Signe Pierce has been interviewed by Alice Bucknell in MOUSSE Magazine, where the writer and artist discuss Pierce’s self-definition as a ‘reality artist’ in an increasingly digital and virtual field, on the occasion of her new show at Annka Kultys Gallery.
Ziyang Wu’s The Last Subway, Included in the group exhibition at Institute of Contemporary Art, is mentioned in Julia Davies roundup of must-see art exhibitions in Philadelphia.
Aaron Scheer has been interviewed by gallerytalk.net about early experiments with his parents’ printer and criticising the zeitgeist (article in German).
TIME has published a detailed survey of Ai-Da and her artistic practice.
Signe Pierce’s new essay, “15 Million Minutes of Fame”, exploring the role of art in our current era of hyperconnection, has been published on Bauhaus 100 in the occasion of the art movement and school’s centenary.
Coinciding with Stine Deja’s last installation in the Danish sports center Holbæk Sportsby, the editors Rikke Luna and Matias from I Do Art.dk reveal the challenges Deja encountered when perceiving the project, and the research opportunities of exhibiting in such a peculiar, unexpected setting (article in Danish).
Frieze’s editor Dan Fox wrote an article about Ai-Da, after his participation in the unveiling of the AI humanoid artist in Oxford, UK.
In an interview for Musée Magazine, Signe Pierce has spoken with Lara Pan about her video works and series of distorted, liquid selfies, as well as her mantra “I’ll do anything for art”.
Ai-Da Robot has been featured in an Artsy blog post about her process.
Artnet has featured an article on Ai-Da’s exhibition Unsecured Futures at Oxford University, as well as an in-depth interview with her creators.
Widewalls has interviewed Ai-Da Robot’s creator, Aidan Meller, about the significance of the first humanoid robot artist..
Artforum writes on the recipients of the Macdowell Award Fellowship including Ziyang Wu.
On the occasion of their nomination for the Remmen Foundation Art Prize 2019 for Synthetic Seduction, their show at Annka Kultys Gallery in March 2018, Stine Deja and Marie Munk have been featured by Stine Hansen as “tomorrow’s stars in the arts” (article in Danish).
The Los Angeles Magazine’s Catherine Womack features Gretchen Andrew in an article during Frieze Los Angeles 2019.
On the occasion of her solo exhibition REFLEXXXIONS at EIGEN + ART Lab in Berlin, Signe Pierce has been interviewed by the German, online magazine mus.er.me.ku (article in German).
“A compelling show that’s hard to leave” Organ Thing reviews Marc Lee’s Non-Places at Annka Kultys Gallery.
Gretchen Andrew talks to Medium Magazine about optimising search results for diversity and visualising hope.
Molly Soda’s new video game titled Wrong Box has been featured as one of the 10 best games of the Game Developers Conference 2019 in Paste Magazine article.
Li Qiong discusses immersive digital art in relation to contemporary spiritualism, mentioning Ziyang Wu’s artwork Fantasy city at Wangfu Central in Beijing for CGTN.
Elephant features Dominic Dispirito’s She’s lost her marbles is featured as their image of the day from the exhibition “Pie ‘n’ Mash” at ANNKA KULTYS GALLERY.
A new article on Design Your Trust explores Signe Pierce’s use of Instagram and of her characteristic neon, hyper-saturated aesthetic.
The LA Times interviews Gretchen Andrew about hacking the Frieze art fair.
Gretchen Andrew is featured in The Los Angeles Times.
V Magazine editor Hannah Hightman has featured Molly Soda in the publication, on the occasion of the release of her new videogame titled Wrong Box.
Matt Stromberg from Hyperallergic writes about Gretchen Andrew’s latest online performance on the occasion of Frieze Los Angeles.
Caroline Goldstein writes a dedicated article in Artnet News on Gretchen Andrew’s work during Frieze Los Angeles 2019.
Not for Real has written an article on the collaboration between Flora Miranda and Signe Pierce (article in German).
Signe Pierce and Alli Coates’ American Reflexxx (2013) has been the subject of an article on The Devi, which investigates its continuing importance over 5 years later.
Aaron Scheer has been interviewed by Painting at the End of the World about the techno-religious cult of Silicon Valley and how losing all the works on his hard drive inspired him to be a better artist.