The Financial Times has mentioned Annka Kultys Gallery as one of an “eclectic mix of early adopters” to have embraced digital art in an article on how London has become a crypto-art capital, written by Alex Estorick.
Continue reading “FINANCIAL TIMES | 7 October 2021”
The Leader, ES Magazine’s podcast, has spoken to art academic Acacia Mei and tech journalist Monty Munford ahead of the release of Brave New World, the groundbreaking NFT featuring Kai Isaiah Jamal.
Continue reading “THE LEADER | 23 September 2021”
Little Black Book has reported on Brave New World, the NFT featuring trans-visibility activist and post Kai Isaiah Jamal, which will be auctioned on the Foundation marketplace in association with Phillips in a 24-hour auction, and shown at Annka Kultys Gallery.
Continue reading “LITTLE BLACK BOOK | 22 September 2021”
ES Magazine makes history as the first UK publication to release an NFT, created by Warren du Preez and Nick Thornton Jones, featuring trans-visibility campaigner and poet Kai Isaiah Jamal, auctioned by Foundation in association with Phillips, and on view at Annka Kultys Gallery.
Continue reading “EVENING STANDARD | 22 September 2021”
Art writer Jonathan Travis has described Kate Bickmore’s show
at Annka Kultys Gallery as “a knockout debut solo” in an Instagram post.
Continue reading “INSTAGRAM | 21 September 2021”
Kai-Isaiah Jamal has been interviewed by ES Magazine about the process of creating their boundary-pushing NFT, Brave New World.
Continue reading “EVENING STANDARD | 20 September 2021”
Brave New World, the groundbreaking NFT by Warren du Preez and Nick Thornton Jones, including Kai Isaiah Jamal, released in association with Phillips and featured at Annka Kultys Gallery, ahead of a 24-hour auction on the Foundation marketplace, has been previewed by ES Magazine.
Continue reading “ES MAGAZINE | 20 September 2021”
Kate Bickmore’s current exhibition,
In Season, at Annka Kultys Gallery has been named as a “must-see” by Sean Worrall from Organ Thing.
Continue reading “ORGAN THING | 18 September 2021”
FIPP has reported on the unveiling of the unique NFT cover of ES Magazine with trans-visibility activist, model and poet Kai-Isaiah Jamal, ahead of the NFT’s sale in a 24-hour auction on the Foundation marketplace, in association with Phillips and on view at Annka Kultys Gallery.
Continue reading “FIPP | 17 September 2021”
The Evening Standard has previewed the groundbreaking NFT featuring trans-visibility activist and poet Kai Isaiah Jamal, made by Warren Du Preez and Nick Thornton Jones, which will be auctioned on the Foundation platform in association with Phillips, and will be on view at Annka Kultys Gallery.
Continue reading “EVENING STANDARD | 15 September 2021”
Jasper Spires from FAD Magazine has reviewed Kate Bickmore’s
In Season, the recent RCA graduate’s first solo exhibition in the UK, on show at Annka Kultys Gallery.
Continue reading “FAD MAGAZINE | 13 SEPTEMBER 2021”
Danielle Brathwaite-Shirley has been interviewed in a collaboration between Flatness.Eu, Feminist Review and Women’s Art Library for the latter’s Autumn 2021 issue.
Continue reading “FEMINIST REVIEW AND WOMEN’S ART LIBRARY | Autumn 2021”
Michael Cuby has profiled artist Danielle Brathwaite-Shirley, whose Black Trans Archive aims to collect, recover and preserve stories of the historically-marginalised Black trans for use by generations to come.
Continue reading “THEM.US | 30 August 2021”
Stine Deja has been mentioned in an article on art fairs in the leading Danish financial newspaper, Børsen (article in Danish).
Continue reading “BØRSEN | 24 August 2021”
Gretchen Andrew has been interviewed by Tainted Magazine about leaving Silicon Valley behind for an art career, criticising systems of power in the EU, sharing glue gun with her viewers, and how Google’s revenue model is directly interested in making women a product for consumption.
Continue reading “TAINTED MAGAZINE | 23 August 2021”
ArtReview has featured Danielle Brathwaite-Shirley as one of its most innovative voices shaping the art and cultural scene in advance of her presentation in collaboration with the publication and the Standard Hotel, London.
