MUSÉE MAGAZINE | 10 June 2019

Annka Kultys Gallery

In an interview for Musée Magazine, Signe Pierce dialogues with Lara Pan about her video works and series of distorted, liquid selfies. During the interview, she talks about her work American Reflexxx and notes: “I’ve had a mantra, ever since I was in art school, that “I’ll do anything for art.”. The reactions started getting increasingly violent, and I was like, “This is what’s happening right now and this is what’s meant to happen.” Read the full interview here.

MUS.ER.ME.KU | 14 May 2019

Annka Kultys Gallery

In the occasion of her solo exhibition REFLEXXXIONS at EIGEN + ART Lab in Berlin, Signe Pierce has been interviewed by the German, online magazine mus.er.me.ku. In the article, the writer Angelika Schoder underlines the mixture of physicality and virtuality of Pierce’s installation, also referring to the artist’s self-identification with the concept of ‘reality artist’. You can read the full article (in German) clicking here.

PASTE MAGAZINE | 25 March 2019

Annka Kultys Gallery

Molly Soda’s new video game titled Wrong Box has been featured as one of the 10 best games of GDC 2019. Holly Green, the author of the article published on Paste Magazine, explains her choice by reporting: “Wrong Box is such a nostalgic specimen of the online world I once knew, a veritable walking tour through my teenage social life, from the shiny blinged clip art and the crude pop-up ads, to the niche web forums and tacky personal pages, each bursting with the hope and promise of random but meaningful human connection”. Click here to read the article.

V MAGAZINE | 13 February 2019

Annka Kultys Gallery

On the occasion of the release of her new videogame titled Wrong Box, Molly Soda has been featured by editor Hannah Hightman in V Magazine. Highlighting how the digital world has changed and evolved through the last decades, the text puts an accent on Soda’s nostalgia for “going online as a conscious decision”. The artist explains: “I used to make time in my day to sit down at the computer and surf the web. I long for that feeling of being lost online, of being surprised and excited by whatever I had found. The internet is no longer a special place away from the world, but instead a tool for navigating the world.” Read the full article here.

ORGAN THING | 14 December 2018

ANNKA KULTYS GALLERY

Rui Lin’s exhibition, included in the second week of CACOTOPIA 03, was reviewed in Organ Thing. In the review writer Sean Worrall points to how in “Week two of Cacotopia 03 then, every bit as good as week one, a complete contrast to week one, as rewarding as week one.” Read the complete review here.

WALL STREET INTERNATIONAL | 10 December 2018

ANNKA KULTYS GALLERY

Wall Street International has featured Aaron Scheer’s first solo exhibition at AKG. “Created on a variety of digital devices, Scheer’s works utilise the digital realm to combine elements of collage, photography and painterly technique to expand what painting can be and mean today. The artist’s process involves using free form digital gestures, keyboard commands and touchscreen swipes to develop his works, which once complete may be read as an abstracted version of contemporary digital activities, full of vibrant and vivid colour palettes, redolent with distortions, static and blips that contrast with subtle gradations of luminous colour saturations.” You can find Wall Street International‘s listing here.

KULTURWOCHE | 24 November 2018

Annka Kultys Gallery

Katharina Hoi has reviewed Artificial Paradise for Kulturwoche, a group show at the KM Künstlerhaus featuring work from Olga Fedorova, writing that the lenticular prints “appear three-dimensional due to the tilting effect.” To read the full review, click here.

SIMONE | 7 November 2018

ANNKA KULTYS GALLERY

Magali Nachtergael has written an article titled Vue sur chambre for Simone, an annual newspaper made to accompany PhotoSaintGermain, a photographic journey along the rive gauche made up of galleries, cultural institutions and bookshops. The article considers the relationship between Molly Soda and Amalia Ulman, their different Instagram personalities and intertwining photographic careers. To read the article, in French, click here.

