Hell Gette’s current exhibition at Annka Kultys Gallery, ‘##’, has been reviewed in The Quietus. The writer of the article, Robert Barry, notes that “As the tall y-axis and shorter x-axis of these paintings suggest, these images are not just landscapes but also portraits – depictions of our digital selves. Or perhaps the truth of Landscape 3.0 is that, today, all landscapes become portraits. We capture the picturesque scenery only in order to depict ourselves.” You can read the full review here.
THE QUIETUS | 11 July 2020