Continue reading “ARTREVIEW | 20 August 2021”
Annka Kultys has been interviewed by Anika Meier for Misa.Art on how she has come to collect and promote works by digital natives and how Annka Kultys Gallery is like Duchamp’s
boîte en valise.
Continue reading “MISA.ART | 18 August 2021”
Annka Kultys Gallery’s platform [the art happens here], and Stine Deja’s work in particular, has been spotlighted on Gallerytalk.net (article in German).
Continue reading “GALLERYTALK | 17 August 2021”
AI Portraiture: Us and Them has been profiled in an article on how artists are grappling with the uncertain futures of technology.
Continue reading “COBO SOCIAL | 28 July 2021”
Gretchen Andrew has reviewed the UBS Bank VR exhibition as part of
The Art Newspaper’s expert XR Panel.
Continue reading “THE ART NEWSPAPER | 23 July 2021”
GalleriesNow has featured the current exhibition at Annka Kultys,
AI Portraiture: Us and Them, in their Weekender Newsletter of the best exhibitions to see.
Continue reading “GALLERIESNOW | 20 July 2021”
Ai-Da Robot’s exhibition at the Design Museum has been featured in
Continue reading “CYPRUS MAIL | 16 July 2021”
Gretchen Andrew has been mentioned in the
Zeit Magazin newsletter, noting her upcoming show at the Francisco Carolinum Museum and how she uses computational linguistics in her work (article in German).
Continue reading “ZEIT MAGAZIN | 16 July 2021”
Gretchen Andrew publishes her third peer-reviewed paper, questioning the utopian potential of AI programming.
Continue reading “THE BRITISH COMPUTER SOCIETY | July 2021”
Gretchen Andrew speaks to her
alma mater about being a woman in tech and her hopes for the future.
Continue reading “BOSTON COLLEGE MAGAZINE | Summer 2021”
Olivier Vergnault reports on Ai-Da’s residency at Porthmeor Studios in St Ives and where she fits into the legacy of the St Ives School of artists like Barbara Hepworth and Ben Nicholson.
Continue reading “IN YOUR AREA | 25 June 2021”
Kate Bickmore has been interviewed by Karuna Priya from Akanista Mindfulness about the role meditation has played in her practice.
Continue reading “AKANISTA MINDFULNESS | June 2021”
Gretchen Andrew covered in the Portuguese magazine
Glamurama (article in Portuguese).
Continue reading “GLAMURAMA | 09 June 2021”
Triggered Economics, a group exhibition featuring Kate Bickmore, has been given a 5-star review by Protagonist Magazine writer Daen Palma Huse.
Continue reading “PROTAGONIST MAGAZINE | JUNE 2021”
Fast Company discusses Gretchen Andrew’s SEO work.
Continue reading “FAST COMPANY | 06 June 2021”
Gretchen Andrew: Other Forms of Travel is profiled by Airmail.news.
Continue reading “AIRMAIL.NEWS | June 2021”
Art in America contributor, the writer and curator Legacy Russell, has profiled the virtual experience works of Danielle Brathwaite-Shirley to show the dangers of “trans tourism” and how “building an archive is a trust exercise”.
Continue reading “ART IN AMERICA | 2 June 2021”
Jonathan Jones names Ai-Da Robot’s Design Museum exhibition as his exhibition of the week for
Continue reading “THE GUARDIAN | 28 May 2021”
TRT World has written an article on Ai-Da Robot’s history and her Design Museum exhibition.
Continue reading “TRT WORLD | 25 May 2021”
ArtReview has written an opinion piece on the implications of designing an effeminate robot artist.
Continue reading “ARTREVIEW | 24 May 2021”
Ai-Da’s creator, Aidan Meller, has been interviewed by Nina Azzarello at designboom.
Continue reading “DESIGNBOOM | 24 May 2021”
Live Science has written an article about how Ai-Da robot’s paintings question the role of AI in society.
Continue reading “LIVE SCIENCE | 21 May 2021”
The Art Newspaper has included Ai-Da Robot’s exhibition at the Design Museum in a feature piece on the return of AI in contemporary art.
