Horacio Quiroz’s first UK solo exhibition, ‘Goddesses of Spoiled Lands’ at ANNKA KULTYS GALLERY, has been featured in Mousse Magazine.Continue reading “MOUSSE MAGAZINE | 29th August 2023”
Sean Worrall glowingly reviews Horacio Quiroz’s solo exhibition ‘Goddesses of Spoiled Lands’ at ANNKA KULTYS GALLERY, describing it as ‘is an excellent show, [with] eight fine paintings, eight paintings that want to talk to you’.Continue reading “ORGAN THING | 21st August 2023”
Horacio Quiroz talks to Radio Juxtapoz about his solo exhibition at ANNKA KULTYS GALLERY and his artistic practice, meandering through discussions about the complexities of growing up queer in Mexico, how his work is a balance of quasi-supernatural explorations with the details of his homeland and the evolving relationship that humans have with nature.Continue reading “JUXTAPOZ MAGAZINE | 9 August 2023”
Horacio Quiroz talks about his artistic practice and his upcoming show at Annka Kultys Gallery in an interview with Jenny Muñoz, discussing his interest in erasing binaries, overturning capitalist hierarchies and returning to the materiality of the Earth.Continue reading “NOMAD SALON | 29 July 2023”
In the second of three conversations with Anika Meier for EXPANDED.ART, Hart discusses her early artistic influences, how Europe transformed her into a digital artist, and the “mind and body split” in her visual and literary work.Continue reading “EXPANDED ART | 26 June 2023”
Claudia Hart, in discussion with Anika Meier in the third and final of three conversations for EXPANDED.ART, speaks about her journey from traditional medium to the world of virtual reality and NFTs, remarking on her background in architecture and her perception of the present.Continue reading “EXPANDED ART | 18 July 2023”
‘In the Middle of Nowhere II’, Jonas Lund’s second instalment of his solo exhibition taking place at Annka Kultys Gallery, was included within the ‘Top 16 Unmissable Exhibitions This June 2023’, an article by Time Well Spent Mag.Continue reading “TIME WELL SPENT MAG | 28 May 2023”
Continue reading “TIME OUT LONDON | 9 May 2023”
Jonas Lund’s solo show at Annka Kultys Gallery has been brilliantly reviewed by Eddie Frankel for Time Out London. The auThor notes: « Of the small handful of Ai-focused exhibitions heath have hit London galleries lately, Lund’s is by far the most successful. »
‘In the Middle of Nowhere II’, Jonas Lund’s solo exhibition at Annka Kultys Gallery, is featured in Mutual Art.Continue reading “MUTUAL ART | 5 May 2023”
Jonas Lund’s solo exhibition ‘In the Middle of Nowhere II’ at ANNKA KULTYS GALLERY is featured on the website of Whitechapel Gallery.Continue reading “WHITECHAPEL GALLERY | 4 May 2023”
Juliette Sturlèse’s solo exhibition ‘A little mouse was running through the grass’ at ANNKA KULTYS GALLERY is featured in GalleriesNow.Continue reading “GALLERIESNOW | 24 March 2023”
Sasha Stiles, whose work was exhibited at ANNKA KULTYS GALLERY for her solo show B1NARY 0DES, was interviewed by Tina Rivers Ryan for the ARTFORUM.Continue reading “ART FORUM | 15 March 2023”
Sasha Stiles’ solo exhibition at Annka Kultys Gallery, ‘B1NARY 0DES’, was promoted by @digitalartsblog on Instagram, who say that Stiles’ ‘experiments present a brilliant human-machine collaboration that’s incredibly creative and unique’.Continue reading “INSTAGRAM | 5 March 2023”
Ai-Da, the artificial intelligence robot artist, and her creators discuss the impact of AI on the future of art for The Art Newspaper, deeming her creations as a Duchampian revolution for the art world.Continue reading “THE ART NEWSPAPER | 28 February 2023”
‘B1NARY 0DES’, Sasha Stiles’ solo exhibition at Annka Kultys Gallery ,was reviewed by Sean Worrall for ORGAN, who deemed it ‘an excellent show, a stimulating show, a show with heart, with soul’.Continue reading “ORGAN | 24 February 2023”