WALL STREET INTERNATIONAL | 30 October 2018

ANNKA KULTYS GALLERY

Wall Street International has featured Impressions, Jillian Mayer’s first solo exhibition at AKG. Through videos, sculptures, online experiences, photography, performances, and installations, Mayer explores how technology affects our lives, bodies, and identities. You can find Wall Street International‘s listing here.

VIVISXN DIGITAL | 29 October 2018

ANNKA KULTYS GALLERY

Olga Fedorova’s digital artworks have been disseminated in an article by VIVISXN DIGITAL, an alternative news and culture portal. The writer speaks about digital Dadaism, 3D software and her previous exhibition at AKG, Short Term Memories. Read the post on their website here.

OFFICE | 28 October 2018

Annka Kultys Gallery

In an interview with Paper Magazine, Nathalie Halgand mentions Signe Pierce when speaking about rising stars in the art world “I think she will be really big one day. I believe she will be in this generation of female artists who talk about political issues, feminism, sexism—all themes that are important to me. She sees herself as a “reality artist,” because she goes out into public spaces and does “interventions” with her body. It’s all about stereotypes and femininity.” Read the full interview, conducted by Dalya Benor

artnet news | 16 October 2018

ANNKA KULTYS GALLERY

artnet news has reviewed the The Museum of Pizza’s pop up exhibition, including Signe Pierce and Emma Stern’s Pizza Vortex, writing that its “a wild 3-D animation projected and reflected in mylar mirrors, famous sculptures and pop culture icons swirling around in a portal that opens up into pizzas past, present, and future”. To read the review by Sarah Cascone, click here.

VICE | 16 October 2018

ANNKA KULTYS GALLERY

VICE has reviewed the The Museum of Pizza’s pop up exhibition, including Signe Pierce and Emma Stern’s Pizza Vortex, writing that its ‘a hypnotic 3D-animated pizza tunnel that ricochets off the walls of the reflective room that encases it’. To read the review by Beckett Mufson, click here.

MINDSTATE MALIBU | 15 October 2018

Annka Kultys Gallery

Works by Signe Pierce have been featured in Mindstate Malibu, a new book edited by Joshua Groß, Johannes Hertwig and Andy Kassier. The book is described as “an involuntary generation portrait, a guide to a new world. For a world where fear and confusion are there to ride their waves. A manifesto for the boys. The hungry. The Explorer. The Content Creator. The dreamer. The awakened. The saber-rappers.The heroes. And everyone who wants to become one.” To read more about the book and to purchase a copy, click here.

MOUSSE MAGAZINE | 11 October 2018

ANNKA KULTYS GALLERY

Mousse Magazine has featured Short Term MemoriesOlga Fedorova’s second solo show at Annka Kultys Gallery. The show features sculptures, made from granite but in the form of large scale USB drives, which have the potential to be construed as gravestones to the analogue era. To check out the listing, click here.

SELFRIDGES | 2 October 2018

ANNKA KULTYS GALLERY

The Selfridges Eye, a monthly round-up of us news, future trends and awe-inspiring innovations in the world of art and culture, has featured Olga Fedorova’s current exhibition at AKG, Short Term Memories. The author writes: “Most of us today probably own more digital belongings than physical ones. If you count up the amount of photos, Word docs, MP3s and other digital detritus that you’ve gathered over the years, you’d be amazed at the overwhelming quantity of stuff. And, as morbid as this is, that digital presence will long outlive you. Olga Fedorova’s latest show is a dialogue with that idea; the artist bringing it to life by using sculpture to bridge the connection between the humble USB stick and the morbid gravestone.” To read the full article, click here.

ARTNET NEWS | 18 September 2018

artnet News mentions Molly Soda in an article about young artists’ strategies to get attention and sponsorship outside their gallery space. The author writes: “While making compelling artworks online is certainly a great way to garner a large and dedicated following, it’s not exactly the road to riches. So it makes perfect sense that Soda would make an account on Drip to ask her followers for financial support in exchange for her content”. Read the article here.

