SPINDLE MAGAZINE |16 November 2016

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Molly Soda was interviewed with regards to her exhibition Comfort Zone at AKG by Spindle magazine. Victoria Pierce writes, ” Comfort Zone brings together the artist’s exploration of how social media, instant messaging and constant online sharing invades and affects our lives today, blurring the lines between our private and public self.” Read the full article here.

CURATING THE CONTEMPORARY | 14 November 2016

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Angela Pippo has reviewed Molly Soda Comfort Zone in Curating the Contemporary. She writes: “Molly Soda’s practice responds to the broad preoccupation with the changing of global social dynamics, and for her second solo exhibition at Annka Kultys Gallery, she proposes a new selection of projects by opening the door of her MacBook memory”. Read the full article here.

ARTEFACT MAGAZINE | 7 November 2016

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Iman El Kafrawi reviews Molly Soda’s solo-exhibition Comfort Zone at Annka Kultys Gallery for Artefact Magazine. She writes that Comfort Zone “is a raw, authentic view on the way the public world of social media and the Internet is embedded into our ‘private’ lives, and that we are never alone.” To read the full review, click here.

MUSEE MAGAZINE | 3 November 2016

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Ivana Basic is featured in Musée Magazine in relation to her participation in the exhibition  Dreamlands: Immersive Cinema and Art 1905-2016 at the Whitney in New York. “Ivana Basic’s sculpture ‘SOMA’ features a plasticky corpse hanging on a metal bar, with the torso melting into the limbs as if the body was popped in the microwave and removed a gooey mutation.  And the sense of dread and disgust at the sight of this work reveals a very human sensation to remain human, despite the cyborg stage”, writes Celina Huynh. Read the full article here.

ARTSLANT | 2 November 2016

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Olga Fedorova is Artslant’s ‘Wednesday Web Artist of the Week’. Christian Petersen writes, “Fedorova’s work explores contemporary obsessions with clinical modernism and sterile technology, which she uneasily couples with a unique blend of untamed nature and raw sexuality.” Read the full article here.

EYES TOWARD THE DOVE | 1 November 2016

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The current group exhibition Dreamlands: Immersive Cinema and Art 1905-2016 at the Whitney featuring Ivana Basic works has been reviewed by Jongho Lee in Eyes Towards the Dove. Referencing Basic’s video and sculpture ‘SOMA’ (2013-), he writes: “Her body exists in countless ways, including in the future through means of production that have not even been realized yet. In the existing rendering at the exhibit, her body appears both as a sculpture and an animation.” Read the full review here.

PAUL’S ART WORLD | 16 October 2016

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Molly Soda Comfort Zone has been listed by the writer and  curator, Paul Carey-Kent as the gallery show to see in London along with Neo Rauch at David Zwirner, Donna Huanca at Zabludowicz, Cindy Sherman and David Salle at Skarstedt. He writes: “I often feel that artists using new media ending up making ersatz versions of what could been made by other means, but American Molly Soda’s stream of screens, iPads, selfies, messages and images does feel genuinely alternative” in “Choices up Now“. Read the full article here.

ARTSPACE | 7 October 2016

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Loney Abrams spoke with Basic in her Brooklyn studio about the digital and material ways the artist has alienated herself from her own body, about the ever-present existential fear that she experienced growing up in Serbia in the ’90s, and about her plans for an upcoming group show at the Whitney Museum. Read the full interview here.

AQNB | 26 September 2016

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Adeleine St has written a thorough review of Ivana Basic’s exhibition Throat wanders down the blade… at Annka Kultys Gallery for AQNB magazine. Describing the work, she writes: “The nape of the neck, a jagged rib, flesh that could once have been a hand, the nub of a heel, oscillating between foetal and decaying…” Read the full review here.

THE QUIETUS | 25 September 2016

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Robert Barry has written about Ivana Basic’s solo exhibition at Annka Kultys Gallery, Throat wanders down the blade... “The work of Ivana Basic takes its starting point from human flesh, in all its horror and ambiguity,” writes Barry in “Aliens Bodies. Ivana Basic at Annka Kultys.” An interview with Ivana Basic follows his introduction as well as an extract of Ivana’s new book published by Annka Kultys Gallery. Read the full article here.

PAPER MAG | 16 June 2016

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Molly Soda was interviewed by Paper Mag with regards to her latest series of digital paintings inspired by Sex and the City. Soda is quoted saying: “Sex and the City is such a visually-pleasing show to me — the outfits, the city, the fantastical “events” they find themselves at. I wanted to take those elements and combine them with my personal touch and sort of bring their world into my world.” Read the full article here.

MOUSSE MAGAZINE | 1 May 2016

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Alexandra Gorczynski’s exhibition Never Forever at AKG was reviewed by Mousse Magazine. Gorczynski is quoted saying: “Perhaps the most interesting aspect of the work is its play upon the continuum that exists between traditional painting and new media.” Read the full article here.