Sasha Stiles’ solo exhibition at Annka Kultys Gallery, B1NARY 0DES, was featured in Mousse Magazine.Continue reading “MOUSSE MAGAZINE | 24 February 2023”
The Centre Pompidou announces its first collection of NFT and NFT-related artwork, featuring art by Jonas Lund, curated to ‘reflect the astonishing wealth of the forms of artistic creation associated with blockchain’.Continue reading “CENTRE POMPIDOU | 10 February 2023”
CACOTOPIA 07, Annka Kultys Gallery’s 7th show in a yearly series featuring emerging artists, was included within ‘The Top 5 Art Exhibitions to See in London Right Now’, an article written by Tabish Khan for FAD Magazine.Continue reading “FAD MAGAZINE | 15 January 2023”
Gallery owner, Annka Kultys, was interviewed by Expanded Art about her interest and background in collecting digital art.Continue reading “EXPANDED ART | 9 January 2023”
CACOTOPIA 07, the 7th show in a series of yearly exhibitions at Annka Kultys Gallery featuring emerging artists, was reviewed in Organ by Sean Worrall, who described it as ‘without a doubt a strong show’.Continue reading “ORGAN | 8 January 2023”
Mousse Magazine featured ‘Web 3.0 Aesthetics: In the Futur Post-Hype of the NFT’s (a NFT trilogy curated by Annka Kultys for LaCollectionio).Continue reading “MOUSSE MAGAZINE | 12 December 2022”
The Guardian reports on Ai-Da’s appearance in the House of Lords to contribute to a debate on AI technology, in an article written by Alex Hern.Continue reading “THE GUARDIAN | 14 October 2022”
Ai-Da’s appearance in the House of Lords is commented upon by Tim Stanley in an article for The Telegraph.Continue reading “THE TELEGRAPH | 11 October 2022”
Jonas Lund discusses the past, present, and future of digital art and NFTs in relation to his show ‘Studio Visit. How to Make Art in the Age of Algorithms’ at Francisco Carolinum Linz in Austria with Alfred Weidinger for Art NFT Linz.Continue reading “ÖO STORIES | October 2022”
Jonas Lund and fellow artist Sarah Meyohas speak to curators Anika Meier and Hans Ulrich Obrist about the value of art after NFTs, how they imagine new economies and their own place in art history for Right Click Save Magazine.Continue reading “RIGHT CLICK SAVE | 15 September 2022”
Sean Worrall reviews Kate Bickmore’s solo exhibition ‘Unfurling’ at Annka Kultys Gallery in Organ Thing, describing the body of work as something ‘to unfurl and enjoy, to explore, to dive into’ and remarking that ‘it does almost feel revolutionary’.Continue reading “THE ORGAN | 29 July 2022”
Kate Bickmore’s second solo show at ANNKA KULTYS GALLERY, ‘Unfurling’, is featured in GalleriesNow.Continue reading “GALLERIESNOW | 27 May 2022”
The creation of ‘Web 3.0 Aesthetics: In the Future Post-Hype of the NFTs’, an exhibition curated by Annka Kultys Gallery for LaCollection, was announced in an article featured in NFT Evening by Janelle Borg.Continue reading “NFT EVENING | 11 May 2022”
Featured in The Guardian, Caroline Davies discusses the remarkable technological evolution of the ability of Ai-Da, a humanoid AI robot, to create artwork and the implications this creates for how we understand both artwork and the boundaries of humanity.Continue reading “THE GUARDIAN | 4 April 2022”
The anticipated appearance of Ai-Da’s artwork at the Venice Biennale is discussed in Artnet by Sarah Cascone, who remarks that ‘the exhibition […] highlights Ai-Da’s growing talents as an artist’.Continue reading “ARTNET | 01 April 2022”
“We are both very grateful and proud that we have succeeded in acquiring these striking works…” Carlsberg Foundation’s acquisition of five new artworks by internationally renowned artists for their collection, all of which centre around the them of DNA. One of the works is Stine Deja’s sculptural and digital work entitled Crisp(r) Creatures, 2021.