DROOL | 9 September 2018

ANNKA KULTYS GALLERY

DROOL Creatives has featured Short Term MemoriesOlga Fedorova’s second solo show at Annka Kultys Gallery. The exhibition features three large scale prints on glass, a video on a new type of transparent glass screen that the artist has developed, and three granite sculptures. To check out the listing, click here.

DATEAGLEART | 10 August 2018

ANNKA KULTYS GALLERY

AKG Summer exhibition Terms and Conditions May Apply artists Shamus Clisset, Marion Balac, Fabio Lattanzi Antinori, Alyssa Davis, Tom Galle, Moises Sanabria and Jillian Mayer have been asked five questions by DATEAGLEART about their work on view at the gallery. Read the interviews here.

TZVETNIK – 8 August 2018

ANNKA KULTYS GALLERY

AKG Summer exhibition Terms and Conditions May Apply curated by Bob Bicknell-Knight is featured on Tzvetnik. The exhibition features Fabio Lattanzi Antinori, Marion Balac, Bob Bicknell-Knight, Patrick Colhoun, Shamus Clisset, Alyssa Davis, Tom Galle, James Irwin, Jason Isolini, Jillian Mayer, Rosa-Maria Nuutinen, Moises Sanabria, Lotte Rose Kjær Skau, Owen Thackeray and Addie Wagenknecht. More information can be found here.

 

DROOL | 5 August 2018

ANNKA KULTYS GALLERY

DROOL Creatives has featured AKG Summer exhibition Terms and Conditions May Apply curated by Bob Bicknell-Knight. The exhibition will include sculptures, videos, simulations, drawings, paintings and prints from 15 national and international artists. To check out the listing, click here.

I-D VICE | 2 August 2018

Annka Kultys Gallery

I-D Vice has featured works and comments from Signe Pierce in an article titled why we’re all so obsessed with neon. Writer Dane Scott notes “If you’ve been on the Internet in the past five years, you’ve seen Signe Pierce’s work. Her hyper-saturated images have been reblogged on Tumblr hundreds of thousands of times — and been in galleries everywhere from NYC to Vienna.” Read the full article here.

THE STEIDZ | 28 July 2018

Annka Kultys Gallery

The Steidz has reviewed Data Dating at Galerie Charlot, featuring works from !Mediengruppe Bitnik, Adam Basanta, Addie Wagenknecht, Jeroen van Loon, John Yuyi, Moises Sanabria, Olga Fedorova, Pablo Garcia, Thomas Israël, Tom Galle, Zach Gage. Henri Guette writes that Olga Fedorova’s works “can allow us to reinvest loneliness”. To read the full review, click here.

DATEAGLEART | 26 July 2018

ANNKA KUTLYS GALLERY

During a recent studio visit, DATEAGLEART got behind the frustrations of Dominic Dispirito, and discussed how his art can be used for positive change. The artist portrays authentic experiences of growing up in a British working-class environment, and believes that this topic is not being spoken about enough. Read the full interview here.

MOUSSE | 11 July 2018

ANNKA KULTYS GALLERY

Dominic Dispirito’s first solo exhibition with AKG In the Garden, Council Housed and Violent is featured on Mousse magazine. The exhibition is on view at AKG through Saturday 28 July 2018. See the complete feature here.

DIGITAL OBJECTS | 10 July 2018

ANNKA KULTYS GALLERY

Digital Objects has just published an interview with Molly Soda, who has recently been chosen as Digital Objects’ featured artist. Speaking about the site specificity of digital native content, Soda says: “Nothing will ever capture the full scope of interacting with something online. I’ve always felt that my work is best viewed from the comfort of your own home via your personal device. The work is about the Internet and needs to live on the Internet and evolve with the changing landscape, the comments, and the eventual decline of certain websites.” You can find the full interview here.

DRIP | 5 July 2018

Drip has just posted a new article and video interview with Molly Soda on Medium. In the interview, Soda discusses the role of audience engagement in her work, and how important it is for her to receive positive feedback. You can find the full interview here.

