ANNKA KULTYS GALLERY
Jonas Lund’s solo show at Annka Kultys Gallery has been brilliantly reviewed by Eddie Frankel for Time Out London. The auThor notes: « Of the small handful of Ai-focused exhibitions heath have hit London galleries lately, Lund’s is by far the most successful. »
Gallery owner, Annka Kultys, was interviewed by Expanded Art about her interest and background in collecting digital art.
Continue reading “EXPANDED ART | 9 January 2023”Mousse Magazine featured ‘Web 3.0 Aesthetics: In the Futur Post-Hype of the NFT’s (a NFT trilogy curated by Annka Kultys for LaCollectionio).
Continue reading “MOUSSE MAGAZINE | 12 December 2022”
“We are both very grateful and proud that we have succeeded in acquiring these striking works…” Carlsberg Foundation’s acquisition of five new artworks by internationally renowned artists for their collection, all of which centre around the them of DNA. One of the works is Stine Deja’s sculptural and digital work entitled Crisp(r) Creatures, 2021.
Elantin ponders AI replacing humans in the workforce, mentioning Ai-Da Robots painting and poetry.
Kunsten.nu writes about the e-book The Art of Change (Kunsten at forandre) which includes 15 visual artists whose practices address on current crises and solutions. Included is Stine Deja’s Hard Core, Soft Bodies.
the TRANSMEDIALE art festival at At the Academy of Arts in Berlin is featured in Designer Digest magazine. The festival, which includes Stine Deja’s Dawn Chorus Beta, addresses digital capitalism and surveillance.
CACOTOPIA 06 at ANNKA KULTYS GALLERY is featured on the front page of GalleriesNow.
Berlin Art Link discusses the finale of transmediale 2021–22, and the festival’s final symposium and exhibition that will feature the works of Stine Deja.
“I feel like it was the first time during the pandemic that thinkers or writers from all over the world were talking about the same issue at the same time,” Sukanya Deb profiles artist Ziyang Wu and his artwork Where Did Macy Go for Stir World.
“I feel like it was the first time during the pandemic that thinkers or writers from all over the world were talking about the same issue at the same time,” Ziyang Wu is profiled by Sukanya Deb for STIRWorld about his work Where Did Macy Go?
Berlin Art Link writes about the Transmedial exhibition, the concluding show of the year long program which features the work of Stine Deja.
Barb Power discusses Kate Bickmore’s floral collaboration with fashion brand Karen Millen in an article encouraging colourful statement clothing and artist partnerships.
Ai-Da Robot first major exhibition at London’s Design Museum is reported on by David Conrad for I-programmer.info. the article debates NFTs versus AI generated artwork.
Stine Deja’s solo exhibition ‘Dawn Chorus’ is named one of the “15 Most Viewed Exhibitions in IDOART.DK’S 2021 Calendar”.
Purple Art reports on the Hannah Barry group exhibition “Tree and Leaf” that features paintings by Kate Bickmore.
Ai-Da Robot, who is featured in the Ashmolean exhibition ‘Dante: The Invention of Celebrity’ is profiled by Nico Kos for Artlyst. the exhibition is curated by Professor Gervase Rosser and questions Dante’s influence on contemporary culture.
GalleriesNow featured artist Jukka Virkkunen for his first UK solo exhibition, From the Seven Eggs of Pochard at ANNKA KULTYS GALLERY.
Designboom lists interview with Ai-Da Robot’s creators as one of the TOP 10 robotic and artificial intelligence stories of 2021.
FAD Magazine’s Mark Westall Reviews ‘Tree andLeaf’ group exhibition at Hannah Barry that features the work of Kate Bickmore.
The Financial Times has mentioned Annka Kultys Gallery as one of an “eclectic mix of early adopters” to have embraced digital art in an article on how London has become a crypto-art capital, written by Alex Estorick.
The Leader, ES Magazine’s podcast, has spoken to art academic Acacia Mei and tech journalist Monty Munford ahead of the release of Brave New World, the groundbreaking NFT featuring Kai Isaiah Jamal.
Little Black Book has reported on Brave New World, the NFT featuring trans-visibility activist and post Kai Isaiah Jamal, which will be auctioned on the Foundation marketplace in association with Phillips in a 24-hour auction, and shown at Annka Kultys Gallery.
ES Magazine makes history as the first UK publication to release an NFT, created by Warren du Preez and Nick Thornton Jones, featuring trans-visibility campaigner and poet Kai Isaiah Jamal, auctioned by Foundation in association with Phillips, and on view at Annka Kultys Gallery.
Art writer Jonathan Travis has described Kate Bickmore’s show at Annka Kultys Gallery as “a knockout debut solo” in an Instagram post.
Kai-Isaiah Jamal has been interviewed by ES Magazine about the process of creating their boundary-pushing NFT, Brave New World.
Brave New World, the groundbreaking NFT by Warren du Preez and Nick Thornton Jones, including Kai Isaiah Jamal, released in association with Phillips and featured at Annka Kultys Gallery, ahead of a 24-hour auction on the Foundation marketplace, has been previewed by ES Magazine.
