CV
CLAUDIA HART
BORN 1955 IN NEW YORK, UNITED STATES
LIVES AND WORKS IN NEW YORK AND CHICAGO
This document was updated on 29 June 2023 and is for reference only.
EDUCATION
1984
M.S. Columbia University Graduate School of Architecture
1978
B.A. Art History, Summa Cum Laude, Founder’s Award, New York University
SELECTED SOLO EXHIBITIONS
2023
The Memory Theaters of Claudia Hart, Scope.bln, Berlin – Germany
My Travels in Hyperreality, Annka Kultys, London — GB
A Child’s Machiavelli: Works From Berlin in the 90s, Expanded.art, Berlin — DE
Experiments In Art + Technology & Artblocks Presents: Systems Madness — US
The Memory Theaters of Claudia Hart, Gene Siskel Theater, Chicago — US
2022
Digital Combines, bitforms gallery, San Francisco — US
Digital Combines, Honor Fraser Gallery, Los Angeles — US
2021
The Unfolding: Contemporary Painting for the Digital Age, Haynes Project Space, Chicago — US
2020
An Imaginary Ruins, Gazelli Art House, London — GB
The Ruins, bitforms gallery, NY — US
The Tree of Life, bitforms gallery, NY — US
A Child’s Machiavelli, book release for new Beatrice Books edition and paintings exhibition, bitforms gallery, NY — US
2019
Unreal Seduction, augmented ceramics and wallpapers, Juliette Yuan and Associates, NY – US
2018
Alice Unchained, Pioneer Works, Redhook, Brooklyn NY – US
The Flower Matrix, Lawrence Art Center, Kansas – US
The Flower Matrix, Art Center Nabi, Seoul – Korea
2017
The Flower Matrix, produced by Transfer Gallery at the Wallplay VR Speakeasy, 145 West 14th Street, New York – US
Inside the Flower Matrix, immersive augmented wallpaper install, House 17, New York Electronic Art Festival, Governors Island, New York – US
Inside the Flower Matrix, Natalie And James Thompson Art Gallery, San Jose, California – US
2016
Beneath the Veil, Upfor Gallery, Portland, OR — US
The Dolls House, Transfer Gallery, Bushwick, NY — US
2015
Claudia Hart: Simulisms, live presentation including The Dolls: A Virtual Ballet, “Conversations at the Edge”
Funerary: Claudia Hart and Armin Voelker, Friedhofsmuseum, Berlin — DE
The Dolls, A Virtual Ballet, Millennium Park, The School of the Art Institute of Chicago — US
2014
The New Museum Store Presents: Welcome to Alice’s GIftshop, The New Museum, NY, — US
Welcome to Alice’s GIftshop, bitforms gallery, Chelsea, NY — US
2013
Rendering Time: Claudia Hart + Alex Lee, Gallery Dos, Seoul — KR
There’s a Body on the Screen: Claudia Hart with music by Edmund Campion, Kurt Hentschlager, Yefeng Wang, Museum of Luxun Academy of Art, Shen Yang — CN
Post Photographies: Claudia Hart and Yefeng Wang, 99 Art Center, M50 gallery district, Shanghai — CN
2012
Politrix Books: Advice for the Aspiring at the Twilight of the American Century, University Gallery, Cal State University, Sacramento, CA — US
2011
Recumulations, interior installation and site-specific performance-object, with Roberto
Sifuentes, Black and White Project Space, Brooklyn, NY — US
When a Rose is Not a Rose, personal exhibition, bitforms gallery, NY — US
2010
Claudia Hart and Rim Lee, Chicago Festival of the Humanities: The Body, Kasia Kay
Gallery with other invited galleries and participating Institutions — US
Empire, exhibition and performance, Wood Street New Media Galleries, Pittsburgh, PA — US
2009
Twilight, Bitforms Gallery, NY — US
2008
Digital Baroque, personal exhibition, Kasia Kay Gallery, Chicago — US
2007
Machina, animated video installation, Catharine Clark Gallery, San Francisco — US
Machina, animated video installation, PS 122, NY — US
A Child’s Machiavelli,”Project Space, Andrew Edlin Gallery, NY — US
2003
Braingirl, E, and Pussyweeval, two person show with Marina Zurkow, Bitforms Gallery, NY — US
Save Me, public intervention, animated LED billboard, Pittsburgh Cultural Trust 2000 — US
Playworld 2000, collaboration with Sam Samore, Clinica Aesthetica Gallery, NY — US
Over the Hills and Far Away, Sandra Gering Gallery, NY — US
1998
Ferdinand the Bull, residency and exhibition, Beaux Arts, Nimes — FR
The Beast Inside Us, monumental public installation, Exit Festival, Maison des Arts, Creteil and the Maubeuge Festival — FR
The Beast Inside Us, collaboration with Sam Samore, The Center for Contemporary Art, Geneva — CH
A Child’s Machiavelli, The John Hansard Gallery, Southhampton, London — GB
Romeo and Juliet, residency and production, Banff, Alberta — CA
1997
Dr. Faustie’s Guide to Real Estate Development, Shift Kunstverein, Berlin — DE and
Galerie Sylvia Steinek, Vienna — IT
Beauty And the Beast, residency and edition, the Villa Arson, Nice — FR
1996
A Child’s Machiavelli: Deutscher Remix, Galerie Wohnmachine, Berlin — DE
Dr. Faustie’s Guide to Real Estate Development, Contemporary Art Gallery, Vancouver — CA
A Child’s Machiavelli, installation with 31 paintings from 1995, Fonds Regional d’Art Contemporain de Haut Normandie, Rouen — FR
1995
Bild-Malerei: Positionen in Berlin: Claudia Hart, group catalog, Galerie Wohnmaschine, Berlin — DE
Claudia Hart presents the Institute of Theore(c)tical Painting presents Claudia Hart, Galerie Laage-Salomon, Paris — FR
A Child’s Machiavelli, with catalog, “Kunstlerhaus Am Acker” e.V., produced by the Realismus Studio, Neue Gesellschaft für Bildende Kunst, Berlin — DE
A Child’s Machiavelli, Galerie Christian Gögger, Munich — DE
1994
Not an Angel, Galerie Blancpain Stepczynski, Geneva — CH
1993
New World Order, Tanit Galerie, Cologne and Munich — DE
Not an Angel, Künstlerhaus Bethanien, with catalog, Berlin — DE
1992
Galerie Laage-Salomon, Paris — FR
Dennis Anderson Galerie, Antwerp — BE
Galerie Volker Diehl, Berlin — DE
1991
The Contingency of Selfhood (the artist as Byron), Galerie Thaddaeus Ropac, Paris — FR
The Grotesque, Tanit Galerie, Munich — DE
1990
Lino Silverstein, with catalog, Barcelona — ES
Greenberg Gallery, Saint Louis — US
The Contingency of Selfhood (the artist as Rousseau), Pat Hearn Gallery, New York — US
1989
Barbara Krakow, Boston — US
Pat Hearn Gallery, New York — US
SELECTED GROUP EXHIBITIONS
2023
A Beating Heart, Expanded.art, Berlin — DE