Continue reading “UGEAVISEN | 10 February 2022”
Elantin ponders AI replacing humans in the workforce, mentioning Ai-Da Robots painting and poetry.
Continue reading “ELANTIN | 7 February 2022”
Kunsten.nu writes about the e-book The Art of Change (Kunsten at forandre) which includes 15 visual artists whose practices address on current crises and solutions. Included is Stine Deja’s Hard Core, Soft Bodies.
Continue reading “KUNSTEN | 2 February 2022”
the TRANSMEDIALE art festival at At the Academy of Arts in Berlin is featured in Designer Digest magazine. The festival, which includes Stine Deja’s Dawn Chorus Beta, addresses digital capitalism and surveillance.
Continue reading “DESIGNERS DIGEST | 31 January 2022”
CACOTOPIA 06 at ANNKA KULTYS GALLERY is featured on the front page of GalleriesNow.
Continue reading “GALLERIESNOW | 28 January 2022”
Berlin Art Link discusses the finale of transmediale 2021–22, and the festival’s final symposium and exhibition that will feature the works of Stine Deja.
Continue reading “BERLIN ART LINK | 18 January 2022”
“I feel like it was the first time during the pandemic that thinkers or writers from all over the world were talking about the same issue at the same time,” Sukanya Deb profiles artist Ziyang Wu and his artwork Where Did Macy Go for Stir World.
Continue reading “STIR WORLD | 19 January 2022”
“I feel like it was the first time during the pandemic that thinkers or writers from all over the world were talking about the same issue at the same time,” Ziyang Wu is profiled by Sukanya Deb for STIRWorld about his work Where Did Macy Go?
Continue reading “STIRWORLD | 19 January 2022”
Berlin Art Link writes about the Transmedial exhibition, the concluding show of the year long program which features the work of Stine Deja.
Continue reading “BERLIN ART LINK | 18 January 2022”
Barb Power discusses Kate Bickmore’s floral collaboration with fashion brand Karen Millen in an article encouraging colourful statement clothing and artist partnerships.
Continue reading “INDEPENDENT | 15 January 2022”
Ai-Da Robot first major exhibition at London’s Design Museum is reported on by David Conrad for I-programmer.info. the article debates NFTs versus AI generated artwork.
Continue reading “I-PROMGRAMMER | 28 December 2021”
Stine Deja’s solo exhibition ‘Dawn Chorus’ is named one of the “15 Most Viewed Exhibitions in IDOART.DK’S 2021 Calendar”.
Continue reading “IDOART.DK | 27 December 2021”
Purple Art reports on the Hannah Barry group exhibition “Tree and Leaf” that features paintings by Kate Bickmore.
Continue reading “PURPLE | 23 December 2021”
Ai-Da Robot, who is featured in the Ashmolean exhibition ‘Dante: The Invention of Celebrity’ is profiled by Nico Kos for Artlyst. the exhibition is curated by Professor Gervase Rosser and questions Dante’s influence on contemporary culture.
Continue reading “ARTLYST | 20 December 2021”
GalleriesNow featured artist Jukka Virkkunen for his first UK solo exhibition, From the Seven Eggs of Pochard at ANNKA KULTYS GALLERY.
Continue reading “GALLERIESNOW | 10 December 2021”
Designboom lists interview with Ai-Da Robot’s creators as one of the TOP 10 robotic and artificial intelligence stories of 2021.