DETROIT ART REVIEW | 19 March 2016

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Molly Soda’s work in the exhibition Doubly So at the CCS Centre Galleries in Detroit is reviewed by Clara DeGalan for the Detroit Art Review. She writes, “Soda’s work in “Doubly So” left me with a grim suspicion that autonomy of image in social media still alludes women, and it’s a problem we are going to have to spend a few more decades thinking our way around.” Read the full article here.

ANOTHER | 18 March 2016

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Hello, this is Dash at AKG is reviewed by Another magazine. Annka Kultys is quoted saying: “Now, I am showing his work because I believe that his works are a bridge between his generation and the new Instagramming generation who also makes the private public.” Read the full article here.

DAZED | 17 March 2016

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To mark Dash Snow’s exhibition at AKG Dazed has reprinted a 2006 interview with the artist. “I don’t really know much about technique, I just aim to ‘keep the moment’… I feel like technology is a fool’s game” says Dash. Read the full interview here.

ARTSLANT | 9 March 2016

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Alexandra Gorczynski is Artslant’s ‘Wednesday Web Artist of the Week’. Christian Petersen writes, “There is a subtle and precise attention to detail as well as a distinct subversive wit that elevates her compositions to distinctly classical levels.” Read the full article here.

ART ASIA PACIFIC | 2 March 2016

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Ittah Yoda’s exhibition at AKG is reviewed by Ambika Rajgopal for Art Asia Pacific. “From their personal narrative, Ittah Yoda imbue their works with an individual and cultural specificity, which results from a transcultural collaboration”, writes Rajgopal. Read the full article here.

1 GRANARY | 26 February 2016

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Ittah Yoda’s collaboration and exhibition I Think Mango You Say Salmon at AKG is detailed by Aric Miller in his article “Ittah Yoda and the Yin and Yang of Artist Collaboration’ on 1 Granary. The duo are quoted saying: “Maybe we are continuing this collaboration because we thought that on our own we wouldn’t have made enough good, relevant or strong work, whereas together we can strike a perfect balance.” Read the full article here.

MOUSSE MAGAZINE | 26 February 2016

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I Think Mango You Say Salmon is reviewed on Mousse magazine. The author describes Ittah Yoda’s exhibition at AKG as “the culmination of the artists’ recent creative collaboration and comprises ten pieces that explore the subjectivity of the human experience”. Read the full article here.

AUJOURD’HUI | 14 February 2016

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Ittah Yoda’s exhibition at AKG I Think Mango You Say Salmon was reviewed on Aujourd’hui. The author writes, “In I think mango you say salmon Ittah Yoda have harnessed their fragile collective to produce works evocative of Waal’s dream of endless beautiful flow.” Read the full review here.

THE GUARDIAN | 4 February 2016

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Molly Soda is featured in the Guardian in the article “Are Selfies empowering for women?” by Laura Bates who writes: “Artist Molly Soda last year leaked her own nude snaps in a statement about regaining power and control from nude picture hackers”. Read the full article here.

FLAUNT MAGAZINE | 15 January 2016

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Katie Gavin writes about Molly Soda’s Pretend (2015) for Flaunt magazine. “Molly Soda erases the line between artifice and sincerity, and the fluctuating boundaries of 21st century social media performance art” says Gavin. Read the full article here.

EAST LONDON LINES | 09 December 2015

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East London Lines has just reviewed From My Bedroom To Yours, Molly Soda’s first solo show in the United Kingdom. Author Emilie Shane writes, “[Soda’s] videos and images are raw, presenting an authentic experience of being a girl on the Internet. According to Soda: “That’s activism in itself – just putting yourself out there as a woman – being totally unashamed of who you are and what you’re about.” To read the full review, click here.

1883 | 30 November 2015

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1883 Magazine has just reviewed From My Bedroom To Yours, Molly Soda’s first solo show. Author Jacopo Nuvo writes, “She likes to call herself a ‘webcam princess’; yet Molly Soda is more than a mere ‘Internet sensation’, and her debut solo show proves it.” You can find the full review here .

THE WHITE PUBE | 25 November 2015

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The White Pube writers Gabriella de la Puente and Zarina Muhammad have just reviewed From My Bedroom to Yours, Molly Soda’s first solo show. Describing the complexity of the ideas that Soda presents in the show, Muhammad writes “I always, always in my mind want to make the kind of work that makes you stop. I want to make work that is arresting. That makes you pull out your phone and plop it on Instagram, that you take a selfie in front of. I want my work to look good with a filter on it as well as in real life. Molly’s show did that.” To read the full review, click here .

FEBRUARY STATIONERY | 23 November 2015

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From My Bedroom To Yours was reviewed by Marianne Eloise for February Stationery. She writes,  “The work itself, some of her most iconic videos and Newhive pieces from over the years, is delightfully at odds with the ‘girly’ pinks. It speaks of the real juxtaposition that happens within young women, wherein we feel such intense sadness and pain in intimate girly bedroom spaces.” Read the full article here.