The Cute Show, Expanded Art, Berlin — DE
Topologies of the Real: Techne, Shenzhen Museum of Contemporary Art and Urban Planning, Shenzhen — CN
Techno-Healing: Finding Resilience and Well-Being in a Digital World, part of the Alice in Blockchains conference, Zagreb Museum of Modern Art, Zagreb — HR
The Last of the Animal Builders, Edith Farnsworth House, Plano — US
Cadenza, an audio visual exhibition, Meet Center, Milan — IT
BINÁLÉ, digital art biennial, Kristály Színtérre, Budapest — HU
Sheng 生, VR Washington Square Park, New York — US
Topologies of the Real: Techne, part of Realties Interrupted, Shenzhen Museum of Contemporary Art and Urban Planning, Shenzen — CN
Dimensions: Digital Art since 1859, a project of Stiftung für Kunst und Kultur e.V. — DE
Thresholds in the Parameters of What it is to Be, Conley Art Gallery at Fresno State University — US
I Know, Salon Am Moritzplatz, Berlin — DE
Message From This Planet, touring exhibition, beginning at the Figge Art Museum, Davenport Iowa, and then to Weisman Art Museum, the Grand Rapids Art Museum, the Pensacola Museum of Art, and the Chazen Museum of Art — US
2022
CryptoPong, Nikolaj Kunsthal, Copenhagen – Denmark and on the Radar platform
All Art is Virtual, Art Vault, Santa Fe – US
Web 3.0 Aesthetics: In the Future Post-Hype of the NFT, online at La Collection and at Annka Kultys Gallery, London – UK
The Digital Baroque, 4-art Technologies platform
Water Reverie, Borusan Contemporary – IST
2021
ArtNFT: Beginnings, Artnet
The Ethereal Aether, the Hermitage Museum, Saint Petersburg — RU
Gas Station: An NFT Exhibition and Event Series, in conjunction with NFT, NYC — US Postmasters Gallery NY — US
Haptic/Somatic, Southern Connecticut State University Buley Art Gallery— US
Metaglyphs, on First Dibs
Messe in St. Agnes: Third Edition, Koenig Gallery, Berlin — DE
Sea Change: Digital Art in the Real World, curated by Jesse Damiani and Sinziana Velicescu, Vellum LA, and on Superrare — US
The Ruins, New York Electronic Music Festival Festival — US
Proof of Art: A Brief History of NFTs, From the Beginnings of Digital Art to the Metaverse, Francisco Carolinum, Linz — AT
Proof of Sovereignty, Christies and online, NY — US
The Bardo: Unpacking the Real, on Feral File NFT platform
Pieces of Me: An NFT Exhibition, online at Transfer Gallery + Left Gallery,
Alice Inside, online at 58th Ann Arbor Film Festival
Ludicy: An Evening of Post-Pandemic Liberation, inside of Machiavelli World on Mozilla Hubs
Still / Live, Katonah Art Museum, NY — US
Synthetic Corpo-Reality, on Mozilla Hubs
2020
Welcome to the Doll’s House, Maker Faire Rome — IT
Feelings, online in Mozilla Hubs
Welcome to the Doll’s House, RealMix Festival, Bogotá — CO
Re-start, Medientage München — DE
The Archive to Come, Telematic Media Arts and online in Mozilla Hubs — US
In Kepler’s Garden, Ars Electronica, Gallery Space Gardens and The Ruins at bitforms — US
Machine Creativity, CNMAT — US
OUT of TOUCH, LUX Digital Platform
Screeners III, Helena Anrather Gallery — US
Well Now, WTF, Transfer Gallery Platform, online
Back to Back: The Flower Matrix and Alice Unchained XR Installation, Ann Arbor Film Festival, Ann Arbor MI — US
Beyond Embodiment, Brand Library & Art Center — US
2019
Game Is Art, online and Kowloon Estadium — HK
Session 10: The Hard Disk Museum Collection, EP7 Paris — FR and Macro Museum, Rosario — AR
Lossless (Bodies): A Collaboration of Bodies in Multiple Locations, online at www.lossless.cargo.site and The Wrong Biennale 2019, https://thewrong.org/
Enter Through The Headset, Gazelli Art House, London — UK
TRANSFER Download, Art+Tech Summit at Christies: The A.I. Revolution, NY — US
Interpretations 30, Roulette, Brooklyn — US
Tech Art For Collectors: Artjaws Special Guest Exhibition, Frieze, with related panel: Curating Media Arts, Zürcher Gallery, NY — US
Niio Commissions, Art Basel Hong Kong at Landmark Mandarin Oriental MoBar — HK
ROW DTLA, bitforms — US
Re-Figuring BInaries, Pioneer Works, Brooklyn — US
Ties, Tales and Traces, Realismus Studio, Kunst-Werke Institute for Contemporary Art, Studio — DE
Re-Figure-Ground, Arebyte Gallery — UK
2018
Paradox: The Body in the Age of AI, Miller Gallery, Pittsburgh — US
Out of Body, bitforms gallery — US
Touching From a Distance: VR/Art Festival: Inside the Flower Matrix, Halcyon Art Lab, Washington D.C — US
Print Screen Festival — Tel Aviv, IL
(Para(Site)) within Synthetic Cells: Site and Para (Site), Grounds for Sculpture, Hamilton Township, NJ —US
Transfer Download, Carl and Marilynn Thoma Foundation Art House,
Santa Fe — US
The Female Gaze on Body, Love and Sex, Kunsthaus Erfurt and Haus am Lutzowplatz — DE
Now You See It: Claudia Hart, Michael Manning, Will Pappenheimer, Boston Cyberarts Gallery — US
Poetics of Space, BLENDER Workspace, NY — US
Transfer Download, Nada New York, US
Stream Capture, Minneapolis College of Art Gallery — US
Of Roses and Jessamine // Films for Ecstasy: Of Roses and Jessamine // Films for Ecstasy, Folds of Existence series at American Medium Gallery, NY, — US
Rule 35 Gif Screening, Speculative Fetish exhibition at Transfer Gallery, Brooklyn, NY, January 6
Transfer Download, as part of ‘Unreal. The Algorithmic Present’ at the Chronus Art Center, Shanghai — CN
2017
Variations, Cite Des Arts — FR
Transfer Download, part of Unreal: The Algorithmic Present, House of Electronic Arts, Basel — CH
Overture: Selections From the Borusan Contemporary Art Collection, 208 Bowery, NY — US
Truth or Dare: A Reality Show, 21st Century Art Hotel Museum and online, Nashville TN — US
SPAMM_Power Winchester, Winchester School of Art, Univeristy of Southhampton — UK
Refrag: New Connections between Art, Technology and Culture, Parsons Paris Gallery and online — FR
#Night on Broadway, Claudia Hart + Katie Torn at the Los Angeles Theater, The Million Dollar Theater, The Los Angeles,The Orpheum, The Palace, The Globe, The Ace Hotel, The Olympic, The DTLA Proud movie palaces
Dada Club, online and Spazio Contemporanea — IT
Electric Breath: Experimental Video and Animation, part of Frankenstein’s Shadow, Emerge Festival, Arizona State University — US
