Mousse Magazine featured ‘Web 3.0 Aesthetics: In the Futur Post-Hype of the NFT’s (a NFT trilogy curated by Annka Kultys for LaCollectionio).Continue reading “MOUSSE MAGAZINE | 12 December 2022”
Katharina Hoi has reviewed Artificial Paradise for Kulturwoche, a group show at the KM Künstlerhaus featuring work from Olga Fedorova, writing that the lenticular prints “appear three-dimensional due to the tilting effect” (article in German).
Continue reading “KULTURWOCHE | 24 November 2018”
AKG Summer exhibition Terms and Conditions May Apply curated by Bob Bicknell-Knight is featured on Tzvetnik. The exhibition features Fabio Lattanzi Antinori, Marion Balac, Bob Bicknell-Knight, Patrick Colhoun, Shamus Clisset, Alyssa Davis, Tom Galle, James Irwin, Jason Isolini, Jillian Mayer, Rosa-Maria Nuutinen, Moises Sanabria, Lotte Rose Kjær Skau, Owen Thackeray and Addie Wagenknecht. More information can be found here.
DROOL Creatives has featured AKG Summer exhibition Terms and Conditions May Apply curated by Bob Bicknell-Knight. The exhibition will include sculptures, videos, simulations, drawings, paintings and prints from 15 national and international artists. To check out the listing, click here.
The Steidz has reviewed Data Dating at Galerie Charlot, featuring works from !Mediengruppe Bitnik, Adam Basanta, Addie Wagenknecht, Jeroen van Loon, John Yuyi, Moises Sanabria, Olga Fedorova, Pablo Garcia, Thomas Israël, Tom Galle, Zach Gage. Henri Guette writes that Olga Fedorova’s works “can allow us to reinvest loneliness”. To read the full review, click here.
Olga Fedorova’s digital artworks have been mentioned in a review of the group show Data Dating at Galerie Charlot in Paris. In the article, the writer Marie-Laure Desjardins writes that Fedorova fabricates ‘proposals that make us observers of strange scenes, almost disturbing, and especially incomprehensible, as are generally the fantasies of others.’ Read the review on their website here.
Tamara Al-Mashouk has named Signe Pierce in relation to rockstar artists in the age of social media as part of an interview with Forbes.
Continue reading “FORBES | 5 April 2018”