Continue reading “THE ART NEWSPAPER | 20th May 2021”
Mark Brown interviews Ai-Da Robot about her fascination with self-portraiture and her favourite artists for
Continue reading “THE GUARDIAN | 18 May 2021”
Renée Pfister Art & Gallery Consultancy have mentioned Kate Bickmore’s work in their review of the group show
Triggered Economics at 34 Bruton Street.
Continue reading “RENÉE PFISTER ART & GALLERY CONSULTANCY | May 2021”
The Financial Times mentions Gretchen Andrew in their article on Frieze New York.
Continue reading “FINANCIAL TIMES | 03 May 2021”
FAD Magazine reviews Gretchen Andrew’s show Other Forms of Travel at Annka Kultys Gallery.
Continue reading “FAD MAGAZINE | 28 April 2021”
NFT Articles outlines Gretchen Andrew’s first solo gallery exhibtion at Annka Kultys Gallery in “Three Exhibitions to see in London this weekend.”
Continue reading “NFT ARTICLES | 25 April 2021”
The Art Newspaper named Gretchen Andrew’s first solo exhibition at Annka Kultys Gallery in “Three shows to see in London this weekend.”
Continue reading “THE ART NEWSPAPER | 23 April 2021”
Gretchen Andrew interviewed on her show at Annka Kultys
Other Forms of Travel by Anna Meinecke for Gallerytalk.net (article in German).
Continue reading “GALLERYTALK.NET | 22 April 2021”
Fad Magazine interviews Gretchen Andrew about her vision boards.
Continue reading “FAD MAGAZINE | 20 April 2021”
LA Weekly interviews Gretchen Andrew on her latest works and her forthcoming solo show at Annka Kultys Gallery in London.
Continue reading “LA WEEKLY | 19 April 2021”
Maryam Arshad at
Floresta interviews Andrew on her work and upcoming gallery solo debut at Annka Kultys.
Continue reading “FLORESTA | 12 April 2021”
Gretchen Andrew: Other Forms of Travel at Annka Kultys is highlighted by FAD Magazine as a must-see exhibition in London.
Continue reading “FAD MAGAZINE | 09 April 2021”
White Wall review König Galerie’s recent exhibition featuring the works of Annka Kultys Gallery artists Aaron Scheer, Ai-Da Robot, Gretchen Andrew, Rachel de Joode, and Stine Deja.
Continue reading “WHITE WALL | 09 April 2021”
Ninu Nina interview Gretchen Andrew on her approaching exhibition at Annka Kultys Other Forms of Travel.
Continue reading “NINU NINA | April 2020”
Marco De Mutiis, Digital Curator at Fotomuseum Winterthur hosts an online interview and screen walk with Gretchen Andrew, in collaboration with The Photographers’ Gallery.
Continue reading “THE PHOTOGRAPHERS’ GALLERY | 24 March 2021”
The Art Gorgeous interview Gretchen Andrew on how she feels about 2020 and whether it has affected her practice.
Continue reading “THE ART GORGEOUS | 30 March 2021”
Stine Deja has appeared on the Eugster Belgrade podcast to talk about some of her works and the ideas behind them, meditating on different versions of our world in the future, the human, transhuman and non-human.
Continue reading “EUGSTER BELGRADE | March 2021”
Anna-Elisa Jakob profiles Gretchen Andrew’s search engine manipulations for
Jetzt Magazin (article in German).
Continue reading “JETZT MAGAZIN | 21 February 2021”
Dazed Digital explores Ai-Da’s new exhibition at the Design Museum, selfie culture, and the dangers of Big Tech.
Continue reading “DAZED DIGITAL | 16 February 2021”
The Art Newspaper has written an article about Ai-Da Robot’s Design Museum exhibition and human-robot relations.
Continue reading “THE ART NEWSPAPER | 16th February 2021”
FAD Magazine reports on Ai-Da Robot’s Design Museum exhibition of “‘selfies’ of a someone who doesn’t have a self.”
Continue reading “FAD MAGAZINE | 15 February 2021”
Gretchen Andrew talks to
The Y Circus about Google, Billy Childish, and her new exhibition at Annka Kultys Gallery.