Claudia Hart & RIck SIlva, Transfer Gallery, Moving Image / Immersive Media Art Fair — US
The New Normal, Dawawine Cultural Center, The Mansion Art Center, Umam Galleries —LB and Suppa Salon, Salt Gallery Istanbul — TR
2016
Of Roses and Jessamine // Films for Ecstasy, Student Union Galleries, School of the Art Institute of Chicago — US
Claudia Hart + Brenna Murphy, Upfor Gallery booth, Untitled Art at Miami Basel — US
Just a Little Avatar Dance: An Artist’s Journey, Bucharest International Dance Film Festival, Bucharest — RO
Bitforms Gallery: 15-Year Birthday, Minnesota Street Project, San Francisco — US
Real-fake.org.02, The Bronx Art Center, NY — US
Test Patterns and TRANSFER Download, The Current Museum of Art, 60 Sullivan Street, NY — US
NEW REALITIES presented by Moving Image Immersive Media, hosted by the Moving Image Art Fair, Alt Art Space, Istanbul — TR
Transfer Download, Minnesota Street Project — US
Cat Heroicus Sublimis: Abstraction in the Digital Age, online on the New Hive platform
Gifs to Have Sex By, Print Screen Festival, Tel Aviv — IL
Nargifsus: A Screening of Animated Self-Portraits, online exhibition on the New Hive and at Transfer Gallery — US
Synthetic Resonances, Assembly Point Gallery, London — UK
fs, Arebyte Gallery, London — UK
Digital Canvas, IKONO TV, Berlin — DE
DiMoDA, Digital Museum of Digital Art, Import Projects, Berlin — DE
DiMoDA, Digital Museum of Digital Art, The Stolbun Collection, 30 Chicago IL — US
The Need For My Care, Waterfall Mansion and Gallery — US
2015
DiMoDA, Digital Museum of Digital Art, Transfer Gallery and Satellite Art Fair, Brooklyn — US
My First 3D, Microscope Gallery, NY — US
Les Petite Romantiques, special Edition by S’Edition, London — UK
Variation: Paris Media Art Fair, Halle des Blancs-Monteau Pierre-Charles Krieg — FR
Porn to Pizza – Domestic Cliches, DAM Gallery Berlin — DE
Room 13, online at PantherModern.org
Les Nocturnes du MAC, Museum of Art Contemporain, Montreal — CA
Momentum: Women/Art/Technology, Mary H. Dana Women Artists Series Galleries, Douglass Library, Rutgers University — US
TechNoBody, Pelham Art Center — US
2014
Premium Bundle, Synthetic Zero/Bronx Art Space — US
Coded After Lovelace, Hannah Maclure Centre at the University of Abertay — SC
Women in Digital, The Hospital Club — EN
Art Silicon Valley, San Francisco, Oct. 9-12, stand of Baker/Sponder Gallery — US
Faculty Projects: Claudia Hart, Anke Loh, Lou Mallozzi, Helen Maria Nugent, Carolyn Ottmers, Roxie Tremonto, and Andrew S. Yang, Sullivan Galleries, School of the Art Institute of Chicago — US
Coded After Lovelace, Whitebox, NYC — US
Off-The-Grid, artist residency on Governors Island, Building 15, NYC — US
Synthetisch Vernünftig. xLEAPx, Berlin, Germany; July 7, 2014 – August 1, .2014; Featuring: Paolo Cirio, Andreas Nicolas Fischer, Daniel Franke, Claudia Hart, Imri Kahn, Sara Ludy and Clement Valla.
Cloud Makers and Open Tech, MakerLabs, Vancouver — CA
The New Romantics, The Eyebeam Center for Art + Technology, NY — US
Hi Res: Hilary Pecis, Claudia Hart, Clement Valla and Erik Berglin, Plug Projects — US
High Lure Image Content, curated by Julie Groscheand + Sara Knox Hunter, Kappa Theta Phi
Annual Showcase, Eyebeam Center for Art and Technology, NY — US
Teutloff Collection meets Sandra Vásquez de la Horra, Kunsthaus Lempertz — DE
2013
Post Pictures, bitforms gallery — US
Better Than Universe, Daegu Art Factory, Daegu — KR
Microwave New Media Arts Festival, Song of the Avatars: monumental installation of exquisite cadaver On Synchronics — HK
2012
3d Burns, FE gallery, Pittsburgh — US
The Real-Fake, The Lamar Dodd School of the Arts Gallery 101, Athens — GR
Art HK, Hong Kong Art Fair, bitforms gallery stand — HK
Pulse Miami, Miami Art Fair, bitforms gallery stand — US
Private Negations, Sazmanab Project, Tehran — IR
Peer One, The Walters Art Museum, Baltimore — US
L@te Night, Berkeley Art Museum, Berkeley CA — US
Improbable Objects, Hyde Park Art Center, Chicago IL — US
2011
Pulse Art Fair, Miami, bitforms stand — US
Live Video, Ogilvy Art, Pittsburgh Biennial, Organized by the Carnegie Museum at the Miller Gallery, Carnegie Mellon University, PA — US
Pleasure Palace, Gallery Sanat, Istanbul — TR
The Medium and the Message, Byrdcliffe Kleinert/James Arts Center — US
The Real-Fake, University Library Gallery, California State University — US
Art-HK-11, Hong-Kong International Art Fair, bitforms stand — HK
Hyper-Capitalism: East Meets West, The Big Screen Project, NY — US
2010
Flow Interrupted, Hyde Park Art Center, Chicago — US
Baby Doll, Raway Art Center — US
Baby Doll, New York Art Magazine Gallery, NY — US
Art Basel, Miami FLA, bitforms stand — US
Scope Art Fair, bitforms stand, NY — US
Art Chicago, Chicago, Kasia Kay Art Projects Gallery Stand — US
Scope Art Fair, Basel, bitforms stand — CH
Scope Miami, bitforms stand — US
2009
Performance Studies International Festival and Conference, Zagreb — HR
Low Blow: A Species of Confusion, Stux Gallery, NY — US
Going for B’roque, Jack the Pellican Presents, NY — US
The Garden at 4AM, Gana Art, NY — US
Excuse Me, Are You Famous?, Galerie Invaliden 1, Berlin — DE
2008
Future Cinema, Zero1, San Jose — US
Esquire House, September, LA — US
Avatar, Australian Centre for Photography, Paddington — AU
Expanding Animation, Ramapo College Art Galleries, Ramapo — US
2007
Video Projects, Catharine Clark Gallery, San Francisco — US
Meme: Romanticism, The Elizabeth Foundation Gallery, NY — US
Notions of Wilderness, Kasia Kay Art Projects (KKAP), Chicago — US
mech[a}OUTPUT, 3D real-time set, Noh Ballet by Koosil-Ja Hwang, Japan Society, NY — US
En Plein Air: Reloaded, Black and White Gallery, NY — US
2006
Gendertopia, Teknikunst Media Arts Festival, Melbourne — AU
2006
Creatures+, Art and Architecture Gallery, NY — US
MUX, Media Festival, Polytechnic University Integrated Digital Media Institute
and Parsons Design + Technology, NY — US
Risky Business, PPOW Gallery, NY — US