HACKNEY CITIZEN | 3 July 2018

For the second month in a row, an Annka Kultys Gallery exhibition has been selected as one of Hackney Citizen’s top East End Exhibitions. Making an interesting connection between the current show, Dominic Dispirito’s In the Garden, Council Housed and Violent, and the previous showMolly Soda’s Me and My Gurls, the author Andrew Barnes writes: “Annka Kultys Gallery is hosting another digital artist whose work would be literally unimaginable mere decades ago. Where Soda utilised her internet presence to bring viewers inside her personal Panopticon, Dominic Dispirito is concerned with how others are viewed and vilified, namely the British ‘chav.’” In the Garden, Council Housed and Violent will remain on view through 28 July. You can read the full article here.

CARRIAGE TRADE | 29 June 2018

ANNKA KULTYS GALLERY

A work by Molly Soda is included in the sixth edition of Carriage Trade’s exhibition and benefit auction Social Photography. Exploring the ways in which mobile photography has developed from a novelty feature of flip phones to a critical function by which smart phones serve as recorders of our daily lives, the show examines the role of cell phone photography in modern society. Other participants in the exhibition include Tracey Emin, Dan Graham and Hal Foster, among many more. Social Photography VI will open at Carriage Trade in New York City on 10 July. For more information and to purchase prints of Soda’s work online, click here.

ARTE TV | 22 June 2018

ANNKA KULTYS GALLERY

Signe Pierce has been featured  on the television program Tracks, aired on ARTE, the European Culture Channel. You can watch the episode—which also features Blackfish Collective, Serpentwithfeet, Martha Cooper and The Charlatans—here.

BROADLY / VICE | 18 June 2018

ANNKA KULTYS GALLERY

Broadly has just published a new interview with Signe Pierce in collaboration with Vice. Published alongside the interview are a new series of photographs by Pierce, which the artist has created without the use of digital manipulation. Describing these works, the author writes: “With these images, [Pierce] wants to straddle the line between technology and biology, control and submission, self and selfie, by placing her own nude body in its crosshairs and dismantling the stigma that comes with photographing oneself.” The essay and accompanying photographs are published in Broadly‘s Privacy and Perception Issue as well as  Vice‘s Photography issue. You can find the full interview with accompanying images here.

INTERALIA | 13 June 2018

ANNKA KULTYS GALLERY

Marie Munk has been interviewed by Interalia Magazine about her practice, her Magic Wand performance at Code Art Fair and her dual-exhibition with Stine Deja, Synthetic Seduction, originally shown at Annka Kultys Gallery. Discussing the dissolving boundaries between the body and the mind in contemporary digital society, Munk says: “Our body holds our mind, which constantly pushes the boundaries of the body and explores new territories for the extension of the body’s identity. This tension has only been reinforced in the virtual world where our minds can go wandering, without the flabby gravity of the body to hold it back. With the digital universe we enter a post-human approach to the human, which challenges our carnality. The body has become liquid and editable, dissolved into carefully selected and vehemently retouched fragments.” Synthetic Seduction is currently on view at SixtyEight Art Institute in Copenhagen until 4 August. You can find the full interview here.

FIGURE FIGURE | 13 June 2018

ANNKA KULTYS GALLERY

Online publication Figure Figure has just published an interview between Marie Munk and curator Indira Béraud regarding Munk’s practice and her inspiration for Synthetic Seduction, which was originally exhibited at Annka Kultys Gallery from February – March 2018. Munk says: “Humans are very clever and are usually confused about why they are here. We want to create machines that react just like us to replicate the humanity. We don’t get the complexity of humans so maybe if we can recreate it we would be able to understand our condition.” Synthetic Seduction is currently on view at SixtyEight Art Institute in Copenhagen until 4 August. To read the full interview, click here .