Continue reading “THE Y CIRCUS | 06 February 2021”
Marc Lee’s project ‘Airport Lounge’ has been mentioned in The New York Times, in an innovatively illustrated piece.
Continue reading “THE NEW YORK TIMES | January 2021”
FAD Magazine speaks to Stine Deja about her upcoming solo show at Tranen in Copenhagen and the ethics of cryonics.
Continue reading “FAD MAGAZINE | 7 January 2021”
Here & There Magazine interviews Gretchen Andrew about debunking power structures.
Continue reading “HERE & THERE | January 2021”
Alex Estorick at
Flash Art explores the relationship of art technology, focusing on the work of Gretchen Andrew.
Continue reading “FLASH ART | 11 December 2020”
The German curator and writer Anika Meier has listed the online exhibitions of [The arts happens here] from Annka Kultys Gallery as ‘the best online shows to see’ (article in German).
Continue reading “MONOPOL | 30 November 2020”
VICE interviews Gretchen Andrew about human desire and manipulating Google.
Continue reading “VICE | 19 November 2020”
Rachel de Joode, Berlin-based multimedia artist, has spoken to
The Art Newspaper about her new works on show at Annka Kultys Gallery, interviewed by Olivia Gavoyannis.
Continue reading “THE ART NEWSPAPER | 11 November 2020”
Gretchen Andrew interviewed by
Artland about her search engine manipulation and hacking the US election
Continue reading “ARTLAND | November 2020”
Artnet News write about Gretchen Andrew’s latest work ‘The Next American President’.
Continue reading “ARTNET NEWS | 02 November 2020”
Wallace Ludel at
The Art Newspaper writes an article on Gretchen Andrew’s work ’The Next American President’, a project that the artist qualifies as ‘a power trip’ enabling her to ‘reprogramme the internet to make it what I want it to be’.
Continue reading “THE ART NEWSPAPER | 2 November 2020”
CNN Style write an article on Gretchen Andrew’s latest work.
Continue reading “CNN STYLE | 31 October 2020”
Soft, Rachel de Joode’s show at Annka Kultys Gallery, has been reviewed by Sean Worrall in Organ Thing.
Continue reading “ORGAN THING | 29 OCTOBER 2020”
Rachel de Joode:
Soft, currently exhibited at the gallery, has been featured on Galleries Now, a curated international art listing of the world’s best galleries.
Continue reading “GALLERIES NOW | 22 October 2020”
Stine Deja is featured by French magazine
L’ADN Tendances as one of five artists who represent Post-Internet aesthetics.
Continue reading “L’ADN TENDANCES | 13 October 2020”
Curator Georg Bak from the Museum of Contemporary Digital Art interviews Gretchen Andrew about her 2020 projects.
Continue reading “MUSEUM OF CONTEMPORARY DIGITAL ART | October 2020”
Gretchen Andrew is cited in
Analytics India Magazine‘s article on AI-generated art.
Continue reading “ANALYTICS INDIA | 01 October 2020”
Stine Deja is the protagonist of an in-depth, detailed article published in the third 2020 issue of
Continue reading “SPRINGERIN | September 2020”
The Financial Times has reviewed Studio Berlin, the extensive group show featuring work by Aaron Scheer at Berlin’s Berghain that is aiding the capital’s cultural recovery from the pandemic.
Continue reading “FINANCIAL TIMES | 16 September 2020”
Club Innovation & Culture France have written an in-depth survey of Ai-Da’s current exhibition at Annka Kultys,
Do Robots Dream of Electric Bees? (article in French).
Continue reading “CLUB INNOVATION & CULTURE | 11 September 2020”
CLOT Magazine has featured Ai-Da Robot’s latest exhibition at Annka Kultys Gallery, Do Robots Dream of Electric Bees? in its latest issue.
Continue reading “CLOT MAGAZINE | 10 September 2020”
Art Daily has profiled Annka Kultys Gallery as the first commercial art gallery to represent a humanoid robot artist on the occasion of Ai-Da’s solo show
Do Robots Dream of Electric Bees?
Continue reading “ARTDAILY | 10 September 2020”
Kommersant has featured an article on Ai-Da Robot in light of her most recent show at Annka Kultys Gallery (article in Russian).