Embodied Technologies /Technologized Bodies, Art Interactive, Boston Mass, Fringefest, Silverlake Film Festival, Arclight Cinema — US
Can We Fall in Love with a Machine, Wood Street Gallery, Pittsburgh — US
2005
Time’s Arrow, Rotunda Gallery, NY — US
Margaret Mead Film Festival, Museum of Natural History, NY — US
Post Everything, Rotunda Gallery, NY — US
Seventh International Digital Art Exhibit and Colloquium, Havana — CU
Natural Reflections, Exploratorium, San Francisco — US
2004
Allure Electronica, Wood Street Gallery/Pittsburgh Cultural Trust, Pittsburgh — US
2003
Animations, Kunstwerke, Berlin — DE
Engaging Characters, Art Interactive, Boston — US
2002
Fetish: Human Fantastic, Michele Thursz/Post Media Network, Borosan Gallery, Istanbul — TR
Power Ballads, Rupert Goldsworthy Gallery, NY — US
2001
Animations, PS1/MOMA, NY — US
Interactive Domains, Wood Street Galleries/Pittsburg Cultural Trust, Pittsburg — US
After-Effects, Centre d’Art, Neuchatel — CH
Pixerina Witcherina, University Galleries, Illinois — US
State University, Normal, Illinois — US
2000
Rosaceleste, de.geneere, Bolgona — IT
Narcisse Blessé: autoportrait contemporain 1970-2000, Passage de Retz, Paris — FR
Beyond the Walls, the Speed Art Museum — US
1999
Pink is for Boys, Blue is for Girls, NGBK Kunstverein, Berlin — DE
Machiavelli für Kids, Museum in Progress Animated Billboard and newsprint (Der Standard), Vienna — AT
Hitchcock, Kunsthalle Tirol, Innsbruck — AT
1998
Exit Festival, Maison des Arts, Creteil — FR
Maubeuge Festival, Le Manege, Maubeuge — FR
For An Ecology of Media, Astarti Festival, Paris — FR
1997
Biennale of the Moving Image, Saint-Gervais, Geneva — CH
Art Club Berlin, Art Forum Berlin — DE
Shift, Galerie Fricke, Dusseldorf — DE
die Treffsicherheit seit Weerndl, Kunsthalle.tep.Steyr, Steyr — AT
Little Explorers (project/Bricks & Kicks), W 139, Amsterdam — NL
Little Explorers, Bricks and Kicks, Vienna — AT
Triennale Greiz 1997, Charicature and Cartoon and Comic Drawings, Foundation Altern Linie des Huases Reuzz, Museum Sommerpalais, Greiz — DE
L’Auto Expo, the car of Laurence Hazout, Paris — FR
1996
double vie double vue, Foundation Cartier pour l’art contemporain, Paris — FR
Curated By (Julius Deutschbauer), Galerie Sylvia Steinek, Vienna — AT
Pop Mix, Volume One, Neue Berliner Kunstverein, Berlin — DE
Bild, Malerei, Schloss Plüschow, Mecklenburgisches Künstlerhaus, Plüschow — DE
Fairy Tales Always Have a Happy Ending, Fonds Regional d’Art Contemporain de Haute Normandie, Rouen — FR
sur l’humour et la performance, La Centrale (Galerie Powerhouse), Montreal — CA
Jahresgaben 1996, Kunstverein Arnsberg, Arnsberg — DE
Galerie Samuel Lallouz, Montréal — CA
1995
I is Another, Kunst-Werke, Berlin — DE
1994
Out of America, Amerika Haus, Berlin — DE
Post-Conceptual Painting, Kunst-Werke, Berlin — DE
Jim Croak, Claudia Hart, Tishan Hsu, Galerie de la Tour, Amsterdam — NL
Le saut dans le vide, Central House of Artists, Moscow — RU
1993
Love Again, Kunstraum Elbschloß, Hamburg — DE
Minimal Curating, Städtisches Kaufhaus (temporary Kunsthalle), Leipzig — DE
Institute of Theorectical Painting, Rainer Borgemeister, Berlin — DE
A Discourse on the Emotions, Galerie Volker Diehl, Berlin — DE
Six Weeks in Brussels, Lukas & Hoffmann, Brussels — BE
Sie nennen es Liebe, Neue Gesellschaft für Bildende Kunst, Berlin — DE
1992
Informationsdienst, Künstlerhaus Stuttgart, Germany — DE
1991
Vertigo, the Remake, Thaddaeus Ropac Gallery, Salzburg — AT
Salon des Jeunes, Montrouge, France — FR
Permanent Collection, Museum of Modern Art, New York — US
1990
Vertigo, Thaddeus Ropac Galerie, Paris — FR
Structures, Deson-Saunders Gallery, Chicago — US
Invitational Group Show, Althea Viafora Gallery, New York — US
The Age of Information, Andrea Ruggieri Gallery, Washington D.C. — US
Spellbound, Marc Richards Gallery, Los Angeles — US
Information, Terrain Gallery, San Francisco — US
1989
A Good Read: The Book as Metaphor, Barbara Toll Fine Arts, NY — US
The Silent Baroque, Thaddeus Ropac Gallery, Salzburg — AT
1988
The Inside and the Outside, Rhona Hoffmann Gallery, Chicago — US
Complexity and Contradiction, Scott Hanson Gallery, NY — US
Group Exhibition, Massimo Audiello Gallery, NY — US
Art at the End of the Social, Rooseum, Malmo — SE
Utopia/Dystopia, Scott Hanson Gallery, New York Group Show, Pat Hearn Gallery, NY — US
Notations on the Virtual, Loughelton Gallery, NY — US
Walk out to Winter, Bess Cutler Gallery, NY — US
MONOGRAPHS, SOLO EXHIBITION CATALOGUES & ARTIST BOOKS (PUBLICATIONS)
2020
The Romantic App, Augmented Reality In Education, text by Claudia Hart, edited by Vladimir Geroimenko, Springer Publishing Company, NY — US
2019
A Child’s Machiavelli, Claudia Hart, Beatrice Books, NY — US
The Healing App, Augmented Reality Games II, text by Claudia Hart + Olivia Davis, edited by Vladimir Geroimenko, Springer Publishing Company, NY — US
2018
Really Fake or Faking Reality? – The Riot Grrrls Project, Augmented Reality Art: From an Emerging Technology to a Novel Creative Medium, text by Claudia Hart and Rose Marie May, edited by Vladimir Geroimenko, Springer Publishing Company, NY — US
2014
Metaverse Creativity journal, “The New Romantics: Flaneurs and Dandies of the 21st Century,” coedited by Rachel Clark, Claudia Hart and Nicolas O’Brien, artists statements by Hart and others, Intellect, Bristol — GB
2013
Rendering Time: Claudia Hart and Alex Lee, text by Nicholas O’Brien, catalog for Gallery Dos exhibition, Seoul — KR
2012
A Child’s Machiavelli e-book, Flicker-Lab, online
2011
The Real Fake, catalog and archive for the traveling exhibition, online
“The Real, the Fake, Jouissance, and Claudia Hart’s Caress”, text by David Shwarz, online at The Real-Fake.org
2006
“Can We Fall in Love with a Machine?”, catalog edited and curated by Claudia Hart, Wood Street Galleries, Pittsburgh — US
2004
“Allure Electronica,” catalog edited and curated by Claudia Hart, Wood Street Galleries, Pittsburgh — US
2003
My Animal Friend, illustration by Claudia Hart, Montessori — KR
1998
A Child’s Machiavelli, Penguin Editions, New York — US
