17 NOVEMBER – 17 DECEMBER 2016
WEDNESDAY, 16 NOVEMBER, 6-8 PM
Press preview in presence of the artist: Wednesday, 16 November, 5 PM
Annka Kultys Gallery is pleased to present Together We’re Heavy an exhibition of recently completed drawings and paintings by Sherman Sam. This marks the gallery’s second exhibition with the artist, and the artist’s first solo presentation in London.
For the past two decades, Sam has become known for abstract oil paintings and drawings that avoid facile explanations or recognisable visual associations. Instead, Sam uses colour, surface, light and intuition to create a textured abstract visual reality, “free from ideology”. There is no specificity, no place, no person. The work opposes typically Western notions of narrative structure altogether. At the same time, Sam takes his titles from song lyrics — Just a perfect day, Disco Heaven, Only move to the beat — however, this is just a testament to the artist’s playful nature. The titles trick the viewer into searching for a correlation between lyric and painting that does not exist, but this unreturned quest, when abandoned, leaves room for meditation. The work exists solely on its strength as art, allowing for a more liberated experience.
The exhibition takes its title from the 2004 album Together We’re Heavy by Polyphonic Spree. The musical references, though not directly related to the series of paintings and drawings, function as found objects. While the paintings are silent, the music brings a verbal and cultural history that pertains more to what Sam was listening to in a particular moment — when Lou Reed died, for example. The resulting compositions are not unlike musical scores. Much like the ambient sounds of Polyphonic Spree, the works, in themselves, are polyphonic, echoing beyond the frame. Each particular mark on a drawing is attached to a motion, which seems to extend well past the page. For Sam, the process is organic, and could be related to the Japanese philosophy Wabi-Sabi, with its embrace of transience and imperfections. A drawing starts as a piece of paper folded in his bag or pocket, producing an irregular shape, layered with graphite and coloured pencil. The paintings are characteristically handmade objects, roughly painted and asymmetric, with angular lines and varying textures, yet they are balanced by curves and soft colours that fade into the harsher greens and browns. The outcome is refreshingly incomplete, creating an overwhelming sense of calm.
Sherman Sam was born in Singapore in 1966. He lives and works in London.