Kate Bickmore’s current exhibition, In Season, at Annka Kultys Gallery has been named as a “must-see” by Sean Worrall from Organ Thing.
GalleriesNow announces In Season, Kate Bickmore’s first solo exhibition with ANNKA KULTY’S GALLERY.
FIPP has reported on the unveiling of the unique NFT cover of ES Magazine with trans-visibility activist, model and poet Kai-Isaiah Jamal, ahead of the NFT’s sale in a 24-hour auction on the Foundation marketplace, in association with Phillips and on view at Annka Kultys Gallery.
The Evening Standard has previewed the groundbreaking NFT featuring trans-visibility activist and poet Kai Isaiah Jamal, made by Warren Du Preez and Nick Thornton Jones, which will be auctioned on the Foundation platform in association with Phillips, and will be on view at Annka Kultys Gallery.
Jasper Spires from FAD Magazine has reviewed Kate Bickmore’s In Season, the recent RCA graduate’s first solo exhibition in the UK, on show at Annka Kultys Gallery.
Danielle Brathwaite-Shirley has been interviewed in a collaboration between Flatness.Eu, Feminist Review and Women’s Art Library for the latter’s Autumn 2021 issue.
Michael Cuby has profiled artist Danielle Brathwaite-Shirley, whose Black Trans Archive aims to collect, recover and preserve stories of the historically-marginalised Black trans for use by generations to come.
Stine Deja has been mentioned in an article on art fairs in the leading Danish financial newspaper, Børsen (article in Danish).
Gretchen Andrew has been interviewed by Tainted Magazine about leaving Silicon Valley behind for an art career, criticising systems of power in the EU, sharing glue gun with her viewers, and how Google’s revenue model is directly interested in making women a product for consumption.
ArtReview has featured Danielle Brathwaite-Shirley as one of its most innovative voices shaping the art and cultural scene in advance of her presentation in collaboration with the publication and the Standard Hotel, London.
Annka Kultys has been interviewed by Anika Meier for Misa.Art on how she has come to collect and promote works by digital natives and how Annka Kultys Gallery is like Duchamp’s boîte en valise.
Annka Kultys Gallery’s platform [the art happens here], and Stine Deja’s work in particular, has been spotlighted on Gallerytalk.net (article in German).
Art In America discusses the curation of NFTs, mentioning Artist Ziyang Wu’s “haunting sci-fi animation” included in the online exhibition “NFS NSFW NFT,” 2021, at New Art City.
AI Portraiture: Us and Them has been profiled in an article on how artists are grappling with the uncertain futures of technology.
Gretchen Andrew has reviewed the UBS Bank VR exhibition as part of The Art Newspaper’s expert XR Panel.
GalleriesNow has featured the current exhibition at Annka Kultys, AI Portraiture: Us and Them, in their Weekender Newsletter of the best exhibitions to see.
Ai-Da Robot’s exhibition at the Design Museum has been featured in Cyprus Mail.
Gretchen Andrew has been mentioned in the Zeit Magazin newsletter, noting her upcoming show at the Francisco Carolinum Museum and how she uses computational linguistics in her work (article in German).
Gretchen Andrew publishes her third peer-reviewed paper, questioning the utopian potential of AI programming.
Danni Shen reviews the online exhibition “Wonderland” at EPOCH. The group exhibition, including the work of Ziyang Wu, brings together the work of ten Chinese artists living and working in the United States and observing the imposed stereotypes.
Gretchen Andrew speaks to her alma mater about being a woman in tech and her hopes for the future.
Olivier Vergnault reports on Ai-Da’s residency at Porthmeor Studios in St Ives and where she fits into the legacy of the St Ives School of artists like Barbara Hepworth and Ben Nicholson.
Artland has featured the group exhibition at ANNKA KULTYS GALLERY, AI Portraiture: Us and Them on their website.
Kate Bickmore has been interviewed by Karuna Priya from Akanista Mindfulness about the role meditation has played in her practice.
Gretchen Andrew covered in the Portuguese magazine Glamurama (article in Portuguese).
Triggered Economics, a group exhibition featuring Kate Bickmore, has been given a 5-star review by Protagonist Magazine writer Daen Palma Huse.
Gretchen Andrew: Other Forms of Travel is profiled by Airmail.news.
Art in America contributor, the writer and curator Legacy Russell, has profiled the virtual experience works of Danielle Brathwaite-Shirley to show the dangers of “trans tourism” and how “building an archive is a trust exercise”.
Jonathan Jones names Ai-Da Robot’s Design Museum exhibition as his exhibition of the week for The Guardian.
TRT World has written an article on Ai-Da Robot’s history and her Design Museum exhibition.
ArtReview has written an opinion piece on the implications of designing an effeminate robot artist.
Ai-Da’s creator, Aidan Meller, has been interviewed by Nina Azzarello at designboom.
Live Science has written an article about how Ai-Da robot’s paintings question the role of AI in society.