Un Machiavel a usage des enfants, Abbeville Press, Paris — FR
1997
Transit, catalog, Department aux arts plastiques, Ecole de Beaux Arts, Paris, France — FR
Nadine Norman, La Centrale, Montreal — CA
Not an Angel, text by Peter Culley, Vancouver Contemporary Art Gallery, Vancouver — CA
1996
A Child’s Machiavelli, NGBK, Berlin — DE
Machiavelli für Kinder, Nautilus Velag, Hamburg — DE
Un Machiavel a l’Usage des Enfants, Frac l’Haute Normandie, Rouen — FR
Dr. Faustie’s Guide to Real Estate Development, “Dr. Fausties Tips und Tricks”, postcript by Claudia Hart, text by Nautilus Verlag, Hamburg — DE
Pop mix volume one, text and interview with Kathrin Becker, Neuer Berliner Kunstverein — DE
1995
The Institute of Theore(c)tical Painting, catalog, text by Kathrin Becker, Olaf Westphalen and Claudia Hart, Kunst-Werke, Berlin — DE
Bild-Malerei: Positionen zur Malerei in Berlin, Galerie Wohnmachine, text by Claudia Hart — DE
A Child’s Machiavelli, Neue Gesellschaft für Bildende Kunst, Berlin — DE
1994
Hunter Reynolds, The Memorial Book catalog, Künstlerhaus Bethanien — DE
Anatolij Shuravlev: an interview with Peter Herbstreuth, Kunst-Werke Berlin catalog — DE
Inner Space, New Observations, no. 104
Claudia Hart: Ecke Bonk, Below Papers, Spring, no. 3
Love Again, Kunstraum Elbschloss, text by Claudia Hart
1993
A Formal Analysis of the Representation of Pain, graphic presentation for “Fontanelle” catalog, Kunstspeicher, Potsdam — DE
Love Again, “In and Out of Love,” “Postscript,” catalog essays, Künstraum Elbschloss, Hamburg — DE
The Institute of Theorectical Painting, manifesto for group exhibition, Rainer Borgemeister, Berlin — DE
‘Il n’y a pas hors-texte’: a Real-Life Fiction, Below Papers, Autumn no. 1
New World Order, text by Katharina Karrenberg, Künstlerhaus Bethanien /Galerie Tanit — DE/LB
1991
Vertigo, text by Christian Leigh, Galerie Thaddaeus Ropac, Paris — FR
Claudia Hart, text by Jerry Saltz, Lino Silverstein Gallery, Barcelona — ES
1989
Viennese Divan: Sigmund Freud Nowadays, text by the artist as fictional critic Theodor von Kunstadt, Vienna — AT
On an Exhibition Entitled Baroque, illustrated satirical poetry for The Silent Baroque catalog by Claudia Hart, Galerie Thaddaeus Ropac, Salzburg — AT
Viennese Divan: Sigmund Freud Nowadays, text by the artist as fictional critic Theodor von Kunstadt, Museum of the 20th century, Vienna — AT
SELECTED BOOKS & GROUP EXHIBITION CATALOGUES (PUBLICATIONS)
2022
Claudia Hart: AR and Reviving Medusa Mythology, Digi Art
2021
Blockchain manifestos: fighting for the imagination of a culture, Burlington Contemporary Journal, online
Proof of Art, A Short History of NFTs, from the Beginning of Digital Art to the Metaverse, “Why We Need a Feminist Manifesta of the Blockchain”, text by Claudia Hart, Distanz — DE
Dismantling The Patriarchy, Bit by Bit: Art, Feminism, and Digital Technology, “Feminist Artists and the Gaming Industries,” Judith K. Brodsky
2020
In Conversation with Claudia Hart: Liminal Feedback Loops and Hybrid Dualities, text by Tina Sauerlander, International Journal of Digital Art Historians, online
Generative Death in the Ruins, text by M. Charlene Stevens, Arcade Project, online
Claudia Hart: The Ruins, text by Charlotte Kent, Brooklyn Rail, online
Modernism’s Escape Room, text by John Haber, Haber Arts, online
Claudia Hart: The Ruins at bitforms gallery, Seditions Magazine, online
The Tree of Life, curated by Claudia Hart, text by Charlotte Kent, Brooklyn Rail, online
Close Readings 1 – Claudia Hart: Swing, text by Nergis Abiyeva, Borusan Contemporary Blog, online
The Politics of Simulation, text by Melanie Nakaue, X-TRA Online, online
2019
Emerging Media, Micro to Macro, Claudia Hart Interviewed by Andrew Demirgian, College Art Association Conversations Podcasts, online
Interview with Claudia Hart: Subverting Simulation, text by Greg J. Smith Sedition Magazine, online
Halfway Between Real and Unreal: Claudia Hart Interviewed by Sean Capone, Bomb, online
2018
Questions for Claudia Hart, Paradox: The Body in the Age of AI, catalog for exhibition, edited by Elizabeth Chodos, Carnegie Mellon University — US
Futures: The Rise of Women in the Digital Arts, “Claudia Hart,” edited by Donna Cox, Ellen Sandor, Janine Fron, University of Illinois Press — US
Augmented Reality Art: From an Emerging Technology to a Novel Creative Medium,
“Really Fake or Faking Reality? – The Riot Grrrls Project“, text by Claudia Hart and Rose Marie May, edited by Vladimir Geroimenko, Springer Publishing Company, NY — US
2017
Digicult, Claudia Hart: The Flower Matrix, text by Marco Mancuso Digicult, online
Really Fake, or Faking Reality? Simulacra, Fake Art, and Breaking the Frame: A Conversation between Patrick Lichty and Claudia Hart, Furtherfield, online
Half-Life, “Ghost in the Cloud: Transhumanism’s Simulation Theology”, text by Meghan O’Gieblyn, Spring, Issue 28, online
3D Additivism Cookbook, “Resolution, Reification and Resistance: A Conversation with Claudia Hart”,text by Morehshin Allahyari and Daniel Rourke, The Institute of Network Cultures (Amsterdam), Resolution, online
2016
The Dolls House: Claudia Hart Builds Worlds that Exist Between the Virtual and the Real, Filled with the Icons of Fallen Empires and Future Relics, POSTmatter Editors, POSTmatter, online
The Virtual Is Liminal: An Interview with Claudia Hart, text by Susan Silas, Hyperallergic, online
Enter a Twilight Zone of Ballet-Turned Digital Art, text by Benoit Palop, The Creators Project, online
This Week: The Dolls, text by Cecily Feitel, NewHive, online
Claudia Hart: The Dolls House, text by Jessica Dawson, Village Voice, online
Futures // Virtual Exploration of the DiMoDa: An Interview with Alfredo Salazar-Caro and William James Richard Robertson, Berlin Art Link, online
2014
An Introduction to Electronic Art Through the Teaching of Jacques Lacan: Strangest Thing, 2013, Routledge, “Signifiers,” chapter 4.
2011
“The Real, the Fake, Jouissance, and Claudia Hart’s Caress,” paper for “The Real and The Fake,” conference, Cal State Sacramento, 2011.
