“We are both very grateful and proud that we have succeeded in acquiring these striking works…” Carlsberg Foundation’s acquisition of five new artworks by internationally renowned artists for their collection, all of which centre around the them of DNA. One of the works is Stine Deja’s sculptural and digital work entitled Crisp(r) Creatures, 2021.
Kunsten.nu writes about the e-book The Art of Change (Kunsten at forandre) which includes 15 visual artists whose practices address on current crises and solutions. Included is Stine Deja’s Hard Core, Soft Bodies.
the TRANSMEDIALE art festival at At the Academy of Arts in Berlin is featured in Designer Digest magazine. The festival, which includes Stine Deja’s Dawn Chorus Beta, addresses digital capitalism and surveillance.
Berlin Art Link discusses the finale of transmediale 2021–22, and the festival’s final symposium and exhibition that will feature the works of Stine Deja.
Berlin Art Link writes about the Transmedial exhibition, the concluding show of the year long program which features the work of Stine Deja.
Stine Deja’s solo exhibition ‘Dawn Chorus’ is named one of the “15 Most Viewed Exhibitions in IDOART.DK’S 2021 Calendar”.
Annka Kultys has been interviewed by Anika Meier for Misa.Art on how she has come to collect and promote works by digital natives and how Annka Kultys Gallery is like Duchamp’s boîte en valise.
Annka Kultys Gallery’s platform [the art happens here], and Stine Deja’s work in particular, has been spotlighted on Gallerytalk.net (article in German).
AI Portraiture: Us and Them has been profiled in an article on how artists are grappling with the uncertain futures of technology.
GalleriesNow has featured the current exhibition at Annka Kultys, AI Portraiture: Us and Them, in their Weekender Newsletter of the best exhibitions to see.
White Wall review König Galerie’s recent exhibition featuring the works of Annka Kultys Gallery artists Aaron Scheer, Ai-Da Robot, Gretchen Andrew, Rachel de Joode, and Stine Deja.
Stine Deja has appeared on the Eugster Belgrade podcast to talk about some of her works and the ideas behind them, meditating on different versions of our world in the future, the human, transhuman and non-human.
FAD Magazine speaks to Stine Deja about her upcoming solo show at Tranen in Copenhagen and the ethics of cryonics.
Stine Deja is featured by French magazine L’ADN Tendances as one of five artists who represent Post-Internet aesthetics.
Stine Deja is the protagonist of an in-depth, detailed article published in the third 2020 issue of Springerin.
Stine Deja is interviewed about her past and future projects in the 31st issue of Figure Figure by the artist Marco Galvan.
Gallerytalk has interviewed Stine Deja about the impact of technology on our day-today emotions, coinciding with her feature in the group show Real Feelings at HeK, Basel (article in German).
Stine Deja’s work Foreigner (2018) has been featured by CLOT Magazine in an article about the forthcoming show Real Feelings: Technology and Emotion at HeK in Basel.
Metal Magazine has published an interview with Stine Deja focusing on her most recent projects.
Art-Lovers Movie Club has featured Stine Deja’s 4K Zen as part of their weekly artist video spotlight on ArtReview.
Stine Deja’s Last Resort, the last show with Annka Kultys, has been featured on Galleries Now.
Last Resort, Stine Deja’s fourth exhibition with Annka Kultys, has been featured in TZVETNIK.
Laura Netz, contributor at CLOT Magazine, features Stine Deja’s work Cryptic Ruins in her article, in relation to Deja’s participation in the show Hyper Functional, Ultra Healthy at Somerset House.
Stine Deja’s work is featured in the article Digital. Virtuell. Posthuman? by Magdalena Kröner (article in German).
Coinciding with Stine Deja’s last installation in the Danish sports center Holbæk Sportsby, the editors Rikke Luna and Matias from I Do Art.dk reveal the challenges Deja encountered when perceiving the project, and the research opportunities of exhibiting in such a peculiar, unexpected setting (article in Danish).
On the occasion of their nomination for the Remmen Foundation Art Prize 2019 for Synthetic Seduction, their show at Annka Kultys Gallery in March 2018, Stine Deja and Marie Munk have been featured by Stine Hansen as “tomorrow’s stars in the arts” (article in Danish).
Stine Deja’s series of videos Hard Core, Soft Body has been featured in Pylon Hub on the occasion of her recent installation at Schimmel Projects Art Centre, Dresden.
