Gretchen Andrew (b. 1988), has made headlines in recent years for hijacking online search engines and replacing the top results for topics such as “Frieze Los Angeles” or “Cover of Artforum” with images of her own work.  
– Kabir Jhala and Louisa Buck for The Art Newspaper, May 2021

Kate Bickmore (b.1993) takes one of the most classical subjects of painting – flowers – and gives new life to otherworldly creatures in a unique style and scale. They are uncomfortably alien and beautifully human all at once. Flowers are typically considered pretty decorative objects on the receiving end of our gaze, but Kate makes the viewer feel as if they are watching and wanting us. Possibly even making their own plans…
— Jonathan Travis

Stine Deja’s (b. 1986) new media works and installations take us on a journey from exploration of contemporary setting of emotional language between human and machines to poignant reflections on life extensions. Her media includes 3D animation, mixed media and kinetic sculptures, immersive installation, moving image, and digital surrogates.

A central interest of Rachel de Joode (b. 1979) is her play between the physical and the virtual world, exploring the relationship between the three dimensional object and its two dimensional representation. 

Through her performative online projects Gertrūda Gilytė (b. 1992) examines the spiritual influencer culture, relationship between the #selfhelp and the self-optimization, and the ways in which spirituality, mysticism, and eternal values appear online.

Over the last two decades, Marc Lee (B. 1969) has become known for network-oriented interactive art projects experimenting with information and communication technologies.

!Mediengruppe Bitnik’s work engages with many of the core tenets of the post-internet age, in particular challenging notions of surveillance, social interaction and internet consumerism.

‘Reality Artist’, Signe Pierce (b. 1988) uses her body, the camera and her surroundings to produce films, performances and photographs, and  with a singularly flashy, neon, Instagram aesthetic. Through her work, she posits questions regarding gender, identity, sexuality and reality within an increasingly digital world.

Through a practice that spans drawing, painting, performance, and poetry, Ai-Da Robot (created in 2019), a bespoke android with the ability to create art, expands what creativity means in the AI dominated era, and questions the notion of what does it mean to be an artist today.

Aaron Scheer (b. 1990) uses painting techniques to create digital works on his computer, mimicking the use of physical media through various brushes and paint effects.