2005
Arts Monthly, Vol. 1, No. 9, February 2005, “Artists Explore Perception: the Exploratorium,” pp 1, 3-4
2004
IEEE Multimedia, Published by the IEEE Computer Society, Vol. 11No. 1; Jan-March 2004, pp. 1, 4-7
1999
Artbyte, Vol. 2, No. 2, Summer 1999, p. 102
“Subjektive, Claudia Hart: Kunst und Literatur, p. 19, Kunstforum, May-September 1996, vol. 134,
BT (Japan), January 1996, “Berlin”, pp 106-107
BT (Japan), June 1996, vol. 48, “Claudia Hart”, pp 68-9, 81-3
1995
Art Press, October 1995, “L’Institute of Theore(c)tical Painting, Hôte du Kunst-Werke de Berlin de juin 1994 à juin 1995”, pp. 176-177
Art Press, September 1995, “Claudia Hart, Galerie Laage-Salomon”, p. 77
New Observations, January/February 1995, “Expatriation, Homelessness and Modernity”, pp 2-3; Inner Space”, pp 16-20
1993
Galleries Magazine, December 93/January 94, pg. 9, “Love Again”
Artforum, December 1993, pg. 91
Art, 10: October 1993, pg.70, “Claudia Hart: Rollenspiele für eine neue Weltordung,”
Kritik, 4, September 1993, pgs. 88-92 “New World Order”
Flash Art, Summer 1993, p. 120
Galeries Magazine, April/May 1993, pgs. 62-63 “Claudia Hart”
1990
Journal of the College Art Association, June 1991 Arts Magazine, May 1990
New Yorker, ‘All Around the Town’, March 5, 1990 San Francisco Art Examiner, January 5, 1990
Art New England, December/January, 1990, pg. 38 Bomb, Winter 1990, “Centerfold’ Balcon 5, 1990
1989
Art in America, May 1989
New Observations, April 1989
Art Issues, April 1989
108 Review, March 1989
Flash Art, March/April 1989
Arts Magazine, March 1989, “Liebe Kinderlein”, p. 493
Kirby Gookin Artforum, March 1989
SELECTED BIBLIOGRAPHY (ARTICLES & REVIEWS)
2020
Jillian Steinhauer, The Tree of Life, NY Times, June 12, 2020 https://www.nytimes.com/2020/06/10/arts/design/art-galleries-from-home.html
Philip Hampsheir, BBC World Business Report, “On Zoomology with Niio Founder Rob Anders,” May 10, 2020, https://www.bbc.co.uk/sounds/play/w172x57kkqkdw0x
2019
Thomas Barrie, “Claudia Hart: The Future of Art Is Already Here,” Gentleman’s Quarterly, September, 2019, Conde Nast, London
Greg J. Smith, “Interview with Claudia Hart: Subverting Simulation,” Sedition Magazine,
March 27th, 2019, https://www.seditionart.com/magazine/interview-with-claudia-hart-subverting-simulation
Claudia Hart Interviewed by Sean Capone, Halfway Between Real and Unreal: the art of animation and automatons, Bomb Magazine, January 18, 2019,
2018
Achen Malonda, “The Female Gaze – On Body, Love and Sex: Claudia Hart,” Art Berlin, May 24, 2018, http://www.artberlin.de/female-gaze-claudia-hart/
Rain Embuscado, “Where DiMoDA Stands In The Ancient Tradition Of Virtual Art,” New Inc., May 24, 2018, http://www.newinc.org/news-posts/museum-technology-profile-dimoda-2018
Cate McQuaid, “At Boston Cyberarts Gallery, It’s Augmented Reality On Exhibit,” The Boston Globe, April 25, 2018, http://www.bostonglobe.com/arts/2018/04/25/boston-cyberarts-gallery-augmented-reality-exhibit/ZtGoPXJysr SO5oUoXsWXTP/story.html
Marco Mancuso, Digicult, “Claudia Hart: The Flower Matrix,” December 15, 2018, http://digicult.it/art/claudia-hart-flower-matrix/
2017
Patrick Lichty, “Really Fake, or Faking Reality? Simulacra, Fake Art, and Breaking the Frame: A Conversation between Patrick Lichty and Claudia Hart,” Patrick Lichty, Furtherfield, furtherfield.org, March 24, 2017
Meghan O’Gieblyn, “Ghost in the Cloud: Transhumanism’s Simulation Theology, artist’s plates,” Half-Life, Published in Issue 28, nplusonemag.org, Spring 2017
Morehshin Allahyari + Daniel Rourke, “3D Additivism Cookbook,” published by The Institute of Network Cultures (Amsterdam) as a 3D PDF and print-on-demand publication, 2017, Resolution, Reification and Resistance: A Conversation with Claudia Hart, pp. 67-71.
2016
Post Matter Editors, “The Dolls House: Claudia Hart Builds Worlds that Exist Between the Virtual and the Real, Filled with the Icons of Fallen Empires and Future Relics.” POSTmatter Editors, POSTmatter, postmatter.com, June 2, 2016
Susan Silas, “The Virtual Is Liminal: An Interview with Claudia Hart”, Susan Silas, Hyperallergic, hyperallergic.com, May 24, 2016
Benoit Palop, “Enter a Twilight Zone of Ballet-Turned Digital Art”, The Creators Project, thecreatorsproject.com, Apr 5, 2016
Alice Bardos, “Futures // Virtual Exploration of the DiMoDa: An Interview with Alfredo Salazar-Caro and William James Richard Robertson”, Berlin Art Link, villagevoice.com, June 7, 2016
Jessica Dawson, “Claudia Hart: The Dolls House”, Village Voice, villagevoice.com Cecily Feitel, “This Week: The Dolls”, , NewHive, newhive.com, Mar 30, 2016
Sandra Lopez-Monsalve, “High Tech Artists at a Low Tech Venue,” WNYC News: radio and online news, August 09, 2014, http://www.wnyc.org/story/virtual-realities-and-other-inventions-governors-island/#.U-eCnnMGMzc
2014
Tom McGlynn, “Claudia Hart: Welcome to Alice’s Gift Shop,” The Brooklyn Rail: Critical Perspectives on Art, Politics and Culture, July/August 2014, http://www.brooklynrail.org/2014/07/artseen/claudia-hart-welcome-to-alices-gift-shop
Paddy Johnson, “Claudia Hart at Bitforms: Don’t Go Down The Rabbit Hole,” Artnet News, Wed May 21, http://news.artnet.com/art-world/claudia-hart-at-bitforms-dont-go-down-the-rabbit-hole-24473
Alicia Eler, “Alice’s Technosurreal Wonderland,” Hyper Allergic: Sensitive to Art and Its DIscontents, May 1, 2014, http://hyperallergic.com/123609/alices-technosurreal-wonderland/
Jennifer Stock, “Sculptural Opera: Claudia Hart’s Alices Walking at Eyebeam,” I Care If You Listen: A Magazine About New Classical Music, Art and Technology, April 2, 2014
Zach Sokol, “I Had The Most Meta Experience Of My Life At An Augmented-Reality Fashion Show Inspired By “Alice In Wonderland”,” The Creator’s Project/ Vice, March 12, 2014, http://thecreatorsproject.vice.com/blog/i-had-the-most-meta-experience-of-my-life-at-an-augmented-reality-fa shion-show-inspired-by-alice-in-wonderland?fb_action_ids=837151619634992&fb_action_types=og.likes&fb _source=aggregation&fb_aggregation_id=288381481237582