ArtsHebdoMedia | 11 June 2018

ANNKA KULTYS GALLERY

Olga Fedorova’s digital artworks have been mentioned in a review of the group show Data Dating at Galerie Charlot in Paris. In the article, the writer Marie-Laure Desjardins writes that Fedorova fabricates ‘proposals that make us observers of strange scenes, almost disturbing, and especially incomprehensible, as are generally the fantasies of others.’ Read the review on their website here.

RESORT GALLERY | 9 June 2018

ANNKA KULTYS GALLERY

Works by Molly Soda have been included in the group show Pure Raw, on view at Resort Gallery in Baltimore until 15 July. Curated by Alex Ebstein and Abbey Parrish, aims to deconstruct and exaggerate personal branding and aesthetics, aimed specifically at the blurred line between private and public self. Other artists on view include Maya Martinez, Pastiche Lumumba and more. For more information about the exhibition, click here .

REFINERY 29 | 8 June 2018

ANNKA KULTYS GALLERY

Signe Pierce has been commissioned by Refinery 29 to photograph pop music artist Kali Uchis for The Come Up series, which highlights inspirational female artists. Pierce shot Uchis on location in her immersive installation Tesseract at Times Square Space in New York. To see the full shoot and accompanying story, click here.

PARADISE TOUR | 7 June 2018

ANNKA KULTYS GALLERY

Molly Soda will be joining fellow artists Maya Martinez and Marcyanne Hanneman on their Paradise Tour around North America, where Soda will perform her own poetry.

The tour dates are as follows:

June 14 – Toronto, ON – Cooper Cole
June 20 – Vermont – TBA
June 22 – NYC – Bad Apple

ARTFORUM | 6 June 2018

ANNKA KULTYS GALLERY

Molly Soda’s solo exhibition, Me and My Gurls, at Annka Kultys Gallery is currently featured on ArtForum’s “Must-See Shows” list, the editors’ selection of essential exhibitions worldwide. The show, Soda’s third at AKG, transforms the gallery into a physical manifestation of the artist’s digital studio. The works on display expose Soda’s computer desktop and portions of her massive digital archive to an IRL (in real life) audience, building upon the artist’s previous solo shows at the gallery as well as her career-long exploration of what it means to live online. Me and My Gurls will remain on view through 16 June. To see the full listing of Must-See Shows, click here.

ARTPRESS | 4 June 2018

ANNKA KULTYS GALLERY

French publication ArtPress has just posted a fantastic review of Molly Soda’s ‘Me and My Gurls,’ written by art critic and professor of Neo-Literature Magali Nachtergael. In the piece, Nachtergael writes on Soda’s mastery of the digital medium and her ability to effortlessly move between different platforms, going so far as to compare her practice to a ‘ready-made autobiographique’ following the tradition of feminist artists like Gina Pane and Sophie Calle. Me and My Gurls is currently on view at Annka Kultys Gallery through 16 June. To read the full review, click here.

ARTLYST | 4 June 2018

ANNKA KULTYS GALLERY

Artlyst has just published Paul Carey-Kent’s exhibition list of Choices Up Now in London, which includes Molly Soda’s Me and My Gurls. The exhibition, Soda’s third solo show at AKG, transforms the gallery into a physical manifestation of Soda’s digital desktop space. Me and My Gurls will remain on view through 16 June. To read the full review, click here.

ARTFORUM | 1 June 2018

ANNKA KULTYS GALLERY

ArtForum reports that Art Foundation Pax, a Swiss organisation dedicated to the promotion of digital and media-based art,  has awarded the inaugural Pax Art Award to !Mediengruppe Bitnik founders Domago Smoljo and Carmen Weisskopf. The award includes a prize of $30,000 for the production of new work and for an acquisition  by the foundation. The prize will be formally presented on 14 June at Haus der electronischen Künste (HeK) in Basel. For more information about the award, click here.