Synthetic Seduction was reviewed by Indira Béraud in Widewalls.
In anticipation of the opening of Synthetic Seduction at SixtyEight Art Institute in Copenhagen, artists Stine Deja and Marie Munk have compiled an ‘Alphabet’ to explain their inspirations and goals for the exhibition published on the I Do Art blog.
Alice Bucknell has written a profile of Stine Deja for Issue No. 28 of Cura Magazine.
In a new guide to the city, London-based blog Lazy Oaf has listed Annka Kultys Gallery as its contemporary art choice.
Stine Deja and Marie Munk’s interactive exhibition Synthetic Seduction has been featured on Mousse’s website.
Stine Deja and Marie Munk have been interviewed by Hold Residency, a digital exhibition and editorial platform; they talk about the tragedy of simulated intimacy and exploring the theme of isolation.
Tank Magazine’s Jan-Peter Westad has interviewed Stine Deja and and Marie Munk about their collaboration in Synthetic Seduction, and how technology alters social behaviour.
Art critic Tabish Khan has listed Synthetic Seduction, the dual-show and immersive environment created by Stine Deja and Marie Munk, as one of the top 7 shows to see in London this week.
Artland has interviewed Stine Deja and Marie Munk about their collaboration for Synthetic Seduction, an interactive exhibition at Annka Kultys Gallery.
Kuba Paris has featured the new show Synthetic Seduction at Annka Kultys Gallery. Featuring the duel efforts of Stine Deja and Marie Munk, the exhibition is an immersive environment that seeks to tackle issues of digitally-mediated intimacy.
Galleries Now, arts events listing site, has featured AKG’s current show Synthetic Seduction online.
AQNB has listed the opening of SYNTHETIC SEDUCTION, a new dual show featuring the work of Stine Deja and Marie Munk, as one of their top event picks for the week.
Stine Deja has been interviewed and profiled by Daphne Milner for It’s Nice That, where she talks about her relationship to the commodification of mindfulness.
Dreamideamachine ART VIEW has included SYNTHETIC SEDUCTION, the upcoming dual-show of work by Stine Deja and Marie Munk, in its most recent art news round up.
Stine Deja: There’s Life Outside is featured as one of Galleries Now top exhibition recommendations in today’s Frieze London Special edition of The Weekender.
Stine Deja spoke to Tank Magazine about her second solo exhibition There’s Life Outside at Annka Kultys Gallery.
Stine Deja There’s Life Outside, is featured in Wall Street International Art.
Annka Kultys Gallery’s booth, featuring an installation by Stine Deja and a performance-installation by Marie Munk, at Art Code Fair in Denmark was mentioned in Kunstkritikk’s review of the event (article in Danish).
Stine Deja’s Cyphoria (2015) is given an in-depth analysis in Simone Rossi’s piece, “On Post-Human: tomorrow will become female,” included in the Issue 05 of Cactus Digitale.
Stine Deja’s work is included in “And if I left off dreaming about you?”, a group exhibition at Polignano a Mare’s Like A Little Disaster open from 18 June to 18 August 2017.
Stine Deja spoke to Charlotte Barnard at Traction Magazine about the capitalisation of human emotion in light of her recent show Cyphoria at Annka Kultys Gallery.
Stine Deja’s exhibition Cyphoria at Annka Kultys Gallery is described as “surreal and imaginative” in FAD Magazine’s list of top 7 art exhibitions to see in London this week.
Art Rabbit has named Cyphoria among the top picks of contemporary art not to miss in London this month.
Cyphoria, Stine Deja’s current exhibition at AKG, is mentioned in Wall Street International.
Cyphoria, Stine Deja’s current exhibition of “slick video animations” at Annka Kultys, is reported in Time Out.
Stine Deja’s Cyphoria, the current exhibition at Annka Kultys, is described as “a metaphysical travel agency, offering to transport the viewer to an unrestrained plethora of destinations beyond the limitations of the physical body” by the contemporary art platform Anti-Utopias.
Stine Deja’s current exhibition, Cyphoria, at Annka Kultys was described by Dino Bonacic for Because Magazine as “travel into a cyber world of satire and absurdity” .
Signe Pierce has been selected as one of the most groundbreaking women using Instagram as a platform for their work by Dazed Digital.
Signe Pierce has been listed as one of seven female performance artists to know about by writer and curator Adriana Felizia Pauly.