The Art Newspaper has included Ai-Da Robot’s exhibition at the Design Museum in a feature piece on the return of AI in contemporary art.
Mark Brown interviews Ai-Da Robot about her fascination with self-portraiture and her favourite artists for The Guardian.
Renée Pfister Art & Gallery Consultancy have mentioned Kate Bickmore’s work in their review of the group show Triggered Economics at 34 Bruton Street.
The Financial Times mentions Gretchen Andrew in their article on Frieze New York.
FAD Magazine reviews Gretchen Andrew’s show Other Forms of Travel at Annka Kultys Gallery.
NFT Articles outlines Gretchen Andrew’s first solo gallery exhibtion at Annka Kultys Gallery in “Three Exhibitions to see in London this weekend.”
The Art Newspaper named Gretchen Andrew’s first solo exhibition at Annka Kultys Gallery in “Three shows to see in London this weekend.”
Gretchen Andrew interviewed on her show at Annka Kultys Other Forms of Travel by Anna Meinecke for Gallerytalk.net (article in German).
Galleries now announces Gretchen Andrews exhibition at ANNKA KULTYS GALLERY Other Forms of Travel.
Fad Magazine interviews Gretchen Andrew about her vision boards.
LA Weekly interviews Gretchen Andrew on her latest works and her forthcoming solo show at Annka Kultys Gallery in London.
Maryam Arshad at Floresta interviews Andrew on her work and upcoming gallery solo debut at Annka Kultys.
Gretchen Andrew: Other Forms of Travel at Annka Kultys is highlighted by FAD Magazine as a must-see exhibition in London.
White Wall review König Galerie’s recent exhibition featuring the works of Annka Kultys Gallery artists Aaron Scheer, Ai-Da Robot, Gretchen Andrew, Rachel de Joode, and Stine Deja.
FRONTRUNNER’s Yuhui Kong interviews Ziyang Wu about the artist’s practice during lockdown, career and advice for artists.
Ninu Nina interview Gretchen Andrew on her approaching exhibition at Annka Kultys Other Forms of Travel.
Marco De Mutiis, Digital Curator at Fotomuseum Winterthur hosts an online interview and screen walk with Gretchen Andrew, in collaboration with The Photographers’ Gallery.
The Art Gorgeous interview Gretchen Andrew on how she feels about 2020 and whether it has affected her practice.
Stine Deja has appeared on the Eugster Belgrade podcast to talk about some of her works and the ideas behind them, meditating on different versions of our world in the future, the human, transhuman and non-human.
Art Plugged reviews Aaron Scheer’s exhibition at ANNKA KULTYS GALLERY, Please enter TITLE here.
Anna-Elisa Jakob profiles Gretchen Andrew’s search engine manipulations for Jetzt Magazin (article in German).
Dazed Digital explores Ai-Da’s new exhibition at the Design Museum, selfie culture, and the dangers of Big Tech.
The Art Newspaper has written an article about Ai-Da Robot’s Design Museum exhibition and human-robot relations.
FAD Magazine reports on Ai-Da Robot’s Design Museum exhibition of “‘selfies’ of a someone who doesn’t have a self.”
Gretchen Andrew talks to The Y Circus about Google, Billy Childish, and her new exhibition at Annka Kultys Gallery.
Marc Lee’s project ‘Airport Lounge’ has been mentioned in The New York Times, in an innovatively illustrated piece.
ANTE mag shines a spotlight on artists who made an impact on the 2021 artworks. Among them, Ziyang Wu is interviewed about his practice and upcoming exhibitions.
FAD Magazine speaks to Stine Deja about her upcoming solo show at Tranen in Copenhagen and the ethics of cryonics.
Here & There Magazine interviews Gretchen Andrew about debunking power structures.
Robert C. Morgan reviews the group exhibition Alienation ? at Eli Klein Gallery in New York City. Curated by Phil Cai, the exhibition highlights the work of eight contemporary Chinese artists based in New York City including Ziyang Wu.
Alex Estorick at Flash Art explores the relationship of art technology, focusing on the work of Gretchen Andrew.
Eli Klein Gallery’s group exhibition Alienation? is mentioned in Wall Street International. The exhibition features 8 Chinese artists currently living and working in New York City.
The German curator and writer Anika Meier has listed the online exhibitions of [The arts happens here] from Annka Kultys Gallery as ‘the best online shows to see’ (article in German).
VICE interviews Gretchen Andrew about human desire and manipulating Google.
Rachel de Joode, Berlin-based multimedia artist, has spoken to The Art Newspaper about her new works on show at Annka Kultys Gallery, interviewed by Olivia Gavoyannis.
Gretchen Andrew interviewed by Artland about her search engine manipulation and hacking the US election
Artnet News write about Gretchen Andrew’s latest work ‘The Next American President’.
Wallace Ludel at The Art Newspaper writes an article on Gretchen Andrew’s work ’The Next American President’, a project that the artist qualifies as ‘a power trip’ enabling her to ‘reprogramme the internet to make it what I want it to be’.
CNN Style write an article on Gretchen Andrew’s latest work.