ORGAN | 30 May 2018

ANNKA KULTYS GALLERY

Organ has just posted a review of Me and My Girls, Molly Soda’s third solo show at Annka Kultys Gallery. The show, on view through 16 June, presents recent video work by Soda alongside vinyl prints from the artists personal archive and printed works on aluminium and acrylic. You can find the full review here.

THE STEIDZ | 30 May 2018

ANNKA KULTYS GALLERY

French publication The Steidz has reviewed Molly Soda’s Me and My Gurls, on view at AKG through 16 June. The author, describing Soda’s command of social media, writes that she reveals the inner workings of digital mechanics in an almost archeological fashion. You can find the full review here .

MOUSSE | 28 May 2018

ANNKA KULTYS GALLERY

Mousse Magazine has featured Me and My Gurls, Molly Soda’s third solo show at AKG. The show, which aims to simulate Soda’s digital desktop environment in the physical gallery space, presents recent work by Soda in which the artist continues to explore the relationship between viewer and viewed in contemporary digital culture. Me and My Gurls will remain on view through 16 June. For more information, click here.

FAD | 27 May 2018

ANNKA KULTYS GALLERY

Art critic Tabish Khan has included Molly Soda’s Me and My Gurls, the artist’s third solo show at AKG, in his review of the top 7 shows to see in London this week for Fad Magazine. Describing the immersive nature of show’s installation, Khan writes: “it’s as if we’ve stepped into the screen itself.” Me and My Gurls will remain on view through 16 June. To read the full review, click here.

GALLERIES NOW | 25 May 2018

ANNKA KULTYS GALLERY

Art listings site Galleries Now has just posted  Gallery 360/VR shots of Molly Soda’s solo exhibition Me and My Gurls, and included the show in their Weekender selection of top exhibitions around the world. On view until 16 June, Me and My Gurls presents a selection from Soda’s personal digital archive and explores the phenomena of watching and being watched online. To check out the 360/VR view, click here.

DOJO | 24 May 2018

ANNKA KULTYS GALLERY

Things-to-do app Dojo has listed Molly Soda’s show Me and My Gurls to its Arts Radar list of top shows for the week of May 24. Soda’s third solo exhibition with AKG, Me and My Gurls will remain on view through 16 June. To read Dojo‘s review and check out the full listing, click here .

TIME OUT | 24 May 2018

ANNKA KULTYS GALLERY

Time Out London has included Molly Soda’s solo show Me and My Gurls on its list of ’72 Marvellous Events and Things to Do in London in May 2018.’ To check out the full listing, click here.

 

 

VICE | 23 May 2018

ANNKA KULTYS GALLERY

VICE has just published a review of Me and My Gurls, Molly Soda’s third solo show at Annka Kultys Gallery, alongside an interview with the artist. Describing the titular work of the show, Soda says: “as you watch me dance, you’re seeing more and more dancing girls join me on screen, and as the video continues, I become the avatar—I become one of them. There’s an element of blending in—the anonymity of everyone doing the same thing online. It’s simultaneously very beautiful, that we’re all sharing these experiences and doing this stuff, but also very isolating and lonely.” You can find the full article here.

WALL STREET INTERNATIONAL | 22 May 2018

ANNKA KULTYS GALLERY

Wall Street International has featured Me and My Gurls, Molly Soda’s third solo exhibition at AKG. In this exhibition, Soda has created a physical manifestation of her computer’s desktop, thus inviting the viewer into her most personal virtual spaces. You can find Wall Street International‘s listing here.

JUST OPENED LONDON | 17 May 2018

ANNKA KULTYS GALLERY

London-based blog Just Opened London has written a review of Molly Soda’s solo show Me and My Gurls, on view at AKG through 16 June. They write, “Themes of vulnerability, narcissism and over-sharing run throughout and the exhibition is as likely to make you feel uncomfortable as it is to entertain. Molly lives her life online and she invites you to share it, at the same time prompting some (perhaps) difficult questions about the viewer’s own sense of self.” You can find the full review here.