Claudia Hart: Welcome to Alice’s Giftshop, The Brooklyn Rail: Critical Perspectives on Art, Politics and Culture, July/August 2014, http://www.brooklynrail.org/2014/07/artseen/claudia-hart-welcome-to-ali ces-gift-shop
“Claudia Hart at Bitforms: Don’t Go Down The Rabbit Hole,” Artnet News, Wed May 21, 2014 http://news.artnet.com/art-world/claudia-hart-at-bitforms-dont-go-down-t he-rabbit-hole-24473
Art Experience, NYC, Vol. I, No.4, 2014, “Claudia Hart: When a Rose is Not a Rose,”, Pg 118, http://artexperiencenyc.com/NewsMonday.html
2013
Roger Denson, “PostPictures: A New Generation of Pictorial Structuralists is Introduced by New York’s bitforms gallery,” Huffington Post: Arts and Culture, December 13, 2013, http://www.huffingtonpost.com/g-roger-denson/postpictures-new-models-f_b_4437381.html
2012
Andre Gallant, “The Real Fake at Lamar Dodd Gallery,” Athens Banner Herald: Online Athens, September 5, 2012, http://onlineathens.com/opinion/2012-09-05/review-real-fake-lamar-dodd-gallery
Roger Denson, “Women’s Mythopoetic Art: Going Back to Start Heroically, Huffington Post, August 13, 2012, http://www.huffingtonpost.com/g-roger-denson/womens-mythopoetic-art-go_b_1772277.html
Sabin Bors, “Swapping Identities: A Conversation with Claudia Hart,” Anti-Utopias: A Contemporary Art Platform, http://www.anti-utopias.com/swapping-identities a-conversation-with-claudia-hart/, May 3, 2012
Sierra Nicole Rhoden, “Artists at Play: Claudia Hart’s Sensitive 3D,” Sixty Inches From Center Project: The Chicago Artist’s Archive, http://sixtyinchesfromcenter.org/archive/?p=15989, June 18, 2012
Jennifer Way,”Gaps in the Record — the scholarship of gender, technology, and the arts,” Research and Economic Development: a Journal of the University of North Texas, http://research.unt.edu/research-profiles/gaps-record-%E2%80%94-scholarship-gender-technology-and-arts May 25, 2012
2011
Roger Denson, “Projecting the Future of Painting in Claudia Hart’s 3D Utopian escapes,” Huffington Post, Oct 27, 2011, http://www.huffingtonpost.com/g-roger-denson/claudia-hart_b_1003289.html
Art Space, “Claudia Hart’s Digital Delights,” November 23, 2011, http://blog.artspace.com/?p=3615
Art Net, “A Garden of Post Earthly Delights,” December 2011, http://www.artnet.com/magazineus/reviews/goldsworthy/claudia-hart-12-12-11.asp
2008
Kurt Shaw, “Eroticism of Decay,” Pittsburgh Tribune, April 30, 2010
Michael Weinstein, “Claudia Hart: Review Kasia Kay,” New City Magazine, newcity.com, December, 2008
http://art.newcity.com/2008/11/30/review-claudia-hartkasia-kay-art-projects-gallery/
Louise Bak, “Claudia Hart: Virtual Bodies,” Toro Magazine, toromagazine.com, November 4, 2008
2007
Rosalyn Page, “Talking Tech With: Claudia Hart,” CHOICE Computer Magazine, Vol. 11, No. 5, September/October 2007
Paddy Johnson, “The Meme of the Crop,” The Reeler “ on-line journal, March 12, 2007, http://www.thereeler.com/features/meme_of_the_crop.php
2006
Michael Anderson, Claudia and her Mutated Harts,” Animal On-line Journal, August 31, 2006, http://animalnewyork.com/2006/08/qa_claudia_and_her_mutated_har.php
Mary Thomas, “High-tech art looks at man and machine relationships,” Pittsburgh Post-Gazette, Monday, March 20, 2006
Kurt Shaw, “Interactivity: Can We Fall in Love with a Machine?” Pittsburgh Tribune-Review, March 6, 2006. Entertainment Section, pp. 1-2
Katherine Brinton, “Wood Street Romances the Software,” The Pitt News, February 7, 2006, pp 215-216
2005
Marek Fuchs, “Out of the Darkroom Age,” The New York Times, Photography, May 22, 2005 (with color pictures), Pg. 22
Jonathan Miller, “Formerly Known as Prince,” The New York Times, Book Review, September 3, 2005, Pg. 23
2003
Cate McQuaid, ”‘Characters’ Takers Viewers on an Unsettling Virtual Trip”, The Boston Globe, October 15, 2003, Pg. C15
Arts Editor, Feature 09.01.03, “Deafening Dissonance”, on-line publication: www.artseditor.com
2000
Ken Johnson, “Claudia Hart and Sam Samore”, The New York Times, Friday May 5, 2000, p. E41
Max Henry, “Gotham Dispatch,” Artnet, posted April 24, 2000
Andrea Scott, “Claudia Hart and Sam Samore”, The New Yorker, May 8, 2000
1999
Hubert Herring, “Tips on the Power Play, From a Past Master,” The New York Times, Sunday, December 12, 1999 (with illustration)
Christa Salchner, “Hommage an Alfred Hitchcock,” Die Sudtiroler Wochenzeitung, 19 August, 1999, pages 36-37 (with illustration)
Ruth Maurer, “Oh Hitchcock”, springerin, April, 1999 , (with illustration)
Artist’s Works, animated billboards reproduced in The Sandard, July 17, 1999, p. 16, 17
1998
Joyce Jensen, Think Tank, The New York Times, December 21, 1998, p. B11 (with illustrations)
1997
Manuel Bonik, Kunstip der Woche, Spiegel Online, July 2-9 1997
Corinna Weidner, Claudia Hart, Shift e.V., Prinz, July 1997, p. 87
Harald Fricke, “Im menschlichen Massstab bitte”, intverview, die Tageszeitung, Saturday/Sunday, July 5/6 1997, p. 35
Christoph Bannat, Barchens Big Business: Claudia Harts hinterlistige Bilderbuecher fuer Erwachsene, German Vogue, March 1997, p. 184.
Katrin Bettina Muller, Kunst Notizen, Tip, 22.8.96 – 4.9.96, p. 18.
1996
Peter Herbstreuth, Wie eine Armee von Gartenzwergen, Der Tagesspiegel, Nr. 15 720, Dienstag, 20, August 1996.
Harald Fricke, Psychedelische Effekte mit Brust warzen, Die Tageszeitung, 17 August 1996
Veit Stiller, Machiavellis Ratschläge für Kids, Die Welt, 7 August 1996
“fos”, “Kinder sind die besten Machiavellisten”, Frankfurter Allgemeine Magazine, 30 Woche, 26 July 1996, v. 856, pg. 30
Manuel Bonik, “Machiavelli für Kids”: ein 1A-Handbuch für Egoisten, JETZT! (Süddeutsche Zeitung), 23.6.96
Holme Friebe, Claudia Hart: Machiavelli für Kids, Konkret, July 1996, pg. 48
Andreas Quape, Leute, die betrügen, sind erfolgreicher, Neues Deutschland, 28 May 1996 (falsely dated 29.2.96), pg. 23.
Bernd Skupin, Kindermacht, Vogue, June 1996, pg. 30.
Henning Hofmann, Nach der Landtagswahl: Hilfestellung für die unerfahrenen Grünen, Gegenwind, Kiel, May 1996, pg. 50.
Jorg Lau, Machiavelli für Kids, “Literataz”, Die Tageszeitung, 28 March 1996, pp. 17-22.