Continue reading “DESIGNBOOM | 9 December 2021”
FAD Magazine’s Mark Westall Reviews ‘Tree andLeaf’ group exhibition at Hannah Barry that features the work of Kate Bickmore.
Continue reading “FAD MAGAZINE | 19 November 2021”
The Financial Times has mentioned Annka Kultys Gallery as one of an “eclectic mix of early adopters” to have embraced digital art in an article on how London has become a crypto-art capital, written by Alex Estorick.
Continue reading “FINANCIAL TIMES | 7 October 2021”
The Leader, ES Magazine’s podcast, has spoken to art academic Acacia Mei and tech journalist Monty Munford ahead of the release of Brave New World, the groundbreaking NFT featuring Kai Isaiah Jamal.
Continue reading “THE LEADER | 23 September 2021”
Little Black Book has reported on Brave New World, the NFT featuring trans-visibility activist and post Kai Isaiah Jamal, which will be auctioned on the Foundation marketplace in association with Phillips in a 24-hour auction, and shown at Annka Kultys Gallery.
Continue reading “LITTLE BLACK BOOK | 22 September 2021”
ES Magazine makes history as the first UK publication to release an NFT, created by Warren du Preez and Nick Thornton Jones, featuring trans-visibility campaigner and poet Kai Isaiah Jamal, auctioned by Foundation in association with Phillips, and on view at Annka Kultys Gallery.
Continue reading “EVENING STANDARD | 22 September 2021”
Art writer Jonathan Travis has described Kate Bickmore’s show at Annka Kultys Gallery as “a knockout debut solo” in an Instagram post.
Continue reading “INSTAGRAM | 21 September 2021”
Kai-Isaiah Jamal has been interviewed by ES Magazine about the process of creating their boundary-pushing NFT, Brave New World.
Continue reading “EVENING STANDARD | 20 September 2021”
Brave New World, the groundbreaking NFT by Warren du Preez and Nick Thornton Jones, including Kai Isaiah Jamal, released in association with Phillips and featured at Annka Kultys Gallery, ahead of a 24-hour auction on the Foundation marketplace, has been previewed by ES Magazine.
Continue reading “ES MAGAZINE | 20 September 2021”
Kate Bickmore’s current exhibition, In Season, at Annka Kultys Gallery has been named as a “must-see” by Sean Worrall from Organ Thing.
Continue reading “ORGAN THING | 18 September 2021”
GalleriesNow announces In Season, Kate Bickmore’s first solo exhibition with ANNKA KULTY’S GALLERY.
Continue reading “GALLERIESNOW | 17 SEPTEMBER 2021”
FIPP has reported on the unveiling of the unique NFT cover of ES Magazine with trans-visibility activist, model and poet Kai-Isaiah Jamal, ahead of the NFT’s sale in a 24-hour auction on the Foundation marketplace, in association with Phillips and on view at Annka Kultys Gallery.
Continue reading “FIPP | 17 September 2021”
The Evening Standard has previewed the groundbreaking NFT featuring trans-visibility activist and poet Kai Isaiah Jamal, made by Warren Du Preez and Nick Thornton Jones, which will be auctioned on the Foundation platform in association with Phillips, and will be on view at Annka Kultys Gallery.
Continue reading “EVENING STANDARD | 15 September 2021”
Jasper Spires from FAD Magazine has reviewed Kate Bickmore’s In Season, the recent RCA graduate’s first solo exhibition in the UK, on show at Annka Kultys Gallery.
Continue reading “FAD MAGAZINE | 13 SEPTEMBER 2021”
Danielle Brathwaite-Shirley has been interviewed in a collaboration between Flatness.Eu, Feminist Review and Women’s Art Library for the latter’s Autumn 2021 issue.
Continue reading “FEMINIST REVIEW AND WOMEN’S ART LIBRARY | Autumn 2021”
Michael Cuby has profiled artist Danielle Brathwaite-Shirley, whose Black Trans Archive aims to collect, recover and preserve stories of the historically-marginalised Black trans for use by generations to come.