Continue reading “KOMMERSANT | 9 September 2020”
The forthcoming exhibition
Do Robots Dream of Electric Bees? at Annka Kultys Gallery has been featured as one of the “Top Gallery Exhibitions to Visit this September” alongside shows at White Cube, Victoria Miro and Marian Goodman Gallery by GoWithYamo.
Continue reading “GOWITHYAMO | 8 September 2020”
The Californian reports on Gretchen Andrew’s debut Museum show in Monterey.
Continue reading “THE CALIFORNIAN | 4 September 2020”
Stine Deja is interviewed about her past and future projects in the 31st issue of
Figure Figure by the artist Marco Galvan.
Continue reading “FIGURE FIGURE | September 2020”
The German magazine
Wirtschafts Woche publishes an article focused on Gretchen Andrew’s artistic practice (article in German).
Continue reading “WIRTSCHAFTS WOCHE | 1 September 2020”
Gretchen Andrew is the protagonist of a recent article published on
Wirtschafts Woche (article in German).
Continue reading “WIRTSCHAFTS WOCHE | 1 September 2020”
Gretchen Andrew has been extensively profiled by Camilla Flocke in
Continue reading “WIRTSCHAFTSWOCHE | 1 September 2020”
The online guide the Londonist has featured
Do Robots Dream of Electric Bees?, Ai-Da Robot’s upcoming show at the gallery, as one of the “9 Must See Exhibitions In London” in September 2020.
Continue reading “LONDONIST | 27 August 2020”
Gallerytalk has interviewed Stine Deja about the impact of technology on our day-today emotions, coinciding with her feature in the group show
Real Feelings at HeK, Basel (article in German).
Continue reading “GALLERYTALK | 26 August 2020”
FAD Magazine has covered Ai-Da Robot’s solo exhibition at Annka Kultys, marking five years since the gallery opened.
Continue reading “FAD MAGAZINE | 17 August 2020”
Stine Deja’s work
Foreigner (2018) has been featured by CLOT Magazine in an article about the forthcoming show Real Feelings: Technology and Emotion at HeK in Basel.
Continue reading “CLOT MAGAZINE | 15 August 2020”
Berlin Art Link has interviewed Danielle Brathwaite-Shirley about using the video game aesthetic as an artistic and political tool to archive and comment on the Black trans experience.
Continue reading “BERLIN ART LINK | 14 August 2020”
Danielle Brathwaite-Shirley has spoken to Tamara Hart of AQNB, resulting in a powerful conversation about the economy of trauma, jouissance in Black death and the power in not passing.
Continue reading “AQNB | 10 August 2020”
Independent Collectors has interviewed Artistic Directors Karen Boros and Juliet Kothe about the highly-anticipated group show at Berlin’s Berghain featuring Aaron Scheer and 116 other artists.
Continue reading “INDEPENDENT COLLECTORS | 9th August 2020”
Bill Posters’ online show
Dissimulation, on view on Annka Kultys’ digital platform [The art happens here], has been featured in a CLOT Magazine review.
Continue reading “CLOT MAGAZINE | 29 July 2020”
Curator Anika Meier interviews Gretchen Andrew in
Monopol Magazine (article in German).
Continue reading “MONOPOL | 25 July 2020”
Hell Gette’s current exhibition at Annka Kultys Gallery, ‘##’, has been reviewed in The Quietus.
Continue reading “THE QUIETUS | 11 July 2020”
Hell Gette’s show at Annka Kultys Gallery has been featured by Galleries Now in the Weekender, the weekly selection of great exhibitions.
Continue reading “GALLERIES NOW | 3 July 2020”
Lindsay Howard, curator and Head of Community at Foundation, has interviewed Signe Pierce, represented by Annka Kultys Gallery since 2017, to coincide with the groundbreaking launch of the Foundation platform, for which Pierce has created its first-ever NFT.
Continue reading “FOUNDATION.APP | 25 June 2020”
Ben Elliot’s digital show, which took place on the Annka Kultys Gallery website, has been noted by Flash Art.
Continue reading “FLASH ART | 22 June 2020”