Dr. Irmtraud Gutsche, Machiavelli für Kids (Literaturbeilage zur Leipziger Buchmess), 27 March 1996
Ronald Gutberlet, Der kleine Fürst, Szene, Hamburg, April 1996
1995
Annie Erfle, “Claudia Harts satirische Bilderfolge…” Süddeutesche Zeitung, 4 Nov 1995, pg. 16
Brigitte Werneburg, Die Zukunft liegt bei Machiavelli und in Miederwaren, Die Tageszeitung, 28/29 October 1995, pg. 29
Christina Wendenburg, Bösartige Parabeln über Moral und Macht für Kinder, Berliner Morgenpost, 27 Oktober 1995
Andreas Quappe, Kondition für die Ellenbogengesellschaft: Claudia Hart, Ein Machiavelli (nicht) für Kinder im Antiquariat in der Ackerstraße, Neues Deutschland, 25 Oktober 1995
Katrin Bettina Müller, Machiavelli also Struwwelpeter: Claudia Harts zynische Kommentare zum Kunstbetrieb, Der Tagesspiegel, 25 Oktober 1995, pg. 26
1994
Ch. W., Wie man eine Gesellschaft ohne Ideale bloßstellt, Berliner Morgenpost, 13 Dec. 1994 Ronald Berg, Out of America, , Zitty, Berlin, December 8, 1994
Knut Ebleling, Wie ein Bekenntnis zur Stadt, Berliner Zeitung, December 1, 1994
Katja Reissner, Die eigene Stadt, Der Tagesspiegel, Berlin, November 19, 1994
Harald Fricke, Kunst in Berlin jetzte Institute for Theore(c)tical Painting, Hahn, Broodthaers, Die Tageszeitung, Berlin, 25 June 1994. pg. 38
Peter Rubel, Vogue, Germany, February 1994, pgs. 116-118
1993
Hajo Schiff, Hysterische Stoffpüppchen, Die Tageszeitung, Hamburg, December 8, 1993
Peter Herbstreuth, Das Rollenspiel des Gesichtsverleihs, Der Tagesspiegel, Berlin, Nov 20 1993 Harald Fricke, Die Künstlerin als Leerstelle, Die Tageszeitung, Berlin, November 15, 1993
Birgit Sonna, New World Order, Süddeutsche Zeitung, July 21, 1993
Elfi Kreis, Verlass mich nicht, Tagesspiegel, Berlin, April 27, 1993
Harald Fricke, Bedrohlicher als die bellende Töle, Die Tageszeitung, Berlin, April 17, 1993
Peter Herbstreuth, Vor dem grossen Sturm, Tagesspiegel, Berlin, April 15, 1993
1992
Marc Ruyters, Grappig, Knack Weekend, May 12, 1992
Herbert Jochmann, Dürer und Holbein als Fundgrube?, Die Tageszeitung, Berlin, Feb 19 1992
Werner Langer, Dreifach genäht, Die Tagesspiegel, Berlin, January 28 1992
1991
Simone Dattenberger, Münchener Merkur, #15, January 18, 1991
Claudio Jaeckel, Aktuell in Münchener Galerien, Süddeutsche Zeitung, #20, January 24, 1991 Christoph Wiedemann, Kunst-Tips, Süddeutsche Zeitung, #19, January 23, 1991
1989
Christine Temin, Hart’s visually simple works carry complex messages, The Boston Globe, 26 Oct 1989
SELECTED ARTIST TALKS/LECTURES
2023
The Memory Theaters of Claudia Hart, BINÁLÉ, Kristály Színtérre, Budapest — HU
The Memory Theaters of Claudia Hart, Conversations at the Edge, the Gene Siskel Theater, Chicago — US
Navigating A Conceptual Practice in the NFT Space, part of Thresholds in the Parameters of What it is to Be, Conley Art Gallery, Fresno State University — US
2022
A Feminist Manifesta of the Blockchain and other Manifestations, part of CryptoPong — DK
Digital Combines: A Conversation with Katie Peyton Hofstadter, Honor Fraser Gallery, Los Angeles — US
2021
Post Photography, Fairfield University Innovation Hub, public seminar — US
The Unfolding of Digital Combines, presented by Haynes Projects, NY — US
What Shapes Our Digital Identity?, Art and Technology Series, Bloomberg/Hundai series, online
Still/Live Artists’ Claudia Hart and Will Pappenheimer, Katonah Museum — US
NFTs: Fad or the Future of Art: Anne Bracedgirdle, Claudia Hart, Jerry Saltz, Kenny Schechter, Hirshhorn Museum — US
Art on the Blockchain: Debates on NFTs & Crypto Art, BBC World Business Report, “Interview with Claudia Hart and Niio Founder Rob Anders,” online
Streamed Instagram Talk, Gazelli Art House, online — GB
Guest of Dean Douglas Baker
Visiting Artist, Clarkson University, Potsdam, NY, Walsch Guest Lecture Series + Guest of Alex A.M. Lee — US
Visiting Artist, New York University, Guest of Snow Fu — US
Visiting Artist, New York University, Guest of Christopher Phillips — US
Visiting Artist, The New School, NY, Guest of John Reed — US
VIsiting Artist, University of Michigan, Milwaukee, Guest of Nathaniel Stern Visiting Artist, Minneapolis College of Art, Guest of Ben Moran — US
2018
Visiting Artist and Conference Speaker, Print Screen Festival, Tel Aviv, Guest of Lior Zalmanson — IL
Visiting Artist, Frank-Ratchye Studio for Creative Inquiry — US
Carnegie Mellon University, Pittsburgh, guest of Golan Levin — US
Visiting Artist, University of Colorado, Boulder, Doctoral Program Mark Amerika — US
2017
Digital Bauhaus: Artists Project Presentation, Transfer Gallery, NY — US
Inside the Flower Matrix, Department of Art and Art History, San Jose State University College of Humanities and the Art — US
2016
This is a Test This is Only a Test, Current Museum, NY — US
2015
Conversations on the Edge, SAIC FVNMA, Gene Siskel Theater Chicago — US
Artists’ Talk, University of Illinois, Gallery 400 — US
2014
Artists’ Talk, Lake Forest College — US
Presentations in three classes of Jane Ursula Harris, School of the Visual Arts — US
Jury student show and presentation, University of North Carolina Asheville — US
2013
Artist Mentor, New York Arts Practicum, Summer 2013 — US
Visiting Artist, Pratt Institute, Brooklyn, NY, Digital Art Department, October 30 — US
Visiting Artist, State University of New York, Westbury campus, Art Department, November — US
Visiting Artist, Mass Arts, Boston, Film Department, December 3 — US
Visiting Artist, guest of William Uricchio, Director of Comparative Media — US
Massachusetts Institute of Technology, December 4 — US
2012
Visiting Artist, The Advanced Computing Center for the Arts and Design — US
Presentation at the Wexner Center, The Ohio State University — US
Visiting Artist for The Real-Fake, William Patterson University, NJ, winter — US
2011
Visiting Artist for The The Real Fake, California State University, Sacramento — US
Visiting Artist, William Patterson University, NJ — US
2010
University of North Texas, Texas — US
Washington University, Missouri — US
2009
Kansas City Art Institute, Kansas City — US
2008
Pratt Institute, School of the Visual Arts NY — US
SELECTED PROJECTS
2019
A Child’s Machiavelli, Book release for new Beatrice Books edition and installation, Wallplay on Canal Street, NY – US
2017
The Dolls, Body + Camera Festival, Mana Contemporary, Jersey City – US
The Riot Grrrls App, an augmented-reality app created collectively with the students of Virtual Installation Fall 2016 class, for the Riot Grrrls exhibition of the Museum of Contemporary Art, Chicago – US
2016
The Romantic App, an augmented-reality app created collectively with the students of my Virtual Installation Fall 2015 class, using the European Painting and Sculpture collection of the Art Institute of Chicago, created in dialogue with Chair Gloria Groom and the curatorial staff, January – December — US
2014
The Alices (Walking): A Sculptural Opera in One Act, produced by Eyebeam and the Moving Image Art Fair, created in collaboration with the composer Edmund Campion, with performances by Claudia Hart, Edmund Campion, Nayland Blake, Adrian Saich, Julie Robinson and Joon Lee, premier March 9 @ the Eyebeam Center for Art + Technology in Chelsea, NY — US
2013
The Alices: A Sculptural Opera in One Act, with score by Edmund Campion, The Arts Club of Chicago, June 18, 2013, with featured performer Mikey McParlane, performed by Jane Jerardi, Natalia Nicole Nicholson, Christine Schallenberg, Yaloo Pop and Amanda Van Valkenberg. Produced by Ellen Sandor.
The Alices: A Sculptural Dance Performance, The Pritzker Pavilion, Millenium Park, Chicago, September 10, 2013, performed by Jane Jerardi, Natalia Nicole Nicholson, Christine Schallenberg, Yaloo Pop and Amanda VanValkenberg. Produced by The School of the Art Institute of Chicago — US
2008
Ophelia, scologram project, collaboration with art-n and Ellen Sandor,
Kasia Kay Gallery, Chicago — US
1998
“Romeo and Juliet,” residency and production, Banff, Alberta — CA
1994
The Institute of Theore(c)tical Painting, collaboration with Kathrin Becker, with catalog, project from June 199 4- June 1995, Likorfabrik, Kunst-Werke, Berlin — DE
SELECTED PRIVATE COLLECTIONS
