Jasper Spires reviewed the opening reception for Juliette Sturlèse’s and Marjan Moghaddam’s simultaneous solo exhibitions, spanning across Annka Kultys Gallery’s physical and phygital spaces.
Continue reading “FAD MAGAZINE | 27 March 2023”INSTAGRAM | 5 March 2023
Sasha Stiles’ solo exhibition at Annka Kultys Gallery, ‘B1NARY 0DES’, was promoted by @digitalartsblog on Instagram, who say that Stiles’ ‘experiments present a brilliant human-machine collaboration that’s incredibly creative and unique’.
Continue reading “INSTAGRAM | 5 March 2023”ORGAN | 24 February 2023
‘B1NARY 0DES’, Sasha Stiles’ solo exhibition at Annka Kultys Gallery ,was reviewed by Sean Worrall for ORGAN, who deemed it ‘an excellent show, a stimulating show, a show with heart, with soul’.
Continue reading “ORGAN | 24 February 2023”MOUSSE MAGAZINE | 24 February 2023
Sasha Stiles’ solo exhibition at Annka Kultys Gallery, B1NARY 0DES, was featured in Mousse Magazine.
Continue reading “MOUSSE MAGAZINE | 24 February 2023”EXPANDED ART | 9 January 2023
Gallery owner, Annka Kultys, was interviewed by Expanded Art about her interest and background in collecting digital art.
Continue reading “EXPANDED ART | 9 January 2023”OUTLAND | 6 June 2022
As part of her video series ‘The Hirsch Truth’ for Outland, Ann Hirsch discusses the NFT exhibition “Web 3.0 Aesthetics: In the Future Post-Hype of the NFTs,” curated by Annka Kultys Gallery for LaCollection.
Continue reading “OUTLAND | 6 June 2022”DOMESTIKA | 1 June 2022
Domestika mentioned Annka Kultys Gallery’s collaboration with LaCollection as part of its article about ‘NFT Art Projects: 8 Examples from 2022 With a Positive Impact’, written by Lauren Duplessis.
Continue reading “DOMESTIKA | 1 June 2022”COOL HUNTING | 18 May 2022
Annka Kultys Gallery’s contribution to LaCollection’s in-person exhibition at Frieze New York was mentioned in David Graver’s article for Cool Hunting.
Continue reading “COOL HUNTING | 18 May 2022”FINANCIAL TIMES | 7 October 2021
The Financial Times has mentioned Annka Kultys Gallery as one of an “eclectic mix of early adopters” to have embraced digital art in an article on how London has become a crypto-art capital, written by Alex Estorick.
Continue reading “FINANCIAL TIMES | 7 October 2021”