Continue reading “THEM.US | 30 August 2021”
Stine Deja has been mentioned in an article on art fairs in the leading Danish financial newspaper, Børsen (article in Danish).
Continue reading “BØRSEN | 24 August 2021”
Gretchen Andrew has been interviewed by Tainted Magazine about leaving Silicon Valley behind for an art career, criticising systems of power in the EU, sharing glue gun with her viewers, and how Google’s revenue model is directly interested in making women a product for consumption.
Continue reading “TAINTED MAGAZINE | 23 August 2021”
ArtReview has featured Danielle Brathwaite-Shirley as one of its most innovative voices shaping the art and cultural scene in advance of her presentation in collaboration with the publication and the Standard Hotel, London.
Continue reading “ARTREVIEW | 20 August 2021”
Annka Kultys has been interviewed by Anika Meier for Misa.Art on how she has come to collect and promote works by digital natives and how Annka Kultys Gallery is like Duchamp’s boîte en valise.
Continue reading “MISA.ART | 18 August 2021”
Annka Kultys Gallery’s platform [the art happens here], and Stine Deja’s work in particular, has been spotlighted on Gallerytalk.net (article in German).
Continue reading “GALLERYTALK | 17 August 2021”
Art In America discusses the curation of NFTs, mentioning Artist Ziyang Wu’s “haunting sci-fi animation” included in the online exhibition “NFS NSFW NFT,” 2021, at New Art City.
Continue reading “ART IN AMERICA | 12 August 2021”
AI Portraiture: Us and Them has been profiled in an article on how artists are grappling with the uncertain futures of technology.
Continue reading “COBO SOCIAL | 28 July 2021”
Gretchen Andrew has reviewed the UBS Bank VR exhibition as part of The Art Newspaper’s expert XR Panel.
Continue reading “THE ART NEWSPAPER | 23 July 2021”
GalleriesNow has featured the current exhibition at Annka Kultys, AI Portraiture: Us and Them, in their Weekender Newsletter of the best exhibitions to see.
Continue reading “GALLERIESNOW | 20 July 2021”
Ai-Da Robot’s exhibition at the Design Museum has been featured in Cyprus Mail.
Continue reading “CYPRUS MAIL | 16 July 2021”
Gretchen Andrew has been mentioned in the Zeit Magazin newsletter, noting her upcoming show at the Francisco Carolinum Museum and how she uses computational linguistics in her work (article in German).
Continue reading “ZEIT MAGAZIN | 16 July 2021”
Gretchen Andrew publishes her third peer-reviewed paper, questioning the utopian potential of AI programming.
Continue reading “THE BRITISH COMPUTER SOCIETY | July 2021”
Danni Shen reviews the online exhibition “Wonderland” at EPOCH. The group exhibition, including the work of Ziyang Wu, brings together the work of ten Chinese artists living and working in the United States and observing the imposed stereotypes.
Continue reading “HEICHI MAGAZINE | 08 JULY 2021”
Gretchen Andrew speaks to her alma mater about being a woman in tech and her hopes for the future.
Continue reading “BOSTON COLLEGE MAGAZINE | Summer 2021”
Olivier Vergnault reports on Ai-Da’s residency at Porthmeor Studios in St Ives and where she fits into the legacy of the St Ives School of artists like Barbara Hepworth and Ben Nicholson.
Continue reading “IN YOUR AREA | 25 June 2021”
Artland has featured the group exhibition at ANNKA KULTYS GALLERY, AI Portraiture: Us and Them on their website.
Continue reading “ARTLAND | 24 June 2021”
Kate Bickmore has been interviewed by Karuna Priya from Akanista Mindfulness about the role meditation has played in her practice.
Continue reading “AKANISTA MINDFULNESS | June 2021”
Gretchen Andrew covered in the Portuguese magazine Glamurama (article in Portuguese).