KATY HOWE | 15 May 2018

ANNKA KULTYS GALLERY

Artist and blogger Katy Howe has written a review of Molly Soda’s solo exhibition Me and My Gurls, on view through 16 June at AKG. She writes: “Although some may perceive her work as shallow or superficial, if you take the time to look deeper, and I mean longer than a three second insta-gratification, you will find an intricately complex and engaged artistic practise, powerfully addressing structures of identity, especially female identity. She successfully explores the notion of authenticity in the interactions of our online selves, by looking at how social media, instant messaging and constant sharing invade our lives and in turn affect our interactions, highlighting and blurring boundaries between the personal and the public. She forces us to consider what it means to have a private life if we are sharing everything.” To read the full review, click here.

EYEBEAM | 14 May 2018

Molly Soda will present a new installation on 14 May as part of AFTERCARE hosted by Eyebeam in Brooklyn, New York. Presented alongside the International Centre of Photography and Topical Cream, the event will follow the Vision and Technology: Toward a More Just Future symposium. Other artists on the line-up include RAFiA Santana, Sofia Young Park, Marie Karlberg and Hannah Daly. For more information, click here.

PAUL’S ART WORLD | 12 May 2018

ANNKA KULTYS GALLERY

London art critic Paul Carey-Kent has just reviewed Me and my gurls, Molly Soda’s third solo show at AKG. He writes, “Molly Soda’s teeming and multifarious practice is most naturally online. Here, then, she effectively transports her studio to the gallery by covering the walls with images and footage from her laptop, complete with a 15 foot printout of comments on one of her YouTube posts which takes over the space sculpturally.” Me and my gurls will remain on view at AKG through 16 June. To read the full review, click here.

DROOL | 11 May 2018

Annka Kultys Gallery

DROOL Creatives has featured Me and my gurls, Molly Soda’s third solo show at Annka Kultys Gallery. In the show, Soda has created an installation that mimics the interior of her computer screen, effectively inviting the visitor into her desktop space. To check out the listing, click here.

TIME OUT | 10 May 2018

ANNKA KULTYS GALLERY

Time Out London will include a review of Molly Soda’s new solo show Me and my gurls in its upcoming print issue. Author Eddy Frankel writes, “Is Soda vain and neurotic? Totally. But we all are. It’s just that instead of hiding her vanity on a hard drive, she is letting it out and allowing the whole internet to tear it apart. And by exposing herself, she’s exposing the rest of us. If you don’t like what you see, you might just be seeing a bit too much of yourself.” Me and my gurls is on view at Annka Kultys Gallery through 16 June. To read the full review online, click here.

LONDON PHOTOGRAPHY DIARY | 10 May 2018

ANNKA KULTYS GALLERY

London-based website London Photography Diary has listed Molly Soda’s Me and My Gurls as one of its current exhibition choices in the city. In this show, Soda has transformed the gallery into a physical version of her desktop, thereby inviting the viewer into her most personal and sacred space. For more information and to see the full listing, click here.

¡AH! MAGAZINE | 5 May 2018

ANNKA KULTYS GALLERY

Spanish magazine !Ah! has profiled Signe Pierce. Titled “Art & Feminism in the iPhone Era,” author Irene Calvo describes the relationship between Pierce’s signature hyper-saturated aesthetic, feminism and the current state of digital culture. You can find the full profile here.

BOSTON ART REVIEW | May 2018

ANNKA KULTYS GALLERY

The inaugural issue of the Boston Art Review has published an interview with Molly Soda. Discussing the relationship between space and art in her work, Soda says: “My art takes private space and broadcasts it. I’m more interested in intimate spaces as opposed to say, a city sidewalk or a subway car. While those spaces are equally as important to living, they don’t make their way into my work. I’m interested in what’s behind the door, not what’s outside of it.” Soda’s solo show Me and My Gurls is currently on view at Annka Kultys Gallery through 16 June. You can find the Boston Art Review here.