In the second of three conversations with Anika Meier for EXPANDED.ART, Hart discusses her early artistic influences, how Europe transformed her into a digital artist, and the “mind and body split” in her visual and literary work.
Continue reading “EXPANDED ART | 26 June 2023”
Interviewed by Anika Meier for EXPANDED.ART, Claudia Hart discusses her position as a pioneer of digital art, including the notion of post-photography, being a female artist in a man’s world, and her goal of moving contemporary art forward.
Continue reading “EXPANDED ART | 22 June 2023”
Annka Kultys has been interviewed by Anika Meier for Misa.Art on how she has come to collect and promote works by digital natives and how Annka Kultys Gallery is like Duchamp’s boîte en valise.
The German curator and writer Anika Meier has listed the online exhibitions of [The arts happens here] from Annka Kultys Gallery as ‘the best online shows to see’ (article in German).
Curator Anika Meier interviews Gretchen Andrew in Monopol Magazine (article in German).
Lisa Moravec has written a review of Virtual Normality – Women Net Artists 2.0, a group show Museum der bildenden Künste in Leipzig that includes the works of Molly Soda and Signe Pierce. Describing Soda’s contribution to the exhibition, Moravec writes: “Molly Soda’s sound-video installations show her in her private spaces, acting in a casual manner in front of her virtual audience. In That’s Me in the Corner (2017), she sings along with pop music numbers for about 30 minutes. We can see that the live audience on Instagram is watching her, but whether shewatches the audience, is not clear as she continues to look straight ahead, smiling from time to time.” To read the full review, click here.
Hamburg-based news magazine Stern has reviewed Virtual Normality – Women Net Artists 2.0 at Museum der bildenden Künste Leipzig, which features work by Signe Pierce (article in German).
In order to gauge public opinion of Virtual Normality – Women Net Artists 2.0, a group show at MdbK Leipzig curated by Anika Meier, Indie Mag has gathered responses from visitors to the museum about the current state of feminism today in this unique review of the exhibition.
In a new article about female artists in the time of social media, writer and curator Anika Meier discusses the work of Signe Pierce, Molly Soda, and Arvida Byström in the context of the changing nature of female identity as mediated by digital technology (article in German).
Marlene Halser has written a review of Virtual Normality – Women Net Artists 2.0, featuring work by Signe Pierce, at Museum der bildenden Künste Leipzig (article in German).
Michael Meyns has written a review of Virtual Normality – Women Net Artist’s 2.0, a new group show at Museum der bildenden Künste Leipzig that includes the work of Molly Soda, Signe Pierce and Arvida Byström (article in German).
Les Inrockuptibles has reviewed Virtual Normality: Women Net Artists 2.0 at Museum de bildenden Künste Leipzig, including works by Molly Soda, Signe Pierce and Arvida Byström (article in French).
Interview reviews Virtual Normality – Web Artists 2.0: a new group show at MdbK Leipzig featuring works by Signe Pierce and Molly Soda (article in German).
Detektor FM has reviewed Virtual Normality – Web Artists 2.0, an exhibition of women net artists curated by Anika Meier at MdbK Leipzig, including works by Signe Pierce (article in German).
Mittledeutscher Rundfunk (MDR) features the work of Molly Soda and Signe Pierce in a short review of Virtuality Normality – Web Artists 2.0, a group show at MdbK Leipzig.
Anika Meier mentions both Molly Soda and Signe Pierce in her latest article “Es darf sich geärgert werden” for Monopol, describing the current state of net art and digital feminism (article in German).
In concurrence with her first solo show at Annka Kultys Gallery, Monopol has profiled ‘reality artist’ Signe Pierce (article in German).