Continue reading “GLAMURAMA | 09 June 2021”
Triggered Economics, a group exhibition featuring Kate Bickmore, has been given a 5-star review by Protagonist Magazine writer Daen Palma Huse.
Continue reading “PROTAGONIST MAGAZINE | JUNE 2021”
Fast Company discusses Gretchen Andrew’s SEO work.
Continue reading “FAST COMPANY | 06 June 2021”
Gretchen Andrew: Other Forms of Travel is profiled by Airmail.news.
Continue reading “AIRMAIL.NEWS | June 2021”
Art in America contributor, the writer and curator Legacy Russell, has profiled the virtual experience works of Danielle Brathwaite-Shirley to show the dangers of “trans tourism” and how “building an archive is a trust exercise”.
Continue reading “ART IN AMERICA | 2 June 2021”
Jonathan Jones names Ai-Da Robot’s Design Museum exhibition as his exhibition of the week for The Guardian.
Continue reading “THE GUARDIAN | 28 May 2021”
TRT World has written an article on Ai-Da Robot’s history and her Design Museum exhibition.
Continue reading “TRT WORLD | 25 May 2021”
ArtReview has written an opinion piece on the implications of designing an effeminate robot artist.
Continue reading “ARTREVIEW | 24 May 2021”
Ai-Da’s creator, Aidan Meller, has been interviewed by Nina Azzarello at designboom.
Continue reading “DESIGNBOOM | 24 May 2021”
Live Science has written an article about how Ai-Da robot’s paintings question the role of AI in society.
Continue reading “LIVE SCIENCE | 21 May 2021”
The Art Newspaper has included Ai-Da Robot’s exhibition at the Design Museum in a feature piece on the return of AI in contemporary art.
Continue reading “THE ART NEWSPAPER | 20th May 2021”
Mark Brown interviews Ai-Da Robot about her fascination with self-portraiture and her favourite artists for The Guardian.
Continue reading “THE GUARDIAN | 18 May 2021”
Renée Pfister Art & Gallery Consultancy have mentioned Kate Bickmore’s work in their review of the group show Triggered Economics at 34 Bruton Street.
Continue reading “RENÉE PFISTER ART & GALLERY CONSULTANCY | May 2021”
The Financial Times mentions Gretchen Andrew in their article on Frieze New York.
Continue reading “FINANCIAL TIMES | 03 May 2021”
FAD Magazine reviews Gretchen Andrew’s show Other Forms of Travel at Annka Kultys Gallery.
Continue reading “FAD MAGAZINE | 28 April 2021”
NFT Articles outlines Gretchen Andrew’s first solo gallery exhibtion at Annka Kultys Gallery in “Three Exhibitions to see in London this weekend.”
Continue reading “NFT ARTICLES | 25 April 2021”
The Art Newspaper named Gretchen Andrew’s first solo exhibition at Annka Kultys Gallery in “Three shows to see in London this weekend.”
Continue reading “THE ART NEWSPAPER | 23 April 2021”
Gretchen Andrew interviewed on her show at Annka Kultys Other Forms of Travel by Anna Meinecke for Gallerytalk.net (article in German).
Continue reading “GALLERYTALK.NET | 22 April 2021”
Galleries now announces Gretchen Andrews exhibition at ANNKA KULTYS GALLERY Other Forms of Travel.
Continue reading “GALLERIESNOW | 22 April 2021”
Fad Magazine interviews Gretchen Andrew about her vision boards.
Continue reading “FAD MAGAZINE | 20 April 2021”
LA Weekly interviews Gretchen Andrew on her latest works and her forthcoming solo show at Annka Kultys Gallery in London.
Continue reading “LA WEEKLY | 19 April 2021”
Maryam Arshad at Floresta interviews Andrew on her work and upcoming gallery solo debut at Annka Kultys.
Continue reading “FLORESTA | 12 April 2021”